Category Archives: Royal Churches

Basilica of Santa Chiara in Naples, Italy

by Susan Flantzer
© Unofficial Royalty 2022

The Basilica of Santa Chiara with the green roof – the church is on the left and the monastery is on the right; Credit- By Miguel Hermoso Cuesta – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=39940345

The Basilica of Santa Chiara located in Naples, Italy is a Roman Catholic church, named for Saint Clare of Assisi (Chiara in Italian), one of the first followers of Saint Francis of Assisi and the founder of the women’s religious order the Poor Clares. The basilica is the burial site for some members of the House of Anjou-Naples (reigned the in Kingdom of Naples 1282 – 1435) and the House of Bourbon-Two Sicilies (reigned 1759 – 1861). Besides the basilica, the complex includes an adjoining monastery and an archaeological museum.

The Kingdom of the Two Sicilies was located in today’s southern Italy. It included the island of Sicily and all of the Italian peninsula south of the Papal States. Ferdinando I, the first King of the Two Sicilies, had previously reigned over two kingdoms, as Ferdinando IV of the Kingdom of Naples and Ferdinando III of the Kingdom of Sicily. In 1816, the two kingdoms were merged into the Kingdom of Two Sicilies.

Kings of Two Sicilies

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History of the Basilica of Santa Chiara

Construction began in 1310 during the reign of Robert of Anjou, King of Naples (1276 – 1343), founder of the Basilica and Monastery of Santa Chiara, who is interred in a tomb above the main altar. Naples architect Gagliardo Primario (link in Italian) designed the basilica in the Gotico Angioiano style, an early Gothic style in southern Italy named after the House of Anjou. The interior was decorated with the works of the most important artists of the time including sculptor Tino di Camaino and painter Giotto. Work on the basilica was mostly finished by 1328 but the consecration to Saint Clare of Assisi did not take place until 1340.

The interior with the 18th-century Baroque refurbishment; Credit – Wikipedia

From 1742 to 1762, the interior was refurbished in a Baroque style by a group of artists led by painter, sculptor, and architect Domenico Vaccaro. The stuccoed ceiling was replaced with frescoes by a team of artists including Francesco De MuraGiuseppe BonitoSebastiano Conca, and Paolo de Maio. The floor was paved in marble with a design by Ferdinando Fuga.

The interior of the Basilica of Santa Chiara after the bombing of August 4, 1943; Credit – Wikipedia

During World War II, on August 4, 1943, American Boeing B-17 Flying Fortress aircraft targeted the Axis powers (Germany, Italy, and Japan) submarine base in Naples. The resulting fire that lasted two days severely damaged the Basilica of Santa Chiara and caused the loss of all the frescoes painted during 18th-century refurbishment and most of the Giotto’s 14th-century frescoes.


On the left, the interior with the 18th-century Baroque refurbishment; On the right, the interior today with the surviving original Gothic interior; Credit – Wikipedia

The restoration work started in 1944 and concentrated on the 14th-century architecture that remained intact, restoring the basilica to its original 14th-century appearance and removing the 18th-century refurbishments. The restoration work was completed in 1953 and the basilica was reopened to the public. Pillars, friezes, marble fragments, and sculptures that had been removed from the basilica were moved to a room in the monastery, that became the Marble Room, a part of the Museo dell’Opera di Santa Chiara (link in Italian). The goal of the museum is to reconstruct the history of the Basilica of Santa Chiara.

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The Exterior of the Basilica of Santa Chiara

The facade of the Basilica of Santa Chiara; Credit – By Effems – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=75281369

The exterior of the Basilica of Santa Chiara is quite simple. The entrance consists of a large 14th-century Gothic portal, with a porch and three arched openings. Over the entrance, the facade has a wide pinnacle in which an openwork rose window is set.

The 14th-century portal; Credit – Par Lalupa — Travail personnel, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=2865567

To the left of the church is the bell tower, a separate structure. It was started in 1338 but not completed due to a lack of funds after the death of Robert of Anjou, King of Naples in 1343. Work began again at the beginning of the 15th century but an earthquake in 1456 collapsed most of the bell tower, leaving only the marble base. The bell tower was finally completed in 1601 in the Baroque style.

The bell tower to the left of the basilica; Credit – By Marco Ober – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=94584568

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The Interior of the Basilica of Santa Chiara

The nave of the Basilica of Santa Chiara; Credit – By Berthold Werner, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=32072299

The interior has a single rectangular nave with no decoration and without a transept or choir. The transept is the part of the body of a church, usually crossing the nave, at right angles, at the entrance to the choir, forming a cross. The eighteenth-century marble floor by Ferdinando Fuga was part of the Baroque refurbishment that survived the bombings of World War II.

The Chapel of St. Francis of Assisi which survived the 1943 bombing; Credit – By IlSistemone – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=30409940

There are ten side chapels on each side of the nave, for a total of twenty, with circular arches at each entrance. Each chapel is dedicated to a saint and many of them contain tombs of noble Neapolitan families from the14th through 17th centuries.

The Main Altar

The main altar; Credit – Wikipedia

The main altar is a plain, simple table. A large wooden crucifix from the 14th century, probably by an unknown Sienese artist, stands behind the altar.

Behind the altar, the marble tomb of the basilica’s founder Robert of Anjou, King of Naples towers over the altar. The tomb was sculpted by the Florentine sculptors, the brothers Giovanni and Pacio Bertini (links in Italian) between 1343 and 1345. The tomb contains sculptures of members of Robert’s family. Robert’s effigy is dressed in a Franciscan habit. At the top of the tomb, Robert sits on a throne.

The Bourbon Chapel

The Bourbon Chapel at the Basilica of Santa Chiara; Credit – Di IlSistemone – Opera propria, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=38099754

The 18th-century Bourbon Chapel, which survived the World War II bombing, is directly to the right of the main altar. Carlo IV, King of Naples and King of Sicily (later Carlos III, King of Spain) had the chapel built beginning in 1742. It was to be a temporary burial place while the burial vault under the basilica was being built. However, it has remained the burial place of the four Kings of Two Sicilies and their wives, with one exception. Several children of Carlo IV, King of Naples and King of Sicily (reigned 1734 – 1759) who died before he became Carlos III, King of Spain in 1759 were also remain interred in the Bourbon Chapel.

Access to the royal crypt; Credit – Di Giuseppe Guida – Flickr: Basilica di Santa Chiara., CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=20267754

On the floor of the Bourbon Chapel is the access to the royal crypt which is decorated with the coat of arms of the House of Bourbon-Two Sicilies.

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January 25, 2014 – The Beatification of Blessed Maria Cristina of Savoy, Queen of the Two Sicilies

Maria Cristina at prayer; Credit – Wikipedia

Maria Cristina of Savoy, Queen of the Two Sicilies (1812 – 1836) was the first wife of Ferdinando II, King of the Two Sicilies, and has been venerated in the Roman Catholic Church as Blessed Maria Cristina of Savoy since her beatification in 2014. She was shy, modest, reserved, and a very devout Catholic. After her marriage to Ferdinando II, she found herself living in a court with a lifestyle that was very far from her sensitivity. This caused her to never feel quite comfortable. During the short time that she was Queen of the Two Sicilies, Maria Cristina managed to prevent the carrying out of all death sentences. She was called “the Holy Queen” for her deep religious devotion. Maria Cristina endured her nearly constant illnesses with patience and piety and was popular with the people for her charity, modesty, and humility. On January 21, 1836, five days after giving birth to her only child, the future Francesco II, King of the Two Sicilies, 23-year-old Maria Cristina died from childbirth complications and was buried at the Basilica of Santa Chiara.

In 1859, a cause for the canonization of Maria Cristina as a saint of the Roman Catholic Church was opened. On July 10, 1872, Maria Cristina was declared to be a Servant of God and on May 6, 1937, she was declared a Venerable Servant of God. On May 3, 2013, Pope Francis authorized a decree recognizing a miracle due to her intercession and approved Maria Cristina’s beatification. She is known in the Roman Catholic Church as Blessed Maria Cristina of Savoy and is one step away from canonization as a saint.

Guests at the Beatification of Blessed Maria Cristina of Savoy at the Basilica of Santa Chiara; Credit – https://realcasadiborbone.it/en/duke-duchess-castro-attend-beatification-queen-maria-cristina/

On January 25, 2014, the Basilica of Santa Chiara in Naples, Italy, where Maria Cristina is interred in the Bourbon Chapel, was the site of her beatification ceremony. Several thousand people attended the ceremony including members of the two branches of the House of Bourbon-Two Sicilies led by Carlos, Prince of Bourbon-Two Sicilies, Infante of Spain, Duke of Calabria and Carlo, Prince of Bourbon-Two Sicilies, Duke of Castro. Both branches claim to be Head of the House of Bourbon-Two Sicilies and this event united them for the first time in fifty years. Carlos, Prince of Bourbon-Two Sicilies, Infante of Spain, Duke of Calabria, who died the following year, did not attend the beatification and was represented by his wife. Following the beatification ceremony, members of the House of Bourbon-Two Sicilies paid their respects at the tomb of Blessed Maria Cristina of Savoy.

Tomb of Blessed Maria Cristina of Savoy; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=38973019

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Burials of the House of Anjou-Naples (reigned 1282 – 1435)

Credit – Di User:MatthiasKabel – Opera propria, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=23301141; Credit – Di User:MatthiasKabel – Opera propria, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=23301141

In the photo above, the tomb of Robert of Anjou, King of Naples, is immediately behind the main altar. To the right of the altar is the tomb of Robert of Anjou’s son Charles, Duke of Calabria. To the left of the altar is the tomb of Maria of Calabria, daughter of Charles, Duke of Calabria and granddaughter of Robert of Anjou, whose descendants inherited the crown of Naples following the death of her older sister Joanna I, Queen of Naples who had succeeded her paternal grandfather Robert of Anjou, King of Naples.

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Burials of the House of Bourbon-Two Sicilies (reigned 1759 – 1861)

The Bourbon Chapel at the Basilica of Santa Chiara; Credit – Di IlSistemone – Opera propria, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=38099754

The four Kings of the Two Sicilies and their wives, with one exception, were buried in the baroque-style Bourbon Chapel which was not damaged in the 1943 World War II bombing. The wife of Ferdinando I, Maria Carolina of Austria, was buried in her native Austria, at the Imperial Crypt in the Capuchin Church in Vienna, the traditional burial site of her birth family, the House of Habsburg.

Buried in the Bourbon Chapel are:

The remains of Francesco II, the last King of the Two Sicilies, his wife Maria Sophia of Bavaria, and their daughter Maria Cristina who died in infancy were originally buried at the Church of the Holy Spirit of the Neapolitans in Rome. In 1984, their remains were transferred to the Bourbon Chapel. Several children of Carlo IV, King of Naples and Sicily (reigned 1734 – 1759) who died before he became Carlos III, King of Spain and abdicated the throne of Naples and Sicily in favor of his son Ferdinando in 1759, were also buried in the Bourbon Chapel. Other members of the House of Bourbon-Two Sicilies were interred in the royal crypt which is reached by the entrance in the floor of the Bourbon Crypt. (Photo above in the Bourbon Chapel section.)

It will be noticed that many offspring of Ferdinand I died as children and some are listed as “of Naples and Sicily.” Ferdinando I reigned as King of Naples and Sicily from 1759 – 1816, and then as King of the Two Sicilies from 1816 – 1825. Ferdinando I and his wife Maria Carolina of Austria had seventeen children but ten died in childhood. Of those ten children, seven died from smallpox.

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Works Cited

  • De.wikipedia.org. 2022. Basilika Santa Chiara (Neapel) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Basilika_Santa_Chiara_(Neapel)> [Accessed 19 May 2022].
  • En.wikipedia.org. 2022. Santa Chiara, Naples – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Santa_Chiara,_Naples> [Accessed 19 May 2022].
  • Findagrave.com. 2022. Memorials in Chiesa Santa Chiara – Find a Grave. [online] Available at: <https://www.findagrave.com/cemetery/2138668/memorial-search?page=1#sr-119632076> [Accessed 19 May 2022].
  • Flantzer, Susan, 2021. Maria Cristina of Savoy, Queen of the Two Sicilies. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/maria-cristina-of-savoy-queen-of-the-two-sicilies/> [Accessed 19 May 2022].
  • It.wikipedia.org. 2022. Basilica di Santa Chiara (Napoli) – Wikipedia. [online] Available at: <https://it.wikipedia.org/wiki/Basilica_di_Santa_Chiara_(Napoli)> [Accessed 19 May 2022].
  • It.wikipedia.org. 2022. Cappella dei Borbone – Wikipedia. [online] Available at: <https://it.wikipedia.org/wiki/Cappella_dei_Borbone> [Accessed 19 May 2022].
  • It.wikipedia.org. 2022. Sepolcro di Roberto d’Angiò – Wikipedia. [online] Available at: <https://it.wikipedia.org/wiki/Sepolcro_di_Roberto_d%27Angi%C3%B2> [Accessed 19 May 2022].
  • Realcasadiborbone.it. 2014. Beatification of Queen Maria Cristina of Savoy – Real Casa di Borbone delle Due Sicilie. [online] Available at: <https://realcasadiborbone.it/en/duke-duchess-castro-attend-beatification-queen-maria-cristina/> [Accessed 19 May 2022].

St. George’s Church at Oplenac in Topola, Serbia

by Susan Flantzer
© Unofficial Royalty 2022

St. George’s Church; Credit – By Jelko – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=21400020

St. George’s Church is a Serbian Orthodox church located at the top of the Oplenac Hill in the town of Topola, Serbia. It is the burial site of the Serbian/Yugoslavian Royal Family from the House of Karađorđević. The church is part of Oplenac, a complex that also includes The King’s Winery and Vineyard, the Vineyard’s Keeper’s House, King Peter’s House, and Karađorđe’s Residence.

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History of St. George’s Church

King Peter I of Serbia, founder of St. George’s Church which is in the background); Credit- https://oplenac.rs/

St. George’s Church was built to replace an earlier church in Topola that had been built by Đorđe (George) Petrovic, called Karađorđe (Black George) (1768 – 1817), the founder of the House of Karađorđević, to be the burial site of his new dynasty. Unfortunately, in 1813, Topola was attacked by the Ottoman Turks and the church was severely damaged. Even more unfortunate, on July 26, 1817, Karađorđe was killed by supporters of Miloš Obrenović, from the rival House of Obrenović. This act started decades of feuding between the House of Karađorđević and the House of Obrenović.

Karađorđe’s son Alexander Karađorđević, (sovereign) Prince of Serbia did some restoration in the town of Topola and had planned to build a new church but in 1858, Alexander was forced to abdicate by the rival House of Obrenović which held power until 1903. In 1903, a coup d’etat led by army officers who supported the House of Karađorđević assassinated King Alexander I of Serbia and his wife Queen Draga, resulting in the extinction of the rival House of Obrenović. Prince Peter Karađorđević, the son of Alexander Karađorđević, was then proclaimed King Peter I of Serbia (King of the Serbs, Croats, and Slovenes from 1918 to 1921).

St. George’s Church in the distance, atop Oplenac Hill with the town of Topola in the foreground; Credit – By XJeanLuc at English Wikipedia, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=5982584

Peter I immediately set out to plan a new church. In 1903, he chose the site for the church atop the 1105-foot/337-meter-high Oplenac Hill. The initial architect and his plans were scrapped due to Peter I’s intense dislike of the plans. Another set of preliminary architectural plans was submitted by prospective architects to a committee and the commission was awarded to the young Serbian architect Kosta Jovanović. Peter I and the committee were impressed with Jovanović’s expertise in Serbian medieval architecture and his inventive design for the church. On May 1, 1910, construction on the new church began. The church was mostly complete by the fall of 1912. On September 23, 1912, Dimitrije Pavlović, Metropolitan of Belgrade dedicated the church in honor of Saint George (also known as George of Lydda), the same Saint George who is the patron saint of England.

The incomplete St. George’s Church in 1915; Credit – By K.u.k. Kriegspressequartier, Lichtbildstelle – Wien – https://www.bildarchivaustria.at/Preview/15454244.jpgCatalog: https://www.bildarchivaustria.at/Pages/ImageDetail.aspx?p_iBildID=15454244, Public Domain, https://commons.wikimedia.org/w/index.php?curid=54265966

The 1912 – 1913 Balkan Wars and World War I caused pauses in the completion of the church. When Serbia was occupied by Austrian-Hungarian troops in 1915, the church was looted and damaged. After World War I, restoration on the damaged parts of the church occurred along with work on the incomplete parts but Peter I did not live long enough to see the church completed. He died on August 16, 1921, and his son and successor Alexander I, King of the Serbs, Croats, and Slovenes (1921 – 1929), King of Yugoslavia (1929 – 1934) took over its completion.

The church was consecrated again on September 9, 1930, by Varnava Rosić, Patriarch of the Serbian Orthodox Church. During World War II, Yugoslavia (the country became known as the Kingdom of Yugoslavia in 1929) was occupied by Germany, and Peter II, King of Yugoslavia went into exile. In 1944, Communist Party leader Josip Broz, later known as Tito, established a Communist government. In November 1945, the monarchy was formally abolished and King Peter II was officially deposed. Yugoslavia would remain a Communist country for over forty years. Services continued in the church until 1947. Under the Communist government, St. George’s Church was declared a cultural monument and was converted into a museum of the Karađorđević dynasty. In 1991, after the fall of the Communist regime, members of the Serbian/Yugoslav royal family were able to return to their family homeland. On October 8, 1991, St. George’s Church was consecrated again and formally restored as a Serbian Orthodox church.

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The Exterior of St. George’s Church

St. George’s Church; By Malecko86 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=35755492

Serbian architect Kosta Jovanović designed St. George’s Church in a unique Serbian-Byzantine style with a Neo-Byzantine cross-shaped base and a huge central dome surrounded by four smaller domes at the points of the cross. The church was constructed using white marble from the Venčac Mountain near Arandjelovac, Serbia.

The mosaic of St. George above the entrance; Credit – By Julian Nyča – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=15371896

Above the main entrance is a semi-circle mosaic of the church’s patron St. George with the face of Karađorđe, the founder of the House of Karađorđević, slaying the dragon, symbolizing the victory of the Serbs over their enemies. The mosaic was designed by Serbian artist Paja Jovanović and was made in Venice, Italy.

The sculpted old coat of arms of the House of Karađorđević; Credit – https://oplenac.rs/st-georges-church/#gallery243-1

Above the mosaic in a circle, is a sculpted old coat of arms of the House of Karađorđević

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The Interior of St. George’s Church

Orthodox churches are set up differently than other Christian churches. They are divided into three main parts: the narthex, the nave, and the sanctuary. The narthex is the passage hall between the outer door and the interior parts of the church. It is the symbolic connection between the church and the outside world. It used to be the practice that non-Orthodox people had to remain in the narthex but this practice has mostly fallen into disuse. The congregation stands in the nave, the main part of the church during services. Traditionally there is no sitting during Orthodox services and so Orthodox churches usually do not have pews or chairs.

The Iconostasis; Credit – By Ванилица – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=78926944

In Orthodox Christianity, an iconostasis is a wall of icons and religious paintings that divides the sanctuary from the nave. The sanctuary is where the Divine Liturgy is performed behind the iconostasis, accessible only to the clergy. The iconostasis usually has three doors, one in the middle and one on either side. The middle door is traditionally called the Beautiful Gate and is only used by the clergy.

Examples of mosaics in St. George’s Church; Credit – By Alekino – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=16377213

The interior is covered with 725 mosaic images made in Italy (513 in the church, 212 in the crypt). The mosaics are reproductions of medieval frescoes in Serbia. Copies of frescoes from sixty Serbian medieval churches and monasteries were brought to St. George’s Church for reference.

Mosaic of King Peter I, St. George, Mary the Mother of God, and Jesus; Credit – https://oplenac.rs/st-georges-church/#gallery243-19

On the entire southern wall of the narthex is a mosaic of the founder King Peter I, wearing his regalia and holding a model of St. George’s Church in his left hand. St. George is holding his right hand and guiding him to Mary, Mother of God and Jesus.

The main dome at St. George’s Church; Credit – Credit – By Julian Nyča – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=15371774

The interior of the main dome is a mosaic of Christ Pantokrator (Pantokrator = Almighty or All-Powerful). Christ Pantokrator is mostly an Eastern Orthodox concept that depicts Christ as a mild but stern, all-powerful judge of humanity. The mosaic on the main dome of St. George’s Church is a copy of the fresco (below) on the dome of the 1321 Gračanica Monastery in Gračanica, now in Kosovo.

The original fresco on the dome of the 1321 Gračanica Monastery; Credit – https://www.world-archaeology.com/travel/ulpiana-the-romans-in-kosovo/

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May 26, 2013 – State Funeral and Reburial of King Peter II, Queen Alexandra, Queen Maria, and Prince Andrej

 

King Peter II, his wife Queen Alexandra (born Princess Alexandra of Greece and Denmark), his mother Queen Maria (born Princess Maria of Romania), and his brother Prince Andrej finally came home to Serbia and were laid to rest in a state funeral at St. George’s Church on May 26, 2013. The funeral service and burial was attended by members of the Serbian royal family, Serbian government officials,  ambassadors, and members of other royal families.

King Peter II died on November 3, 1970, in Denver, Colorado, following a failed liver transplant. Per his wishes, he was interred at the Saint Sava Monastery Church in Libertyville, Illinois. Queen Alexandra died on January 30, 1993, in Burgess Hill, England. She was initially buried in the Royal Burial Grounds at Tatoi Palace in Greece near her parents King Alexander of Greece and Aspasia Manos. Queen Maria died in London, England on June 22, 1961. A great-granddaughter of Queen Victoria, she was buried at the Royal Burial Ground at Frogmore in Windsor, England. Prince Andrej died in Irvine, California on May 7, 1990, and was first buried at New Gračanica Monastery, a Serbian Orthodox monastery in Third Lake, Illinois.

Burials at St. George’s Church

The tombs of Đorđe Petrovic, called Karađorđe (Black George), founder of the House of Karađorđević, and his grandson Peter I, King of Serbia, the founder of St. George’s Church, across from each other; Credit – By Ванилица – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=78923275

There are two burials in the transepts of St. George’s Church. A transept is an area crosswise to the nave in a cross-shaped church so that the nave and the transepts form a cross. Deserving of their special burial places in the transepts are Đorđe Petrovic, called Karađorđe (Black George), founder of the House of Karađorđević, and his grandson Peter I, King of Serbia, the founder of St. George’s Church.

The crypt under St. George’s Church; Credit – By Ванилица – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=78926927

There are 40 tombs in the crypt beneath the church, and as of the publication of this article, 28 members of the House of Karadjordjevic have been buried in the crypt, representing six generations of the family. The tombs were used without special order and without respecting criteria, such as generations, kinship, and order of death.

The remains of a number of members of the House of Karađorđević were transferred to St. George’s Church from their original burial sites. If known, information about the transfers is listed below.

In the crypt under the church:

  • Marica Živković (died 1811), mother of Đorđe (George) Petrovic, called Karađorđe (Black George)
  • Prince Alexius of Serbia (1836 – 1840), son of Alexander Karađorđević, (reigning) Prince of Serbia
  • Jelena Jovanović (circa 1765 – 1842), wife of Đorđe (George) Petrovic, called Karađorđe (Black George), founder of the House of Karađorđević
  • Prince Svetozar of Serbia (1841 – 1847), son of Alexander Karađorđević, (reigning) Prince of Serbia
  • Princess Jelisaveta of Serbia (1851 – 1852), daughter of Alexander Karađorđević, (reigning) Prince of Serbia
  • Princess Kleopatra of Yugoslavia (1835 – 1855), daughter of Alexander Karađorđević, (reigning) Prince of Serbia
  • Prince Andrej of Serbia (1848 – 1864), son of Alexander Karađorđević, (reigning) Prince of Serbia
  • Princess Jelena of Yugoslavia (1846 – 1867), daughter of Alexander Karađorđević, (reigning) Prince of Serbia
  • Persida Nenadović, Princess of Serbia (1813 – 1873), wife of Alexander Karađorđević, (reigning) Prince of Serbia, first buried in Vienna, Austria, remains were transferred in 1912 to St. George’s Church
  • Alexander Karađorđević, reigning Prince of Serbia (1806 – 1885), first buried in Vienna, Austria, remains transferred in 1912 to St. George’s Church
  • Princess Milena of Serbia (1886 – 1887), daughter of Peter I
  • Prince Djordje of Serbia (1856 – 1889), son of Alexander Karađorđević, (reigning) Prince of Serbia
  • Zorka of Montenegro, Princess Karađorđević (1864 – 1890), wife of Peter I, first buried at the Cetinje Monastery in Cetinje, Montenegro, remains were transferred in 1912 to St. George’s Church
  • Prince Andrej of Serbia (born and died 1890), son of Peter I, died at birth along with his mother Zorka
  • Alexander I, King of the Serbs, Croats, and Slovenes from 1921 to 1929, King of Yugoslavia from 1929 to 1934 (1888 – 1934), son of Peter I, assassinated
  • Prince Arsenije of Serbia (1859 – 1938), son of Alexander Karađorđević, (reigning) Prince of Serbia
  • Persida Ida Nikolajević (1869 – 1945), daughter of Princess Poleksija of Serbia, granddaughter of Prince Alexander Karađorđević, (reigning) Prince of Serbia
  • Prince Nicholas of Yugoslavia (1928 – 1954), son of Prince Paul of Yugoslavia, first buried in the Bois-de-Vaux Cemetery, in Lausanne, Switzerland, remains were transferred in 2012 to St. George’s Church
  • Marie of Romania, Queen of the Serbs, Croats, and Slovenes from 1921 to 1929, Queen of Yugoslavia from 1929 to 1934 (1900 – 1961), wife of Alexander I, first buried in the Royal Burial Ground at Frogmore in Windsor, England, remains were transferred in 2012 to St.George’s Church
  • Peter II, King of Yugoslavia (1923 – 1970), son of Alexander I, first buried, per his wishes, at the Saint Sava Monastery Church in Libertyville, Illinois, remains were transferred in 2013 to St. George’s Church
  • Crown Prince George of Serbia (1887 – 1972), son of Peter I, in 1909, Crown Prince George killed his servant and was forced to give up his claim to the throne
  • Prince Paul of Yugoslavia (1893 – 1976), son of Prince Arsenije of Yugoslavia, grandson of Alexander Karađorđević, (reigning) Prince of Serbia, first buried in the Bois-de-Vaux Cemetery, in Lausanne, Switzerland, remains were transferred in 2012 to St. George’s Church
  • Prince Andrej of Yugoslavia (1929 – 1990), son of Alexander I, first buried at the New Gračanica Monastery in Third Lake, Illinois, remains were transferred in 2013 to St. George’s Church
  • Alexandra of Greece and Denmark, Queen of Yugoslavia (1921 – 1993), initially buried in the Royal Burial Grounds at Tatoi Palace in Greece, remains were transferred in 2013 to St. George’s Church
  • Radmila Radonjić Karađorđević (1907 – 1993), wife of Crown Prince George of Serbia
  • Olga of Greece and Denmark, Princess of Yugoslavia (1903 – 1997), wife of Prince Paul of Yugoslavia, first buried in the Bois-de-Vaux Cemetery, in Lausanne, Switzerland, remains were transferred in 2012 to St. George’s Church
  • Prince Tomislav of Yugoslavia (1928 – 2000), son of Alexander I, first buried in the Bois-de-Vaux Cemetery, in Lausanne, Switzerland, remains were transferred in 2012 to St. George’s Church
  • Prince Alexander of Yugoslavia (1924 – 2016), son of Prince Paul of Yugoslavia

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • En.wikipedia.org. 2022. Oplenac – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Oplenac> [Accessed 16 May 2022].
  • Mehl, Scott, 2017. Serbian/Yugoslavian Royal Burial Sites. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/serbianyugoslavian-royal-burial-sites/> [Accessed 16 May 2022].
  • Oplenac. 2022. Oplenac: The Mausoleum of the Serbian Royal Family. [online] Available at: <https://oplenac.rs/> [Accessed 16 May 2022].
  • Sr.wikipedia.org. 2022. Црква Светог Ђорђа на Опленцу — Википедија. [online] Available at: <https://sr.wikipedia.org/wiki/%D0%A6%D1%80%D0%BA%D0%B2%D0%B0_%D0%A1%D0%B2%D0%B5%D1%82%D0%BE%D0%B3_%D0%82%D0%BE%D1%80%D1%92%D0%B0_%D0%BD%D0%B0_%D0%9E%D0%BF%D0%BB%D0%B5%D0%BD%D1%86%D1%83> [Accessed 16 May 2022].
  • United Press International. 1991. Exiled prince vows to return to Belgrade. [online] Available at: <https://www.upi.com/Archives/1991/10/07/Exiled-prince-vows-to-return-to-Belgrade/8142686808000/> [Accessed 16 May 2022]

Dresden Cathedral (Katholische Hofkirche) in Dresden, Germany

by Susan Flantzer
© Unofficial Royalty 2022

Dresden Cathedral; Credit – Wikipedia

Dresden Cathedral is a Roman Catholic church in Dresden in the German state of Saxony. During the time of the Electorate of Saxony and the Kingdom of Saxony, it was called the Catholic Church of the Royal Court of Saxony (in German: Katholische Hofkirche). Always the most important Catholic church in Dresden, in 1964, Dresden Cathedral was elevated to the status of co-cathedral, a cathedral church that shares the function of being a bishop’s seat with another cathedral. Dresden Cathedral is a co-cathedral of the Diocese of Dresden-Meissen with St. Peter’s Cathedral in Bautzen, Germany. It also serves as a parish church.

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History of Dresden Cathedral

Dresden Cathedral, circa 1840; Credit – Wikipedia

The House of Wettin split into two ruling branches in 1485: the Ernestine branch and the Albertine branch. The Albertine branch, while less prominent, ruled most of Saxony and briefly ruled Poland. In 1697, Friedrich August I, Elector of Saxony converted to Roman Catholicism to obtain the Polish crown. From 1697 to 1706, and again from 1709 until his death in 1733, he reigned as King of Poland as Augustus II while remaining Elector of Saxony. This conversion to Roman Catholicism caused concern in Protestant Saxony, which increased when his grandson the future Friedrich August II, Elector of Saxony (who also reigned as Augustus III, King of Poland), also converted in 1712.

Upon his conversion in 1697, Friedrich August I had guaranteed religious freedom for the people of the Electorate of Saxony. However, he did not dare to displease his mostly Protestant subjects by building a Catholic church in Dresden. Instead, he discreetly practiced his Catholic faith in the Dresden Castle chapel. In 1708, Friedrich August I had a ballroom the Opera House at the Taschenberg in Dresden, converted into a Catholic church. He supported the rebuilding of the Frauenkirche, originally a Catholic church until the Reformation, when it became a Protestant church. This gave further assurance to the people of Saxony that Friedrich August I, Elector of Saxony would not force upon them the principle of cuius regio, eius religio – whose realm, their religion – meaning that the religion of the ruler was to dictate the religion of those ruled.

It was not until Friedrich August I’s son Friedrich August II succeeded him as Elector of Saxony in 1733 that the Catholic Court Church (Katholische Hofkirche) was commissioned in 1736, initially under strict secrecy. At first, it was referred to as “a certain building”. Because of the conversion of the ruling family of Saxony, it was necessary to build a Roman Catholic church in Dresden to provide a Roman Catholic burial site for members of the Albertine branch. Friedrich August II’s father, Friedrich August I, Elector of Saxony who had converted to Roman Catholicism to become King of Poland, had been buried at the Roman Catholic Wawel Cathedral in Kraków, Poland. His wife Christiane Eberhardine of Brandenburg-Bayreuth remained Lutheran and was buried in a Lutheran church. Christiane Eberhardine was called Sachsens Betsäule (Saxony’s pillar of prayer) by the Protestant people of Saxony for her refusal to convert to Catholicism and her loyalty to the Protestant faith.

The church was designed by Italian architect Gaetano Chiaveri and construction was carried out from 1739 to 1755. Initially, the Catholic Court Church was for the use of the Elector of Saxony, his family, and high-ranking officials and it was connected with a walkway to Dresden Castle, the residence of the family of the Elector of Saxony, and later, the King of Saxony. The Catholic Court Church was consecrated as the Court Church of the Most Holy Trinity on June 29, 1751, four years before the church was entirely completed, by Archbishop Alberico Archinto, Apostolic Nuncio to Poland.

Dresden Cathedral’s destroyed roof after the 1945 bombing; Credit – Wikipedia

During the joint British and American bombing of Dresden during World War II, from February 13 – February 15, 1945, the church was hit by bombs and badly damaged. As early as June 1945, mass was celebrated in the Benno Chapel and later in the left aisle. In 1962, the nave could be used again and the restoration was completed by 1965.

From March 2020 to February 2021 the cathedral was closed for extensive renovation work including the rebuilding of the walkway from the church to Dresden Castle. The nave was temporarily scaffolded up to the ceiling to repair damage and dirt on the ceiling and walls. The sacristy was completely redesigned and the cathedral received new lighting and a new speaker system.

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The Exterior of Dresden Cathedral

An aerial view of Dresden Cathedral; Credit – Von Carsten Pietzsch – Eigenes Werk, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=31879551

The cathedral was built in the late Baroque style. The structure of the free-standing, high central nave and the lower ambulatory aisle which completely surrounds the nave, are clearly visible from the outside. The ambulatory aisle served as a procession area. Any form of outdoor Catholic worship was forbidden in Protestant Saxony, and Catholic processions were banned.

Statues of saints; Credit – By Ad Meskens – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=41602816

A striking feature of Dresden Cathedral is the seventy-eight larger-than-life statues of saints on the façade and the balustrades designed by the Italian sculptor Lorenzo Mattielli and the Dresden sculptors Paul and Jakob Mayer. The saints were chosen by Maria Josepha of Austria, Electress of Saxony, Queen of Poland, the Italian Jesuit and court confessor Ignatius Guarini (link in German), and the church architect Gaetano Chiaveri. Male and female saints are depicted and include apostles, evangelists, church fathers, founders of religious orders, important Jesuits, patron saints from the Saxon, Bohemian, Habsburg, and Polish regions, and allegorical figures.

During the bombing of Dresden in February 1945, sixteen statues were completely destroyed, eighteen were severely damaged, and numerous others had minor damage. From 1961 to 1972, the damaged statues were restored. The destroyed figures were replaced with copies from 1968 to 2002. Since 2002, unstable statues have been replaced with copies.

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The Interior of Dresden Cathedral

The nave looking toward the high altar; Credit – Von Jörg Blobelt – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62227414

The interior is divided into a nave, two aisles, and four corner chapels. A feature unique to Dresden Cathedral is the procession ambulatory, which runs around the entire nave. It was integrated into the church, at the time of construction, because Dresden was a Protestant city and the Catholic processional services had to take place inside.

The High Altar

The High Altar; Credit – Von Jörg Blobelt – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62227415

The high altar, made from marble and gilded bronze ornaments, was created by the Italian sculptor Andrea Salvatore di Antonio Aglio. The altarpiece, the large painting above the high altar, depicts the Ascension of Jesus Christ by Dresden court painter Anton Raphael Mengs.

The Left Aisle

The Martyrs Altar; Credit – By Ricardalovesmonuments – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=110287469

At the end of the left aisle was originally an altar dedicated to Saint Francis Xavier but it was destroyed in the 1945 Dresden bombing. It was replaced by the Martyrs’ Altar commemorating three World War II martyrs whose ashes were originally interred in the Old Catholic Cemetery in Dresden (link in German). The three urns with their ashes were transferred on February 5, 2011, in a procession from the Old Catholic Cemetery to Dresden Cathedral where they are kept permanently on the Martyrs’ Altar.

  • Blessed Alois Andritzki (1914 – 1943), a German Roman Catholic priest who was a vocal critic of the Nazi regime and was killed by lethal injection in the Dachau concentration camp, beatified (the last step before sainthood) in 2011 at Dresden Cathedral
  • Bernhard Wensch (link in German) (1908 – 1942), a German Roman Catholic priest who was a vocal critic of the Nazi regime, died in the Dachau concentration camp
  • Aloys Scholze (link in German) (1893 – 1942), a German Roman Catholic priest who was a vocal critic of the Nazi regime, died in the Dachau concentration camp

Tje baptismal font by sculptor Balthasar Permoser; Credit – By SchiDD – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=111691972

Also in the left aisle is the baptismal font with a gilded metal lid created by sculptor Balthasar Permoser in 1721.

The Right Aisle

Statue of the Blessed Virgin Mary holding the Infant Jesus, surrounded by angels by German sculptor Herman Leitherer; Credit – By Ricardalovesmonuments – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=110287485

At the end of the right aisle was originally an altar dedicated to Saint Ignatius of Loyola but it was destroyed in the 1945 Dresden bombing. An altar dedicated to the Blessed Virgin Mary replaced the original altar. In the wall niche above the altar is a statue of Mary holding the Infant Jesus, surrounded by angels created, by German sculptor Herman Leitherer (link in German) in 1987, inspired by the Mühlhausen altar in Bamberg Cathedral.

The Four Corner Chapels

Four chapels are located at the four corners of Dresden Cathedral. All four chapels suffered damage during the Dresden bombing in February 1945. Three of the corner chapels have been restored close to their original. An exception is the Memorial Chapel commemorating the victims of World War II which is an entirely new chapel.

The Sacrament Chapel

The Sacrament Chapel; Credit – By Mogadir – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=43707533

The Sacrament Chapel, dedicated to the Eucharist (Holy Communion), is located at the southwest corner and is used for silent worship. The Founder’s Crypt, where the Electors and Kings of Saxony from 1694 to 1827 and some family members are interred, is located under the Sacrament Chapel.

The reproduction of The Institution of the Eucharist by the German painter Gerhard Keil; Credit – By Jörg Blobelt – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=98058798

The original altarpiece, the painting over the altar, The Institution of the Eucharist (by French painter Louis de Silvestre, 1752), was destroyed in the Dresden bombing. It was replaced in 1984 with a reproduction by the German painter Gerhard Keil (link in German).

The reproduction of the ceiling fresco Adoration of the Eucharistic; Credit – By Jörg Blobelt – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=77116515

The ceiling fresco Adoration of the Eucharistic (by Italian painter Stefano Torelli, 1755) was also destroyed and was recreated.

The Cross Chapel

The Cross Chapel; Credit – By Ad Meskens – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=41624986

The Cross Chapel is located at the northwest corner. It is where weekday masses for the cathedral parish are celebrated. The Royal Crypt, where the two Kings of Saxony from 1830 to 1873 and their wives are interred is located under the Cross Chapel.

The altarpiece, Crucifixion of Christ (by French painter Charles François Hutin, 1753), was restored after the Dresden bombing but the ceiling fresco painted by Benjamin Theil in 1787 was damaged and was only partly restored.

The Benno Chapel

The Benno Chapel; Credit – By Ricardalovesmonuments – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=110287472

The Benno Chapel is located at the southeast corner. It is dedicated to Saint Benno of Meissen (circa 1010 – 1106) who was named Bishop of Meissen in 1066. Benno, venerated since the 13th century, was canonized as a saint in 1523. Saint Benno is the patron saint of the Diocese of Dresden-Meissen and also the city of Munich in Bavaria, Germany.

Reproduction of Bishop Benno Proclaiming the Christian Faith to the Sorbs; Credit – By Jörg Blobelt – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=98058793

The original altarpiece Bishop Benno Proclaiming the Christian Faith to the Sorbs, a West Slavic ethnic group who lived in Saxony and Brandenburg (by Stefano Torelli, 1752), and the ceiling fresco (by Austrian painter Franz Anton Maulbertsch, 1770 ) were destroyed in the Dresden bombing and reproductions were made.

Reliquary made by German sculptor Paul Brandenburg containing Saint Benno of Meissen’s miter; Credit – Bistum Dresden-Meissen (Diocese of Dresden-Meissen)

On the altar is a reliquary made by German sculptor Paul Brandenburg (link in German) in 1997 containing Saint Benno of Meissen’s miter, the traditional headdress of a bishop, which is venerated as a relic.

The Memorial Chapel

Friedrich Press’ Pietà and altar in the Memorial Chapel; Credit – Bistum Dresden-Meissen (Diocese of Dresden-Meissen)

The Memorial Chapel is located on the northeast corner and is the new chapel that was built to replace the one that was destroyed in the Dresden bombing. The original chapel was dedicated to Saint Johann Nepomuk (circa 1345 – 1393) who was tortured and drowned after being thrown into the Vltava River (Moldau River in German) from Charles Bridge in Prague, then in the Kingdom of Bohemia, by order of King Wenceslaus IV of Bohemia after a dispute.  Johann Nepomuk was the confessor of King Wenceslaus IV’s second wife Sophia of Bavaria, Queen of Bohemia and apparently, he refused to reveal her confession.

Since 1976, the chapel has been a memorial for the victims of the Dresden bombing in February 1945 that killed up to 25,000 people. Displayed in the Memorial Chapel is a modern Pietà, a work of art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. Sculpted by German sculptor Friedrich Press (link in German) (1904 – 1990), the Pietà in the Memorial Chapel is the largest sculpture ever made from Meissen porcelain. The altar in the Memorial Chapel is also the work of Friedrich Press. During the Nazi regime, Press’ works were officially considered “degenerate art.” After World War II, nearly all of his works were religious-related art.

High up on the walls of the Memorial Chapel are the words of the sermon during the last mass before the bombing. Also on the walls are the names of 52 priests from the Diocese of Dresden-Meissen who were killed by the Nazis.

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Burials in the Founders Crypt

The Founders Crypt; Credit – By Mogadir – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=43489343

The Founders Crypt is located under the Sacrament Chapel in the south of the cathedral. The Electors and Kings of Saxony from 1694 to 1827 are interred here. The crypt contains nine coffins including the coffins of three children of Friedrich August II, Elector of Saxony, during whose reign the Catholic Church of the Royal Court of Saxony was built. The three coffins are the oldest in the entire burial crypt and were moved from their original burial site in 1751.

The heart of Friedrich August I, Elector of Saxony, who reigned also as Augustus II (the Strong), King of Poland in a niche in the Founders Crypt; Credit – By Mogadir – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=43489045

In addition, the heart of Friedrich August I, Elector of Saxony, who reigned also as Augustus II (the Strong), King of Poland rests in a niche in the Founders Crypt. His body was buried in Wawel Cathedral in Kraków, Poland.

Burials in the Royal Crypt

The Royal Crypt; Credit – By User:Kolossos – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=2452678

The two Kings of Saxony from 1830 to 1873 and their wives are interred in the Royal Crypt under the Cross Chapel of the cathedral. The Royal Crypt is the smallest burial place in the church but the sarcophagi are the most ornate. The bronze sarcophagi were decorated in the Neo-Baroque style and each weigh five tons. King Johann’s sarcophagus is decorated with the owl of the Greek goddess Athena in honor of his knowledgable and studious nature. King Johann was an avid student of literature, and under a pseudonym, published numerous translations into German, including Dante’s Divine Comedy.

Burials in the New Crypt

The New Crypt; Credit – By Mogadir – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=43488502

The two Kings of Saxony from 1873 to 1918, along with some of their relatives are interred in the New Crypt under the southeast aisle of the cathedral. The most recent burial in the cathedral is that of Georg, Crown Prince of Saxony son of Friedrich August III, King of Saxony, who became a Roman Catholic priest and renounced his succession rights.

Burials in the Great Crypt

The Great Crypt; Credit – royaltyguide.nl

Twenty-five coffins of members of the electoral and royal families of Saxony from 1763 to 1898 are interred in the Great Crypt under the northwest aisle of the cathedral.

  • Joseph of Saxony (1754 – 1763), son of Friedrich Christian, Elector of Saxony
  • Karl Maximilian of Saxony (1752 – 1781), son of Friedrich Christian, Elector of Saxony
  • Maria Carolina of Savoy, Electoral Princess of Saxony (1764 – 1782), 1st wife of Anton, King of Saxony
  • Friedrich August of Saxony (born and died 1796), son of Anton, King of Saxony
  • Maria Ludovica of Saxony (1795 – 1798), daughter of Anton, King of Saxony
  • Maria Johanna of Saxony (1798 – 1799), daughter of Anton, King of Saxony
  • Maria Theresa of Saxony (born and died 1799), daughter of Anton, King of Saxony
  • Carolina of Bourbon-Parma, Hereditary Princess of Saxony (1770 – 1804), wife of Maximilian, Hereditary Prince of Saxony
  • Franz Xaver of Poland and Saxony (1730 – 1806), son of Friedrich August II, Elector of Saxony/Augustus III, King of Poland
  • Maria Elisabeth of Poland and Saxony (1736 – 1818), daughter of Friedrich August II, Elector of Saxony/Augustus III, King of Poland
  • Maria Anna of Saxony (1761 – 1820), daughter of Friedrich Christian, Elector of Saxony
  • Maria Kunigunde of Poland and Saxony (1740 – 1826), daughter of Friedrich August II, Elector of Saxony/Augustus III, King of Poland
  • Maria Theresa of Austria, Queen of Saxony (1767 – 1827) 2nd wife of Anton, King of Saxony
  • Maria Karoline of Austria, Crown Princess of Saxony (1801 – 1832), 1st wife of Friedrich August II, King of Saxony
  • Anton, King of Saxony (1755 – 1836), son of Friedrich Christian, Elector of Saxony
  • Maximilian, Hereditary Prince of Saxony (1759 – 1838), son of Friedrich Christian, Elector of Saxony, renounced his succession to the throne in favor of his son Friedrich August II
  • Ernst of Saxony (1831 – 1847), son of Johann I, King of Saxony
  • Maria Augusta of Saxony (1827 – 1857), daughter of Johann I, King of Saxony
  • Marie Johanna Amalie of Saxony (1860 – 1861), daughter of Georg, King of Saxony
  • Sidonia of Saxony (1834 – 1862), daughter of Johann I, King of Saxony
  • Maria Augusta of Saxony (1782 – 1863), daughter of Friedrich Augustus I, King of Saxony
  • Elisabeth of Saxony (1862 – 1863), daughter of Georg, King of Saxony
  • Amalie of Saxony (1794 – 1870), daughter of Prince Maximilian of Saxony, granddaughter of Friedrich Christian, Elector of Saxony
  • Maria Anna of Portugal, Princess of Saxony (1843 – 1884), wife of Georg, King of Saxony
  • Maria Alix Carola of Saxony (born and died 1898), daughter of Friedrich August III, King of Saxony

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This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • Bistum-dresden-meissen.de. 2022. Geschichte der Kathedrale. [online] Available at: <https://www.bistum-dresden-meissen.de/wir-sind/kathedrale/geschichte/geschichte-der-kathedrale> [Accessed 13 May 2022].
  • De.wikipedia.org. 2022. Katholische Hofkirche – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Katholische_Hofkirche> [Accessed 13 May 2022].
  • De.wikipedia.org. 2022. Liste der Bestatteten in der Wettiner-Gruft der Katholischen Hofkirche – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Liste_der_Bestatteten_in_der_Wettiner-Gruft_der_Katholischen_Hofkirche> [Accessed 13 May 2022].
  • En.wikipedia.org. 2022. Dresden Cathedral – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Dresden_Cathedral> [Accessed 13 May 2022].

Basilica of Superga in Turin, Italy

by Susan Flantzer
© Unofficial Royalty 2022

Basilica of Superga; Credit – Di Antoniors81 – Opera propria, CC0, https://commons.wikimedia.org/w/index.php?curid=26674899

The Basilica of Superga is a Roman Catholic church located in Turin (Torino in Italian), Italy. The Royal Crypt, built under the Basilica of Superga, is one of the traditional burial places of the members of the House of Savoy. Two Kings of Italy (who came from the House of Savoy), Vittorio Emanuele II and Umberto I, were interred in the Pantheon in Rome. The earlier generations of the House of Savoy as well as Carlo Felice, King of Sardinia and Umberto II, the last King of Italy, are buried in Hautecombe Abbey, the ancestral burial site of the House of Savoy, now in Saint-Pierre-de-Curtille near Aix-les-Bains in Savoy, France.

The House of Savoy had been Counts and then Dukes of Savoy, since the 11th century and ruled from the city of Turin, now in northern Italy. Vittorio Amedeo II, Duke of Savoy became King of Sicily in 1713 as a result of his participation in the War of the Spanish Succession. However, in 1720, Vittorio Amedeo II was forced to exchange the Kingdom of Sicily for the less important Kingdom of Sardinia after objections from the Quadruple Alliance (Great Britain, France, Habsburg Austria, and the Dutch Republic).

Sardinia, now in Italy, is the second-largest island in the Mediterranean Sea after Sicily but the Kings of Sardinia of the House of Savoy ruled from Turin, the capital of the Duchy of Savoy. They styled themselves as Kings of Sardinia because the title was superior to their original lesser title as Dukes of Savoy. However, they retained the regnal numerical order of the Dukes of Savoy. The children of the Kings of Sardinia were styled “of Savoy.”

Vittorio Emanuele II became the last King of Sardinia upon the abdication of his father in 1849. He then became a driving force behind the Italian unification movement along with Giuseppe Garibaldi, a general and nationalist, and Giuseppe Mazzini, a politician and journalist. Garibaldi conquered Naples and Sicily, the territories of the Kingdom of Two Sicilies, while the Sardinian troops occupied the central territories of the Italian peninsula, except Rome and part of Papal States. With all the newly acquired land, Vittorio Emanuele II was proclaimed the first King of the new, united Kingdom of Italy in 1861.

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History of the Basilica of Superga

Photo taken by Italian photographer Giacomo Brogi, circa 1850 – 1851; Credit – Wikipedia

The Basilica of Superga, now in Turin, Italy, is located at the top of the Superga, a 2,205 ft/672-meter hill. During the 117-day 1706 Siege of Turin in the War of the Spanish Succession, over 44,000 French soldiers surrounded the fortified citadel of Turin defended by about 10,500 Savoy soldiers. On August 28, 1706, Vittorio Amedeo II, Duke of Savoy (later the first King of Sardinia) and his cousin Prince Eugenio of Savoy-Carignano climbed the Superga hill to better examine the position of troops so they could develop battle strategies. On September 2, 1706, Vittorio Amedeo II and Eugenio once again climbed the Superga. They entered a small church on the hill where Vittorio Amedeo II prostrated himself in front of a wooden statue of the Virgin Mary as Madonna delle Grazie, Our Lady of Grace, and vowed that if the Virgin Mary allowed him to be victorious in, the Siege of Turin, he would build a magnificent church at the top of the hill dedicated to her. On September 7, 1706, the forces of Vittoria Amadeo II and Eugenio won a victory.

 

Vittorio Amedeo II kept his vow and commissioned Italian architect Filippo Juvarra to design the magnificent church at the top of the Superga. The Basilica of Superga, designed in the Rococo and Neoclassical styles, was constructed from 1717 to 1731. On November 1, 1731, the Basilica of Superga was consecrated and dedicated to Our Lady of Grace whose original wooden statue that Vittorio Amadeo II had prostrated himself before is kept in the Chapel of the Vow on the left side of the main altar of the Basilica of Superga.

The memorial to the victims of the Superga air disaster at the Basilica of Superga; Credit – Wikipedia

On May 4, 1949, an airplane carrying the Italian football (soccer) team Torino Football Club nicknamed Il Grande Torino, was returning to Turin, Italy after traveling to Lisbon, Portugal where the team had played the Portuguese football (soccer) team Benfica. At around 5:00 PM, the airplane was flying over the outskirts of Turin and was preparing for landing, when pilot Pierluigi Meroni, a World War II flying veteran, was warned that the weather in Turin was poor with fog, showers, and strong wind gusts. Minutes later, the airplane crashed into the retaining wall at the back of the Basilica of Superga. All thirty-one passengers which included players, coaching staff, team officials, journalists, and the flight crew were killed. Only three players who did not travel with the team because of injury or illness escaped the disaster. The walls damaged by the impact of the airplane are still visible, as it was decided not to rebuild them. This tragic event is commemorated by a museum and a plaque on the rear building, and a solemn mass is celebrated at the basilica every May 4 in memory of the victims.

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The Exterior of the Basilica of Superga

The Basilica of Superga; Credit – Wikipedia

During the construction, building materials were carried up the hill by donkeys. The hill was leveled by about 131 feet/40 meters to create a flat area for the basilica’s construction. A staircase leads to a large portico supported by eight Corinthian columns inspired by the Pantheon in Rome. Atop the basilica is a 213-foot/65-meter high Baroque-style dome with two symmetrical bell towers on either side.

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The Interior of the Basilica of Superga

The interior of the Basilica of Superga; Credit – Di Paris Orlando – Opera propria, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=74180912

The interior was designed with a Greek cross plan, a church plan in the form of a Greek cross, with a square central mass and four arms of equal length. The diagram below shows the difference between the Greek cross plan and the more widely used Latin cross plan.

Greek cross (Church of Saint Sava) and Latin cross (St. Paul’s Cathedral) in church floorplans; Credit – Wikipedia

The Main Altar; Credit – Di Incola – Opera propria, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=32157514

The interior has six chapels, four altars, and the main altar which is decorated with sculptures and monuments in Carrara marble. In the Vow Chapel is the original wooden statue of the Madonna delle Grazie, Our Lady of Grace, the statue Vittorio Amedeo II knelt in front of, and asked for the grace to defeat the French army.

The wooden statue of the Madonna delle Grazie; Credit – Wikipedia

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Burials at the Basilica of Superga

The Hall of the Queens – Notice the burial niches; Credit – Basilica of Superga

The original plans for the Basilica of Superga included a burial crypt but the plans were temporarily shelved because of funding issues. In 1774, forty-three years after the consecration of the Basilica of Superga, Vittorio Amedeo III, King of Sardinia commissioned architect Francesco Martinez, grandson of the original architect Filippo Juvara, to build a burial crypt. In 1778, the burial crypt was consecrated and arrangements began for the reburial of some royal remains that had been interred in other burial sites.

The Royal Crypt is divided into five rooms, including the Hall of Kings, the Hall of the Queens, and the Hall of Children, where children and princes and princesses who never reigned were interred. While there are some tombs, most burials are in niches along the walls of the rooms as seen in the above photo.

Traditionally, at the death of the sovereign, his remains were placed in the center of the Hall of Kings. Upon the death of the next sovereign, the previous sovereign’s remains were then moved to one of the niches. The last sovereign buried at the Basilica of Superga was Carlo Alberto I, King of Sardinia. He died in 1849 and his tomb remains in the center of the Hall of Kings because his successors became Kings of Italy and were buried elsewhere.

Hall of the Kings (First Room)

Tomb of Carlo Alberto, King of Sardinia in the Hall of Kings; Credit – Wikipedia

Second Room

Hall of the Queens (Third Room)

The funeral of Amedeo of Savoy-Aosta, 5th Duke of Aosta on July 1, 2021 at the Basilica of Superga

Fourth Room

Hall of the Children (Fifth Room)

  • Emanuele Filiberto of Savoy (born and died 1705), son of Vittorio Amedeo II, King of Sardinia
  • Vittorio Amadeo, Prince of Piedmont (1699 – 1715), son and heir of Vittorio Amedeo II, King of Sardinia, died in his teens from smallpox, first buried in the Cathedral of Saint John the Baptist in Turin, moved to the Basilica of Superga
  • Vittorio Amedeo of Savoy, Duke of Aosta (1723 – 1725), son of Carlo Emanuele III, King of Sardinia, moved from his original burial site in 1790
  • Carlo Francesco Romualdo of Savoy, Duke of Chablais (born and died 1733), son of Carlo Emanuele III, King of Sardinia, moved from his original burial site in 1790
  • Emanuele Filiberto of Savoy, Duke of Aosta (1731 – 1735), son of Carlo Emanuele III, King of Sardinia, moved from his original burial site in 1790
  • Maria Vittoria of Savoy (1740 – 1742), daughter of Carlo Emanuele III, King of Sardinia
  • Carlo Francesco of Savoy, Duke of Aosta (1738 – 1745), son of Carlo Emanuele III, King of Sardinia, moved from his original burial site in 1790
  • Maria Elisabetta Carlotta of Savoy (1752 – 1753), daughter of Vittorio Amedeo III, King of Sardinia, moved from her original burial site in 1790
  • Amedeo Alessandro of Savoy (1754 – 1755), son of Vittorio Amedeo III, King of Sardinia,
  • Maria Anna Vittoria of Savoy (1683 – 1763), daughter of Luigi Tommaso of Savoy-Soissons, Count of Soissons, wife of Prince Joseph of Saxe-Hildburghausen, marriage dissolved, moved from her original burial site in 1921
  • Maria Luisa Gabriella of Savoy (1729 – 1767), daughter of Carlo Emanuele III, King of Sardinia, first buried at the convent of St. Andrew in Chieri, Kingdom of Sardinia, moved to the chapel in the cemetery at the church of St. George in Chieri in 1811, and then moved to the Basilica of Superga in 1823
  • Maria Cristina of Savoy (1760 – 1768), daughter of Vittorio Amedeo III, King of Sardinia
  • Eleonora Maria Teresa of Savoy (1728 – 1781), daughter of Carlo Emanuele III, King of Sardinia
  • Maria Adelaide of Savoy (1794 – 1795), daughter of Vittorio Emanuele I, King of Sardinia
  • Maria Felicita of Savoy (1730 – 1801), daughter of Carlo Emanuele III, first buried in the Basilica of the Holy Apostles in Rome, moved to the Royal Basilica of Superga in 1858
  • A daughter (1800 – 1801), daughter of Vittorio Emanuele I, King of Sardinia, moved from her original burial site in 1939
  • Benedetto of Savoy, Duke of Chablais (1741 – 1808), son of Carlo Emanuele III, King of Sardinia, first buried at the Church of San Nicolo dei Cesarini in Rome, moved to the Royal Basilica of Superga in 1926
  • Maria Anna of Savoy, Duchess of Chablais (1757 – 1824), daughter of Vittorio Amedeo III, King of Sardinia, wife and niece of Benedetto of Savoy, Duke of Chablais
  • Vittorio Emanuele of Savoy (born and died 1852), son of Vittorio Emanuele II, King of Sardinia, King of Italy
  • Carlo Alberto of Savoy, Duke of Chablais (1851 – 1854), son of Vittorio Emanuele II, King of Sardinia, King of Italy
  • Vittorio Emanuele of Savoy (born and died 1855), son of Vittorio Emanuele II
  • Prince Napoléon-Jérôme Bonaparte (1822 – 1891), husband of Maria Clotilde of Savoy, a daughter of Vittorio Emanuele II, King of Sardinia, King of Italy
  • Maria Clotilde of Savoy, Princess Napoleon (1843 – 1911), daughter of Vittorio Emanuele II, King of Sardinia, King of Italy, wife of Prince Napoléon-Jérôme Bonaparte
  • Prince Louis Bonaparte (1864 – 1932), son of Napoléon-Jérôme Bonaparte and Maria Clotilde of Savoy, grandson of Vittorio Emanuele II, King of Sardinia, King of Italy
  • Lydia di Arenberg, Duchess of Genoa (1905 – 1977), wife of Prince Filiberto of Savoy, 4th Duke of Genoa
  • Adalberto of Savoy-Genoa, Duke of Bergamo (1898 – 1982), son of Tommaso, 2nd Duke of Genoa
  • Filiberto of Savoy, 4th Duke of Genoa (1895 – 1990), son of Tommaso, 2nd Duke of Genoa

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • Basilicadisuperga.com. 2022. The Basilica – Basilica di Superga. [online] Available at: <http://www.basilicadisuperga.com/en/places/the-basilica/> [Accessed 3 May 2022].
  • Basilicadisuperga.com. 2022. The Royal Tombs – Basilica di Superga. [online] Available at: <http://www.basilicadisuperga.com/en/places/the-royal-tombs/> [Accessed 3 May 2022].
  • De.wikipedia.org. 2022. Superga – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Superga> [Accessed 3 May 2022].
  • En.wikipedia.org. 2022. Basilica of Superga – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Basilica_of_Superga> [Accessed 3 May 2022].
  • Flantzer, Susan, 2021. Kingdom of Sardinia Royal Burial Sites. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/kingdom-of-sardinia-royal-burial-sites/> [Accessed 3 May 2022].
  • Fr.wikipedia.org. 2022. Basilique de Superga — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Basilique_de_Superga> [Accessed 3 May 2022].
  • It.wikipedia.org. 2022. Basilica di Superga – Wikipedia. [online] Available at: <https://it.wikipedia.org/wiki/Basilica_di_Superga> [Accessed 3 May 2022].
  • It.wikipedia.org. 2022. Cripta Reale di Superga – Wikipedia. [online] Available at: <https://it.wikipedia.org/wiki/Cripta_Reale_di_Superga#Elenco_dei_Savoia_attualmente_tumulati_a_Superga> [Accessed 3 May 2022].

Grand Church of the Winter Palace in St. Petersburg, Russia

by Susan Flantzer
© Unofficial Royalty 2022

Grand Church of the Winter Palace by Edward Petrovich Hau, 1866; Credit

The most important church in the lives of the Romanovs was the Grand Church located in the Winter Palace. The Winter Palace, on the banks of the Neva River in Saint Petersburg, served as the official residence of the Russian Emperors and Empresses from 1732 to 1917. This writer has visited the Winter Palace and it is truly awe-inspiring. Today, part of the Winter Palace houses the State Hermitage Museum, one of the world’s premier art museums. The Winter Palace’s monumental scale was intended to reflect the might and power of Imperial Russia and it is still a mighty and powerful building. It is said to contain 1,786 doors, 1,945 windows, 1,500 rooms, and 117 staircases.

The Winter Palace from the Neva River. The golden cupola of the Grand Church can be seen on the left side; Credit – By Alex ‘Florstein’ Fedorov, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=49250446

Aerial view of the Winter Palace; The golden cupola of the Grand Church can be seen on the left side; Credit – By Andrew Shiva / Wikipedia, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=51992181

The Grand Church, a Russian Orthodox church that had cathedral status, was the site of most christenings, weddings, conversions of foreign princesses marrying into the family, and memorial services. Funerals were usually held at the Cathedral of St. Peter and St. Paul, the burial site of the Romanovs from Peter I (the Great) to Nicholas II, (with the exception of Peter II and Ivan VI) located in the Peter and Paul Fortress across the Neva River from the Winter Palace.

Before the founding of St. Petersburg by Peter I (the Great), Emperor of All Russia in 1703, the seat of power and the important churches were in the Moscow Kremlin. Male rulers of the Rurik dynasty and the early Romanov dynasty along with close male relatives and some Russian noblemen were interred at the Archangel Cathedral. Women of the Rurik dynasty and women of the early Romanov dynasty along with some Russian noblewomen were interred at the Ascension Cathedral of the Ascension Convent. Assumption Cathedral was the site of the coronations of the sovereign Tsars, Emperors, and Empresses of Russia, and some consorts from 1547 to 1896. It remained the coronation cathedral after the founding of St. Petersburg.

View of the Small Church in the Winter Palace by Eduard Hau, 1862; Credit – Wikipedia

A second smaller church, the Sretenskaya Church or Small Church of the Winter Palace, was conveniently located near the residential wing of the Winter Palace and was used by the Imperial Family for private worship. Today the former church displays Russian Orthodox church vestments of the 17th – early 20th centuries from the State Hermitage Museum collection.

The display of Orthodox church vestments in the former Sretenskaya Church; Credit – Автор: Netelo – собственная работа, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=106021534

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History of the Grand Church of the Winter Palace

View of the Grand Church of the Winter Palace by Alexey Vasilievich Tyranov, 1829 before the fire of 1837; Credit – Wikipedia

In 1753, Elizabeth, Empress of All Russia ordered the construction of a new (and the present) Winter Palace with a large church. Francesco Bartolomeo Rastrelli, an Italian architect who worked mainly in Russia, was responsible for the design of the palace and the church. He designed the Grand Church in the Baroque style with an interior similar to a palace hall. Construction on the church began in 1753 and was completed in 1762. On July 12, 1763, Archbishop Gavriil Kremenetsky of St Petersburg consecrated the Grand Church. In 1807, Alexander I, Emperor of All Russia issued a decree giving the Grand Church the status of a Court Cathedral.

Fire in the Winter Palace by Pierre Marie Joseph Vernet, 1838; Credit – Wikipedia

On December 29, 1837, a fire broke out after smoke from an unswept chimney spread through a vent in a partition between the wooden and main walls in the Field Marshal’s Hall. The wall began to smolder and a fire broke out in the ceiling of the Small Throne Room. The fire lasted about 30 hours, and the Winter Palace smoldered for almost three days. Most of the second and third floors of the Winter Palace were severely damaged. The two-year restoration was led by Russian architect Vasily Petrovich Stasov. Some of the decorations of the Grand Church were able to be saved and Stasov was able to recreate the style of Francesco Bartolomeo Rastrelli’s original plans. The Grand Church was reconsecrated on March 25, 1839, in a ceremony conducted by Metropolitan Filaret Drozdov of Moscow in the presence of Nicholas I, Emperor of All Russia and his family,

After the Russian Revolution, in May 1918, the Grand Church was officially closed for worship. In 1938, the iconostasis, the pulpit, the lantern, and the altar canopy were removed and the former church became one of the State Hermitage Museum’s exhibition spaces.

Restoration work done from 2012 until 2014 was described by the State Hermitage Museum as a “recreation of the original design of the Court Cathedral” with “the icons, the candelabra, the standard lamps and pieces of the iconostasis, the pulpit, the lantern, and the altar canopy returned to their original place.”

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The Interior of the Grand Church of the Winter Palace

Orthodox churches are set up differently than other Christian churches. They are divided into three main parts: the narthex, the nave, and the sanctuary. The narthex is the connection between the church and the outside world. It used to be the practice that non-Orthodox people had to remain in the narthex but this practice has mostly fallen into disuse. The congregation stands in the nave during services. Traditionally there is no sitting during Orthodox services and so Orthodox churches usually do not have pews or chairs.

The iconostasis after the fire of 1837; Credit – By Januarius-zick – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=42460200

In Orthodox Christianity, an iconostasis is a wall of icons, religious paintings, that divides the sanctuary from the nave. The sanctuary is where the Eucharist or Divine Liturgy is performed behind the iconostasis. The iconostasis usually has three doors, one in the middle and one on either side. The middle doors are traditionally called the Royal Doors and are only used by the clergy.

The gilded stucco walls; Credit – By Januarius-zick – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=42460204

The Grand Church is divided by Corinthian columns into three sections and is brightly lit by large windows on opposite sides. Above the central area is a dome. The walls are richly embellished with gilded stucco in a Rococo design.

The pulpit; Credit – By Januarius-zick – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=42460653

After the fire of 1837, architect Vasily Petrovich Stasov made every effort to restore the church as it was before the fire although there were few drawings to guide him. The gilded iconostasis, canopy, and pulpit were carved according to the original drawings. Some of the icons saved during the fire were returned to their places. The Royal Doors had survived the fire and were placed in the new iconstasis. After being repaired, the original silver chandelier was returned to its place in the dome.

The ceiling painting Ascension of Christ by Pyotr Vasilievich Basin; Credit – By Januarius-zick – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=42460199

The new ceiling, painted by Russian painter Pyotr Vasilievich Basin depicts the Ascension of Christ and the lunettes, half-moon-shaped architectural spaces below the dome, depict the Four Evangelists, Saints Matthew, Mark, Luke, and John, by Russian painter Fyodor Antonovich Bruni.

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Wedding of Nicholas II, Emperor of All Russia and Alix of Hesse and by Rhine by Laurits Tuxen, 1895; Credit – Wikipedia (Among those depicted in this painting against the wall and to the right of the window, from left to right: King Christian IX of Denmark, Dowager Empress Maria Feodorovna, Grand Duchess Olga Alexandrovna,  Grand Duchess Xenia Alexandrovna, Grand Duchess Maria Pavlovna, Queen Olga Konstantinovna of Greece, the future King Edward VII of the United Kingdom, Grand Duke George Alexandrovich and Prince Heinrich of Prussia)

The Grand Church of the Winter Palace was the family church of the Romanovs and was where most important religious rites of passage were held including christenings, weddings, and the conversions to Russian Orthodoxy of the foreign princesses marrying into the Romanov family.

The many weddings held at the Grand Church include:

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

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Works Cited

  • En.wikipedia.org. 2022. Grand Church of the Winter Palace – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Grand_Church_of_the_Winter_Palace> [Accessed 26 April 2022].
  • En.wikipedia.org. 2022. Winter Palace – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Winter_Palace> [Accessed 26 April 2022].
  • Encspb.ru. 2022. Энциклопедия Санкт-Петербурга. [online] Available at: <http://encspb.ru/object/2805467476> [Accessed 26 April 2022].
  • Ru.wikipedia.org. 2022. Большая церковь Зимнего дворца — Википедия. [online] Available at: <https://ru.wikipedia.org/wiki/%D0%91%D0%BE%D0%BB%D1%8C%D1%88%D0%B0%D1%8F_%D1%86%D0%B5%D1%80%D0%BA%D0%BE%D0%B2%D1%8C_%D0%97%D0%B8%D0%BC%D0%BD%D0%B5%D0%B3%D0%BE_%D0%B4%D0%B2%D0%BE%D1%80%D1%86%D0%B0> [Accessed 26 April 2022].
  • Ru.wikipedia.org. 2022. Сретенская церковь (Зимний дворец) — Википедия. [online] Available at: <https://ru.wikipedia.org/wiki/%D0%A1%D1%80%D0%B5%D1%82%D0%B5%D0%BD%D1%81%D0%BA%D0%B0%D1%8F_%D1%86%D0%B5%D1%80%D0%BA%D0%BE%D0%B2%D1%8C_(%D0%97%D0%B8%D0%BC%D0%BD%D0%B8%D0%B9_%D0%B4%D0%B2%D0%BE%D1%80%D0%B5%D1%86)> [Accessed 26 April 2022].
  • Ru.wikipedia.org. 2022. Пожар в Зимнем дворце — Википедия. [online] Available at: <https://ru.wikipedia.org/wiki/%D0%9F%D0%BE%D0%B6%D0%B0%D1%80_%D0%B2_%D0%97%D0%B8%D0%BC%D0%BD%D0%B5%D0%BC_%D0%B4%D0%B2%D0%BE%D1%80%D1%86%D0%B5> [Accessed 26 April 2022].

Cathedral of St. Peter and St. Paul in St. Petersburg, Russia

by Susan Flantzer
© Unofficial Royalty 2022

Peter and Paul Cathedral in St. Petersburg, Russia; Photo Credit – By Andrew Shiva / Wikipedia, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=51961358

On an island in the Neva River that flows through St. Petersburg, Russia is the Peter and Paul Fortress, the original citadel of the city established by Peter I (the Great), Emperor of All Russia in 1703. Inside the fortress is a Russian Orthodox cathedral, the Cathedral of St. Peter and St. Paul, which this writer has visited. The cathedral was built during the reign of Peter I (the Great) and designed by Domenico Trezzini, a Swiss architect who designed many of the first buildings in St. Petersburg. The Peter and Paul Cathedral is the burial place of all but two of the Russian sovereign emperors and empresses from Peter the Great to Nicholas II, who was finally laid to rest in July 1998. Only Peter II and Ivan VI are not buried at the Peter and Paul Cathedral.

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History of the Cathedral of St. Peter and St. Paul in St. Petersburg, Russia

View of the Peter and Paul Fortress from the Neva River in the 1870s; Credit – Wikipedia

From 1703 to 1704, Peter I (the Great) had a wooden church, used for military purposes, built in the Peter and Paul Fortress. To strengthen the position of his new capital city of St. Petersburg among the cities of Russia, Peter the Great wanted to build a church that would be taller than the Ivan the Great Bell Tower (the tallest structure in the Moscow Kremlin) and the Menshikov Tower of the Church of Archangel Gabriel in Moscow. He wanted the new church to become the most significant building in St. Petersburg and be located in the heart of the Peter and Paul Fortress. Swiss architect Domenico Trezzini was commissioned to design a church that was intended to be the main cathedral of the Russian Empire and the burial place of the House of Romanov. Construction work began in 1712. When Peter the Great died in 1725, only the foundations and the tower were standing. The cathedral was completed in 1733 after twenty-one years of construction. A cathedral in Russia could mean the seat of a bishop or a large or important church. Peter and Paul Cathedral, an important church, was the cathedral church of St. Petersburg until 1858 when St. Isaac Cathedral became St. Petersburg’s cathedral. At that time, Peter and Paul Cathedral came under the jurisdiction of the Russian imperial court.

The original wooden spire was rebuilt after a lightning strike in 1756. In 1773, the Chapel of Saint Catherine, dedicated to Saint Catherine of Alexandria, now the burial site of Nicholas II, his family, their doctor, and their three servants, was completed. In 1777, the spire was damaged by a storm. Restoration work was carried out by the architect Peter Paton and a new angel and cross was made by Antonio Rinaldi. In 1830, roofer Pyotr Teluschkin became famous when he used a rope ladder to climb the spire to replace the angel and cross which had been that had been damaged by lightning. The spire was rebuilt in metal in 1858 and covered with gilded copper plates.

In 1919, the Soviet regime closed the Peter and Paul Cathedral, and then in 1924, it was turned into a museum. Most of the valuable items of the late 17th – early 18th centuries such as silver items, books, vestments, and icons were given to museums. During World War II, the Peter and Paul Cathedral was badly damaged. In 1952, the facades were restored, and then from 1956 to 1957, the interior was restored. Peter and Paul Cathedral is still officially a museum, and in 1954, the cathedral came under the jurisdiction of the State Museum of the History of St. Petersburg.

Since the 1990s, memorial services for Russian emperors and empresses have been held on the date of their deaths. Other religious services resumed in 2000. The first Easter service since 1917 was held in 2008. For the 300th anniversary in 2012, the cathedral was extensively restored.

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The Exterior of the Cathedral of St. Peter and St. Paul

Cathedral of St. Peter and St. Paul; Credit – Автор: Никонико962 – собственная работа, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=81987560

The Cathedral of St. Peter and St. Pau is rectangular in shape, with a dome on the eastern end and a bell tower with a spire on the western entrance. The exterior of the Peter and Paul Cathedral does not have the five typical domes representing Jesus Christ and the Four Evangelists as do most other Orthodox churches. Instead, the dominant part of the cathedral’s exterior is the bell tower. The first three tiers of the bell tower provide a smooth transition from the main part of the cathedral to the spire. The base of the spire is an octagonal structure with narrow vertical openings topped by an octagonal golden crown.

The angel on the spire of the Peter and Paul Cathedral; Credit – Автор: Ad Meskens – собственная работа, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=77086740

Atop the 131-foot/40-meter spire is a weather vane in the shape of an angel (height: 10.4 feet/3.2 meters, wingspan: 12.4 feet/3.8 meters) revolving around a 21-foot/6.4-meter-tall cross on its gilded spire. The 402-foot/122.5 meter Peter and Paul Cathedral remained St. Petersburg’s tallest building, as ordered by Peter the Great, until the Construction of the municipal television tower in 1962. However, the Peter and Paul Cathedral still has the world’s tallest Orthodox bell tower.

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The Interior of the Cathedral of St. Peter and St. Paul

The nave of the Peter and Paul Cathedral looking toward the iconostasis; Credit – By Deror avi – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=8367790

Orthodox churches are set up differently than other Christian churches. They are divided into three main parts: the narthex, the nave, and the sanctuary. The narthex is the connection between the church and the outside world. It used to be the practice that non-Orthodox people had to remain in the narthex but this practice has mostly fallen into disuse. The congregation stands in the nave during services. Traditionally there is no sitting during Orthodox services and so Orthodox churches usually do not have pews or chairs.

Ceiling fresco paintings; Photo Credit – © Susan Flantzer

The Peter and Paul Cathedral is a hall church, with a nave and side aisles. The interior of the cathedral is divided into three parts by pillars, painted to imitate marble. The ceiling vaults are decorated with multicolored fresco paintings and gilded moldings. The cathedral is lit by twelve large windows. Although a cathedral because of its importance, the Peter and Paul Cathedral is nowhere near the size of other cathedrals this writer has visited. There are no pews in the nave but the pillars and tombs combined with lots of people made moving around (and not losing your tour guide) difficult.

There’s our tour guide with the pulpit and lots of people in the background; Photo Credit – © Susan Flantzer

In Orthodox Christianity, an iconostasis is a wall of icons, religious paintings, that divides the sanctuary from the nave. The sanctuary is where the Eucharist or Divine Liturgy is performed behind the iconostasis. The iconostasis usually has three doors, one in the middle and one on either side. The middle doors are traditionally called the Royal Doors and are only used by the clergy.

The iconostasis; Credit – By Poudou99 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=57887255

The carved, gilded 65-foot/20-meter high iconostasis was made from 1722 to 1726 in the Kremlin Armory in Moscow, then brought in parts to St. Petersburg, and mounted in the Peter and Paul Cathedral. All decorative details and sculptural elements of the iconostasis were carved from linden wood and the frame of the iconostasis was made from larch wood.

Some of the icons on the iconostasis

Forty-three icons for the iconostasis were painted from 1726 to 1729 by Moscow icon painters and include images of the patron saints of St. Petersburg: St. Alexander Nevsky, the Apostles Peter and Paul, holy princes and princesses from the Rurik dynasty: Prince Vladimir I (the Great), Princess Olga, and the brothers and martyrs Prince Boris of Rostov and Prince Gleb of Murom.

The iconostasis rising into the cathedral’s dome; Credit – CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=136587

The central part of the iconostasis is designed in the form of the triumphal arch that spans the Royal Doors and rises into the space beneath the dome to a height of 66 feet/20 meters. Near the iconostasis is a pulpit to the left, and the Tsar’s Place to the right, a special spot where the Emperor stood when there was a service.

The Tsar’s Place; Credit – By Perfektangelll – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=21354345

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Burials in the Cathedral of St. Peter and St. Paul

The burial service for Alexander III, Emperor of All Russia in 1894

Before the building of the Peter and Paul Cathedral, male rulers of the Rurik dynasty and the early Romanov dynasty along with close male relatives and some Russian noblemen were interred at the Archangel Cathedral in the Moscow Kremlin. Likewise, women of the Rurik dynasty and women of the early Romanov dynasty along with some Russian noblewomen were interred at the Ascension Cathedral of the Ascension Convent in the Moscow Kremlin.

Several members of the Romanov family who died before the Peter and Paul Cathedral was completed were interred in the unfinished cathedral under the bell tower or in the entrance to the cathedral. After the death of Peter I (the Great) in 1725, his coffin was placed in a temporary chapel in the unfinished cathedral. He was interred in his final resting place on May 29, 1731. In 1831, Nicholas I ordered that his brother Grand Duke Konstantine Pavlovich be buried in the cathedral. Since that time, close relatives of the emperors began to be buried in the Peter and Paul Cathedral.

Graves of Tsarevich Alexei Petrovich, his wife Charlotte Christine of Brunswick-Lüneburg, Tsarevna of Russia, and his aunt Tsarevna Maria Alexeievna – They died before the cathedral was finished and were interred at the entrance to the cathedral. The original white marble tombstones still mark their graves; Credit – Wikipedia

Originally, graves were marked by white marble tombstones as seen in the above photo. In 1865, all the tombstones were replaced with the white marble sarcophagi with a large bronze cross coated in gold as seen in the photo below.

Sarcophagi in the Peter and Paul Cathedral; Photo Credit – © Susan Flantzer

The sarcophagi of emperors and empresses have four bronze emblems of the Russian Empire at four corners as seen in the photo below of the sarcophagus of Peter I (the Great).

Sarcophagus of Peter I (the Great); Photo Credit – © Susan Flantzer

By order of Alexander III, new sarcophagi were made for his parents: the sarcophagus of Alexander II from green Altai jasper and the sarcophagus of Empress Maria Alexandrovna from pink Urals rhodonite as seen in the photo below.

Sarcophagi of Alexander II (left) and his first wife Maria Feodorovna (right); Photo Credit – © Susan Flantzer

Interred in the Cathedral of St. Peter and St. Paul

Peter and Paul Cathedral – Row 1 left to right: Tombs of Elizabeth I, Catherine I, Peter I; Row 2 left to right: Tombs of Catherine II, Peter III, Anna I; Photo Credit – © Susan Flantzer

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Reburials at the Peter and Paul Cathedral

St. Catherine Chapel, the burial site of Nicholas II, his family and his servants; Credit – By Dr Graham Beards – Own work, Public Domain, https://en.wikipedia.org/w/index.php?curid=13260852

Nicholas II, Emperor of All Russia, his wife Empress Alexandra Feodorovna, born Alix of Hesse and by Rhine, a granddaughter of Queen Victoria, and their five children, along with three of their most loyal servants and the court doctor, were shot to death by a firing squad on July 17, 1918, at the Ipatiev House in Yekaterinburg, Siberia, Russia. The bodies were taken to a remote site north of Yekaterinburg. The initial plan was to burn the bodies but when this took longer than expected, the bodies were buried in an unmarked pit. After acid was poured on the bodies, they were covered with railroad ties, and the pit was smoothed over with dirt and ash.

In 1934, Yakov Yurovsky, the commandant of the Ipatiev House, produced an account of the execution and disposal of the bodies. His account later matched the remains of nine bodies found north of Yekaterinburg in 1991. In 1994, when the bodies of the Romanovs were exhumed, two were missing – one daughter, either Maria or Anastasia, and Alexei, the hemophiliac son. The remains of the nine bodies recovered were confirmed as those of the three servants, Dr. Botkin, Nicholas, Alexandra, and three of their daughters. The remains of Olga and Tatiana were definitely identified based on the expected skeletal structure of young women of their age. The remains of the third daughter were either Maria or Anastasia.

The family and their servants were canonized as new martyrs in the Russian Orthodox Church Outside Russia in 1981, and as passion bearers in the Russian Orthodox Church in 2000. The formal burial of Nicholas, Alexandra, Olga, Tatiana, Anastasia, Dr. Botkin, and the three servants took place on July 17, 1998, the 80th anniversary of their deaths, in St. Catherine Chapel at the Peter and Paul Cathedral in Saint Petersburg. Boris Yeltsin, President of Russia, many Romanov family members, and family members of Dr. Botkin and the servants attended the ceremony. Prince Michael of Kent represented his first cousin Queen Elizabeth II of the United Kingdom. Three of his grandparents were first cousins of Nicholas II.

Until 2009, it was not entirely clear whether the remains of Maria or Anastasia were missing. On August 24, 2007, a Russian team of archaeologists announced that they had found the remains of Alexei and his missing sister in July 2007. In 2009, DNA and skeletal analysis identified the remains found in 2007 as Alexei and his sister Maria. In addition, it determined that the royal hemophilia was the rare, severe form of hemophilia, known as Hemophilia B or Christmas disease. The results showed that Alexei had Hemophilia B and that his mother Empress Alexandra and his sister Anastasia were carriers of the disease. The remains of Alexei and Maria have not yet been buried. The Russian Orthodox Church has questioned whether the remains are authentic and blocked the burial.

Sarcophagus of Empress Maria Feodorovna; Photo Credit – © Susan Flantzer

Maria Feodorovna, Empress of All Russia, born Princess Dagmar of Denmark, wife of Alexander III and mother of Nicholas II, died on October 13, 1928, at Hvidøre, the holiday villa she had purchased with her sister Queen Alexandra of the United Kingdom in 1906, near Copenhagen, Denmark. Following services in Copenhagen’s Russian Orthodox Alexander Nevsky Church, Maria Feodorovna was interred in the crypt of the Christian IX Chapel at Roskilde Cathedral, the traditional burial place of the Danish royal family in Roskilde, Denmark. She had wished that at some point in time she could be buried with her husband.

The coffin of Maria Feodorovna being lowered into the crypt

In 2005, Queen Margrethe II of Denmark and Russian President Vladimir Putin agreed, along with their governments, that Maria Feodorovna’s wish should be fulfilled. Her remains were transported to St. Petersburg. Following a service at Saint Isaac’s Cathedral, she was interred next to her husband Alexander III, Emperor of All Russia in the Peter and Paul Cathedral on September 28, 2006.

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Originally Buried at the Peter and Paul Cathedral

Alexandra of Greece and Denmark, Grand Duchess Alexandra Georgievna; Credit – Wikipedia

Alexandra of Greece and Denmark, Grand Duchess Alexandra Georgievna was the first wife of Grand Duke Paul Alexandrovich. While pregnant with her second child, Alexandra collapsed in the middle of a ball with violent labor pains, gave birth prematurely to a son, Grand Duke Dmitri Pavlovich, and then lapsed into a coma. Alexandra did not recover consciousness and died six days later on September 24, 1891, at the age of 21. Originally, it was thought that a fall caused her premature labor. However, an autopsy showed that Alexandra’s premature labor was caused by eclampsia, a condition that causes a pregnant woman, usually previously diagnosed with preeclampsia (high blood pressure and protein in the urine), to develop seizures or coma. Nephritis, a kidney disorder, and heart damage were also detected.

In 1939, at the request of Alexandra’s nephew King George II of Greece and the Greek government, the Soviet government allowed Alexandra’s remains to be transferred to Greece. Her coffin was removed from the Peter and Paul Cathedral, put aboard a Greek ship, and brought back to Greece where it was reinterred at the traditional burial site of the Greek royal family, the Royal Cemetery on the grounds of Tatoi Palace. Alexandra’s original marble tomb in the Peter and Paul Cathedral remains at its original site and is the only tomb in the cathedral over an empty grave.

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The Grand Ducal Mausoleum

The Grand Ducal Mausoleum; Photo Credit – © Susan Flantzer

The Grand Ducal Mausoleum is located on the left side of the Peter and Paul Cathedral. There is a corridor between the mausoleum and the cathedral. Because of decreasing room for burials at the Peter and Paul Cathedral, the Grand Ducal Mausoleum was constructed. It was designed by architect David Ivanovich Grimm in 1896. After Grimm’s death in 1898, architects Antony Tomishko and Leon Benois took over the project. The mausoleum, completed in 1908, was expected to hold up to sixty burials but by the time of the Russian Revolution, there had been only thirteen burials. For each burial, a marble slab was placed in the floor, on which was inscribed the title, name, date of birth and death, and date of burial.

Graves of Grand Duchess Leonida Georgievna (left) and Grand Duke Vladimir Kirillovich (right) in the Grand Ducal Mausoleum; Credit – www.pointurier.org

After the Russian Revolution, much of the interior of the mausoleum was damaged due to plans to turn it into a museum and also during World War II due to the German Siege of Leningrad, as St. Petersburg was called during the Soviet regime. Major restoration work occurred in the 1950s, 1960s, and 1980s. In 2006, the stained glass window depicting the resurrection of Jesus was recreated. In 2008, the restoration of the facade and roof was carried out. The Grand Ducal Mausoleum opened to the public in September 2016.

Interior of the Grand Ducal Mausoleum with several burial slabs; Credit – By Poudou99 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=57886041

The remains of those who died before the completion of the Grand Ducal Mausoleum in 1908 were transferred from the Peter and Paul Cathedral. The remains of Grand Duke Kirill Vladimirovich and his wife Grand Duchess Victoria Feodorovna (Princess Victoria Melita of Edinburgh and Saxe-Coburg and Gotha, a granddaughter of Queen Victoria) were transferred from Coburg, Germany in 1995. Their only son Grand Duke Vladimir Kirillovich was interred in the Grand Ducal Mausoleum after his death in 1992 as was his wife Leonida Georgievna Bagration-Mukhranskaya, Grand Duchess Leonida Georgievna after her death in 2010.

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Interred in the Grand Ducal Mausoleum

The funeral of Grand Duchess Leonida Georgievna in 2010 in the Peter and Paul Cathedral before the burial in the Grand Ducal Mausoleum

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This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2022. Peter-und-Paul-Kathedrale (Sankt Petersburg) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Peter-und-Paul-Kathedrale_(Sankt_Petersburg)> [Accessed 20 April 2022].
  • En.wikipedia.org. 2022. Saints Peter and Paul Cathedral, Saint Petersburg – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Saints_Peter_and_Paul_Cathedral,_Saint_Petersburg> [Accessed 20 April 2022].
  • Flantzer, Susan, 2017. Romanov Burial Sites. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/romanov-burial-sites/> [Accessed 20 April 2022].
  • Fr.wikipedia.org. 2022. Mausolée grand-ducal de Saint-Pétersbourg — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Mausol%C3%A9e_grand-ducal_de_Saint-P%C3%A9tersbourg> [Accessed 20 April 2022].
  • Pt.wikipedia.org. 2022. Jazigo dos Grão-Duques – Wikipédia, a enciclopédia livre. [online] Available at: <https://pt.wikipedia.org/wiki/Jazigo_dos_Gr%C3%A3o-Duques> [Accessed 20 April 2022].
  • Ru.wikipedia.org. 2022. Петропавловский собор — Википедия. [online] Available at: <https://ru.wikipedia.org/wiki/%D0%9F%D0%B5%D1%82%D1%80%D0%BE%D0%BF%D0%B0%D0%B2%D0%BB%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9_%D1%81%D0%BE%D0%B1%D0%BE%D1%80> [Accessed 20 April 2022].
  • Spbmuseum.ru. 2022. Петропавловский собор и Великокняжеская усыпальница. [online] Available at: <https://www.spbmuseum.ru/exhibits_and_exhibitions/92/1316/> [Accessed 20 April 2022].

Assumption Cathedral in the Moscow Kremlin in Moscow, Russia

by Susan Flantzer
© Unofficial Royalty 2022

Assumption Cathedral in the Moscow Kremlin; Credit – By Petar Milošević – Transferred from sr.wikipedia; transferred to Commons by User:PetarM using CommonsHelper., CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=12820131

The coronation cathedral of Russian rulers, the Assumption Cathedral, also known as the Dormition Cathedral and Uspensky Cathedral in Russian, is a Russian Orthodox church dedicated to the Dormition of the Mother of God, the Orthodox feast celebrated on August 15, of the “falling asleep” (death) of Mary the Theotokos (Mother of God, literally translated as God-Bearer), and her being taken bodily up into heaven (Assumption of Mary in the Roman Catholic religion). The cathedral is located in the Moscow Kremlin in Moscow, Russia. The Moscow Kremlin is a fortified complex founded by the Rurik dynasty in the late 15th century. It includes five palaces, four cathedrals, and the enclosing Kremlin Wall. Before the founding of St. Petersburg by Peter I (the Great), Emperor of All Russia in 1703, the Moscow Kremlin was the seat of power for the Rurik and early Romanov rulers of Russia. The Moscow Kremlin now serves as the official residence of the President of the Russian Federation.

Since 1382, Assumption Cathedral has been the burial site of most Metropolitans of Moscow (similar to an archbishop) and Patriarchs of the Russian Orthodox Church, the head of the Russian Old-Orthodox Church. Assumption Cathedral was the site of the coronations of the sovereign Tsars, Emperors, and Empresses of Russia, and some consorts from 1547 to 1896.

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History of the Assumption Cathedral

Worshippers at the Assumption Cathedral in the mid-19th century

A wooden church was built on the site in the 12th century and was replaced by a limestone church around 1326. In the 14th century, (Saint) Peter, Metropolitan of Kyiv and All Rus persuaded Ivan I Kalita, Grand Prince of Moscow to build a cathedral to the Theotokos (Blessed Virgin Mary) in the Moscow Kremlin. Construction of the cathedral began on August 4, 1326, and the cathedral was finished and consecrated on August 4, 1327.

However, by the end of the 15th century, the Assumption Cathedral had deteriorated and it was suggested that a new cathedral should be built. The design and the construction of the new cathedral were entrusted to Moscow architects Ivan Myschkin and <unknown first name > Kriwzow. Construction began in April 1472 but two years later, in May 1474, when the new Assumption Cathedral was nearly completed, it collapsed due to an earthquake.

Following the disaster, Ivan III, Grand Prince of Moscow decided to give Aristotele Fioravanti, a renowned architect and engineer from Bologna, then part of the Papal States, now in Italy, the task of designing the cathedral in the traditions of Russian architecture and supervising the construction. Aristotele Fioravanti made a careful study of Russian architecture and then designed a light and spacious masterpiece that combined the spirit of the Renaissance with Russian traditions. Construction began in 1475, and in 1479, the new Assumption Cathedral was consecrated.

In 1918, after the Russian Revolution, the Assumption Cathedral and the other churches in the Kremlin were closed as houses of worship. The new Bolshevik government moved its headquarters from St. Petersburg to the Moscow Kremlin. The Assumption Cathedral was converted into a museum. The museum staff made every effort to retain the interior. During restoration work, almost all the original paintings of the icons and murals were uncovered from under the later paintings. With the end of the Soviet Union in 1991, the Assumption Cathedral once again became a Russian Orthodox church.

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The Exterior and Interior of the Assumption Cathedral

Assumption Cathedral; Credit – By Don-vip – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=83068810

Italian architect Aristotele Fioravanti followed the style of the 1160 Assumption Cathedral in the city of Vladimir and designed the Assumption Cathedral in the style of a traditional Russian cross-domed church, with five domes representing Jesus Christ and the Four Evangelists, Mathew, Mark, Luke, and John.

Exterior frescoes; By Skif-Kerch – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62603284

The Renaissance-style exterior has white-stone walls, columned friezes, and semicircles of blind arches. Fresco paintings in the upper part of the walls in semicircular vaults depict the Virgin Mary, Archangels Michael and Gabriel, and saints.

Fioravanti’s architectural originality was more visible in the interior. All the areas of the cathedral were larger than in the past. Pillars were placed further apart which created an impression of an immense palatial room. People of the time were astonished by the cathedral’s “unusual majesty and height, luminosity and spaciousness”.

Orthodox churches are set up differently than other Christian churches. They are divided into three main parts: the narthex, the nave, and the sanctuary. The narthex is the connection between the church and the outside world. It used to be the practice that non-Orthodox people had to remain in the narthex but this practice has mostly fallen into disuse. The congregation stands in the nave during services. Traditionally there is no sitting during Orthodox services and so Orthodox churches usually do not have pews or chairs. In Orthodox Christianity, an iconostasis is a wall of icons and religious paintings that divides the sanctuary from the nave. The sanctuary behind the Royal Doors is where the Eucharist or Divine Liturgy is performed, behind the iconostasis. Only priests and servers may enter through the Royal Doors.

Frescoes in the interior of the Assumption Cathedral; Credit – By Shakko – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=86775440

The interior of the Assumption Cathedral is richly decorated with fresco paintings from 1642 -1643 and the huge, magnificent 53 feet/16-meter iconostasis of 1653.

Looking toward the iconostasis of the Assumption Cathedral

Originally, a three-tiered iconostasis, the Assumption Cathedral’s iconostasis gained two additional tiers in 1626 and 1653 – 1654.

Part of the iconostasis; Credit – Von Schoschi, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=14625675

In addition to its religious function, the Assumption Cathedral iconostasis also served as a sort of trophy wall. The Russian rulers would add the most important icons from cities they had conquered to the iconostasis. The Mother of God, the Archangel Gabriel, and the Four Evangelists are depicted on the Royal Doors of the Assumption Cathedral.

The Royal Doors; Credit – By shakko – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=7078552

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Coronations at Assumption Cathedral

Anointing of Alexander II, Emperor of All Russia in front of the iconostasis and the Royal Doors by Vasili Fedorovich  Timm, 1856; Credit – Wikipedia

The seat of the Grand Princes of Moscow from the Rurik dynasty was in the Moscow Kremlin. It was therefore obvious that the Tsars of the Tsardom of Russia which followed the Grand Principality of Moscow and then the Emperors of the Russian Empire would have themselves crowned there. In addition to the Tsars, all the crowned Emperors and Empresses from Catherine I to Nicholas II were anointed and crowned in the Assumption Cathedral in the Moscow Kremlin. Many of the wives of the Tsars and Emperors were crowned at the same time as their husbands.

Coronation of Nicholas II, Emperor of All Russia Laurits Tuxen; Credit – Wikipedia

The Russian coronation emphasized that the secular ruler of Russia was closely connected with the Russian Orthodox Church. No layperson was ever permitted to pass through the Royal Doors, however, during the Russian rulers’ coronation, they were permitted to do so. They received both parts of Communion (bread and wine) in the sanctuary behind the Royal Doors of the iconostasis. The Russian rulers used their hands to take the bread and the chalice of wine, symbolizing their spiritual equality among Russia’s clergy just this once in their lives.

When Peter I (the Great) moved the seat of power from Moscow to his new city St. Petersburg, the coronations continued to take place at the Assumption Cathedral. Moscow remained the spiritual center of Russia, and tradition required that coronations continue to be held there.

Coronations held at the Assumption Cathedral:

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

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Works Cited

  • Assumption-cathedral.kreml.ru. 2022. Museums of the Moscow Kremlin: ASSUMPTION CATHEDRAL. [online] Available at: <https://assumption-cathedral.kreml.ru/en-Us/museum-assumption-cathedral/> [Accessed 2 April 2022].
  • De.wikipedia.org. 2022. Krönung der russischen Zaren und Kaiser – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Kr%C3%B6nung_der_russischen_Zaren_und_Kaiser> [Accessed 2 April 2022].
  • De.wikipedia.org. 2022. Mariä-Entschlafens-Kathedrale (Moskau) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Mari%C3%A4-Entschlafens-Kathedrale_(Moskau)> [Accessed 2 April 2022].
  • En.wikipedia.org. 2022. Coronation of the Russian monarch – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Coronation_of_the_Russian_monarch> [Accessed 2 April 2022].
  • En.wikipedia.org. 2022. Dormition Cathedral, Moscow – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Dormition_Cathedral,_Moscow> [Accessed 2 April 2022].
  • Jenkins, Simon, 2021. Europe’s 100 Best Cathedrals. Dublin: Penguin Random House.
  • Ru.wikipedia.org. 2022. Успенский собор (Московский Кремль) — Википедия. [online] Available at: <https://ru.wikipedia.org/wiki/%D0%A3%D1%81%D0%BF%D0%B5%D0%BD%D1%81%D0%BA%D0%B8%D0%B9_%D1%81%D0%BE%D0%B1%D0%BE%D1%80_(%D0%9C%D0%BE%D1%81%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9_%D0%9A%D1%80%D0%B5%D0%BC%D0%BB%D1%8C)> [Accessed 2 April 2022].
  • Православие.RU. 2022. Crowned, anointed, and communed as clergy: On the coronations of Russian empresses regnant. [online] Available at: <https://www.pravoslavie.ru/80559.html> [Accessed 2 April 2022].

Archangel Cathedral in the Moscow Kremlin in Moscow, Russia

by Susan Flantzer
© Unofficial Royalty 2022

Archangel Cathedral; Credit – Wikipedia

The Archangel Cathedral is a Russian Orthodox church dedicated to the Archangel Michael in the Moscow Kremlin in Moscow, Russia. The Moscow Kremlin is a fortified complex founded by the Rurik dynasty in the late 15th century. It includes five palaces, four cathedrals, and the enclosing Kremlin Wall. Before the founding of St. Petersburg by Peter I (the Great), Emperor of All Russia in 1703, the Moscow Kremlin was the seat of power for the Rurik and early Romanov rulers of Russia. The Moscow Kremlin now serves as the official residence of the President of the Russian Federation.

Male rulers of the Rurik dynasty and the early Romanov dynasty along with close male relatives and some Russian noblemen were interred at the Archangel Cathedral. When Peter I (the Great), Emperor of All Russia, moved the capital of Russia from Moscow to the new city of St. Petersburg, the new Peter and Paul Cathedral became the Romanov burial site for both men and women. In 1730, Peter II, Emperor of All Russia, the grandson of Peter I (the Great), died in Moscow from smallpox, aged fourteen, and was the last ruler to be interred in the Archangel Cathedral.

Previously women had been interred at the Ascension Cathedral of the Ascension Convent in the Moscow Kremlin. In 1929, the Ascension Convent and its cathedral were destroyed by the Soviets to make room for the Red Army School. At that time, the remains of those buried there were moved to the crypt of the Archangel Cathedral in the Moscow Kremlin.

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History of the Archangel Cathedral

Panorama of the Kremlin in Moscow by Eduard Gaertner, 1839, showing the  Archangel Cathedral on the right; Credit – Wikipedia

Prior to the current cathedral built from 1505 – 1508, there was a wooden church built in 1250 that was replaced with a stone church in 1333. The stone church was crowded with burials of earlier Rurik rulers and needed renovation, so Ivan III, Grand Prince of Moscow decided to build a new cathedral on the site. Just as he had done twenty years earlier when the Assumption Cathedral in the Moscow Kremlin was built, Ivan III invited an Italian architect, Lamberti Aloisio da Mantagnana, known in Russia as Aloisio the New, to design and oversee the construction of the new cathedral. The groundbreaking occurred on May 21, 1505. However, Ivan III, Grand Prince of Moscow did not live to see the new cathedral completed. He died on October 27, 1505, and was interred in the unfinished cathedral. Work on the cathedral was completed by the end of 1508, but it was not formally consecrated until November 8, 1509.

In 1918, during the Russian Revolution, the Archangel Cathedral and the other churches in the Kremlin were closed as houses of worship. The new Bolshevik government moved its headquarters from St. Petersburg to the Moscow Kremlin. With the end of the Soviet Union in 1991, the Archangel Cathedral once again became a Russian Orthodox church.

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The Exterior and Interior

Four of the five domes of the Archangel Cathedral; Credit – By Elenak1211 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=28337196

The Archangel Cathedral has the five typical domes representing Jesus Christ and the Four Evangelists but it was more Italian in style than the other churches in the Moscow Kremlin. With the renovations over the centuries, some of these Italian aspects have disappeared.

Looking up at the dome; Credit – By Stan Shebs, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=65150

The interior of the Archangel Cathedral is typical of Russian churches with the vault of the central chancel extending below the central dome supported by a total of six columns. As is typical for the other Kremlin churches, the walls are painted with frescoes.

Orthodox churches are set up differently than other Christian churches. They are divided into three main parts: the narthex, the nave, and the sanctuary. The narthex is the connection between the church and the outside world. It used to be the practice that non-Orthodox people had to remain in the narthex but this practice has mostly fallen into disuse. The congregation stands in the nave during services. Traditionally there is no sitting during Orthodox services and so Orthodox churches usually do not have pews or chairs. In Orthodox Christianity, an iconostasis is a wall of icons and religious paintings that divides the sanctuary from the nave. The sanctuary is where the Eucharist or Divine Liturgy is performed behind the iconostasis.

Some of the icons of the Iconostasis; Credit – By Stan Shebs, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=65147

The iconostasis of the Archangel Cathedral is a four-tiered, 42 feet / 13-meter tall wooden iconostasis with gilded carvings made 1678 – 1681. The mostly 17th-century icons depict the Archangel Michael, the Blessed Mother, John the Baptist, and other venerated saints. Atop the iconostasis is a crucifix.

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The Burials

Graves of three Grand Princes of Moscow, Vasily III, Ivan III and Vasily II in the Archangel Cathedral; Credit – By shakko – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15196587

There are a total of 46 tombs inside the cathedral, located in the chancel and the former sacristy behind the altar, in which 53 people – grand princes, tsars, one emperor, and some of their male relatives – are interred. All the burial sites have a similar structure. The remains are in sarcophagi interred 5 feet / 1.5 meters underground. Above each burial site is a large block of white stone with engraved names and biographical data in Old Church Slavonic writing. During the 20th century, the blocks of stone were encased in special bronze cases to protect them. Above the burial sites are frescoes on the wall with a representation of who is buried there.

Frescoes depicting Grand Princes of Moscow over their graves in the Archangel Cathedral; Credit – By shakko – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=7078668

Listed below are Grand Princes of Moscow, Tsars of Russia, and Emperors of Russia and their male relatives who were interred at the Archangel Cathedral in the Moscow Kremlin.

  • Grand Prince (Великий князь Velikiy Knyaz: literally great prince, sometimes translated as grand duke) was the title of the male ruler of the Russian principalities before they were united into the Tsardom of Russia. A Grand Prince’s wife was titled Grand Princess.
  • Tsar was used 1547 – 1721 to denote the male ruler of Russia. Tsar comes from Caesar, the Latin title of a Roman emperor. Tsar remained the popular designation of the Russian ruler despite the official change of style to Emperor in 1721.
  • Tsaritsa or Tsarina was the title of the female ruler of Russia or the title of a Tsar’s wife. It was officially used from 1547 – 1721 when the title changed to Empress although Tsaritsa or Tsarina was sometimes still used.
  • Tsarevich was the title given to Tsars’ sons before the 18th century.
  • Tsarevna was used before the 18th century as the title for the daughter of a Tsar or the wife of a Tsarevich.

Patronymic: In Russian, a patronymic is the second name derived from the father’s first name: the suffix -vich means “son of” and the suffixes -eva, -evna, -ova, and -ovna mean “daughter of”

Burials Moved from the Ascension Cathedral to the Archangel Cathedral

Removing the sarcophagi before the destruction of the Ascension Monastery; Credit – Wikipedia

Women of the Rurik dynasty and women of the early Romanov dynasty along with some Russian noblewomen were interred at the Ascension Cathedral of the Ascension Convent in the Moscow Kremlin. In 1929, the Ascension Convent and its cathedral were destroyed by the Soviets to make room for the Red Army School. At that time, the remains of those buried there were moved to the crypt of the Archangel Cathedral in the Moscow Kremlin.

The list of those originally interred at Ascension Cathedral and moved to the crypt in the Archangel Cathedral in 1929 can be seen at Unofficial Royalty: Ascension Convent and Cathedral.

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

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Works Cited

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  • En.wikipedia.org. 2022. Cathedral of the Archangel – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Cathedral_of_the_Archangel> [Accessed 24 March 2022].
  • Ru.wikipedia.org. 2022. Архангельский собор (Московский Кремль) — Википедия. [online] Available at: <https://ru.wikipedia.org/wiki/%D0%90%D1%80%D1%85%D0%B0%D0%BD%D0%B3%D0%B5%D0%BB%D1%8C%D1%81%D0%BA%D0%B8%D0%B9_%D1%81%D0%BE%D0%B1%D0%BE%D1%80_(%D0%9C%D0%BE%D1%81%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9_%D0%9A%D1%80%D0%B5%D0%BC%D0%BB%D1%8C)> [Accessed 24 March 2022].
  • Ru.wikipedia.org. 2022. Некрополь Архангельского собора — Википедия. [online] Available at: <https://ru.wikipedia.org/wiki/%D0%9D%D0%B5%D0%BA%D1%80%D0%BE%D0%BF%D0%BE%D0%BB%D1%8C_%D0%90%D1%80%D1%85%D0%B0%D0%BD%D0%B3%D0%B5%D0%BB%D1%8C%D1%81%D0%BA%D0%BE%D0%B3%D0%BE_%D1%81%D0%BE%D0%B1%D0%BE%D1%80%D0%B0> [Accessed 24 March 2022].

Ascension Convent and Cathedral at the Moscow Kremlin in Moscow, Russia

by Susan Flantzer
© Unofficial Royalty 2022

Ascension Monastery in 1900; Ascension Cathedral, with four of the five towers showing, is in the middle of the photo; Credit – Wikipedia

The Ascension Convent was a Russian Orthodox nunnery in the Moscow Kremlin in Moscow, Russia. The Moscow Kremlin is a fortified complex founded by the Rurik dynasty in the late 15th century. It includes five palaces, four cathedrals, and the enclosing Kremlin Wall. Before the founding of St. Petersburg by Peter I (the Great), Emperor of All Russia in 1703, the Moscow Kremlin was the seat of power for the Rurik and early Romanov rulers of Russia. The Moscow Kremlin now serves as the official residence of the President of the Russian Federation.

Women of the Rurik dynasty and women of the early Romanov dynasty along with some Russian noblewomen were interred at the Ascension Cathedral of the Ascension Convent. When Peter I (the Great), Emperor of All Russia, moved the capital of Russia from Moscow to the new city of St. Petersburg, the new Peter and Paul Cathedral became the Romanov burial site.

In 1929, the Ascension Convent and its cathedral were destroyed by the Soviets to make room for the Red Army School. At that time, the remains of those buried there were moved to the crypt of the Archangel Cathedral in the Moscow Kremlin.

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History of the Church

The Ascension Cathedral in the 1800s; Credit – Wikipedia

Around 1386, the first wooden church of the nunnery was founded by Evdokia Dmitrievna of Suzdal, Grand Princess of Moscow, wife of Dmitry Donskoy, Grand Prince of Moscow. The church was dedicated to the Ascension of Jesus, the Christian teaching that Jesus physically departed from Earth by rising into Heaven. After the death of her husband, Evdokia Dmitrievna became a nun under the name Euphrosyne at the nunnery and was buried in the church upon her death. She was canonized by the Russian Orthodox Church and is known as St. Euphrosyne of Moscow.

Shrine of St. Euphrosyne of Moscow in the Archangel Cathedral in the Moscow Kremlin; Credit – By Иерей Максим Массалитин – originally posted to Flickr as Святая Евфросиния Московская, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=12193132

In 1415, the church was mostly destroyed by fire and was rebuilt in 1467 by Maria Yaroslavna of Borovsk, Grand Princess of Moscow, wife of Vasily II, Grand Prince of Moscow. Another fire in 1483 resulted in another restoration. From 1587 – 1588, the church was completely rebuilt as a cathedral with five domes, mirroring the Archangel Cathedral which had been built nearby in the Moscow Kremlin in 1508.

Ascension Cathedral in 1907; Credit – Wikipedia

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Destruction of the Convent and Cathedral

Nuns at the Ascension Convent in 1904; Credit – Wikipedia

In 1907, the nunnery had a mother superior, 62 nuns, and 45 lay sisters. Ten years later, during the Russian Revolution, the nunnery and its buildings suffered much damage and the nuns were ordered to leave. In 1918, the Kremlin Commission was established to restore and preserve the Kremlin buildings. However, due to insufficient funding, the plans were not fully implemented and work stopped in 1920. In 1924, the ground on which the Ascension Convent sat began to sink and some walls of the buildings started to collapse.

The iconostasis, the wall of icons and religious paintings separating the nave from the sanctuary in an Orthodox church, of the Ascension Cathedral which was saved and is now in the Church of the Twelve Apostles; Credit – Wikipedia

In 1929, it was announced that plans were being prepared for the construction of the Red Army School on the land occupied by the Ascension Cathedral and other historical buildings. A plea was made to change the location to preserve the historical buildings but it was ignored. In December 1929, on the orders of Joseph Stalin, the dismantling and demolition work began. The work was done in a hurry and archaeologists were not allowed to remove valuable frescoes in the churches and only a few church decorations were saved.

Removing the sarcophagi before the destruction of the Ascension Monastery; Credit – Wikipedia

Thanks to Nikolai Nikolaevich Pomerantsev, an art restorer and art curator, the sarcophagi in the Ascension Cathedral were saved. Pomerantsev organized architectural measurements and photographing of the monastery, a survey of the burials, and the removal of the sarcophagi to the crypt in the Archangel Cathedral. In January 1934, Pomerantsev was arrested and accused of trying to discredit the Soviet government by opposing the demolition of unnecessary monuments of antiquity. In May 1934, he was sentenced to three years of exile.

Nikolai Nikolaevich Pomerantsev, who is responsible for saving the sarcophagi at the Ascension Cathedral; Credit – Wikipedia

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Burials

Tsarevna Praskovia Ivanovna of Russia, daughter of Ivan V, Tsar of All Russia, was the last person interred at Ascension Cathedral; Credit – Wikipedia

Listed below are relatives of Grand Princes of Moscow, Tsars of Russia, and Emperors of Russia who were interred at the Ascension Convent and were moved in 1929 to the Archangel Cathedral in the Moscow Kremlin. Relatives of Russian nobles were also buried there but are not included in the list below.

  • Grand Prince (Великий князь Velikiy Knyaz: literally great prince, sometimes translated as grand duke) was the title of the male ruler of the Russian principalities before they were united into the Tsardom of Russia. A Grand Prince’s wife was titled a Grand Princess.
  • Tsar was used 1547 – 1721 to denote the male ruler of Russia. Tsar comes from Caesar, the Latin title of a Roman emperor. Tsar remained the popular designation of the Russian ruler despite the official change of style to Emperor in 1721.
  • Tsaritsa or Tsarina was the title of the female ruler of Russia or the title of a Tsar’s wife. It was officially used from 1547 – 1721 when the title changed to Empress although Tsaritsa or Tsarina was sometimes still used.
  • Tsarevich was the title given to Tsars’ sons before the 18th century.
  • Tsarevna was used before the 18th century as the title for the daughter of a Tsar or the wife of a Tsarevich.

Patronymic: In Russian, a patronymic is the second name derived from the father’s first name: the suffix -vich means “son of” and the suffixes -eva, -evna, -ova, and -ovna mean “daughter of”.

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • En.wikipedia.org. 2022. Ascension Convent – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Ascension_Convent> [Accessed 21 March 2022].
  • Ru.wikipedia.org. 2022. Вознесенский монастырь (Москва) — Википедия. [online] Available at: <https://ru.wikipedia.org/wiki/%D0%92%D0%BE%D0%B7%D0%BD%D0%B5%D1%81%D0%B5%D0%BD%D1%81%D0%BA%D0%B8%D0%B9_%D0%BC%D0%BE%D0%BD%D0%B0%D1%81%D1%82%D1%8B%D1%80%D1%8C_(%D0%9C%D0%BE%D1%81%D0%BA%D0%B2%D0%B0)> [Accessed 21 March 2022].
  • Ru.wikipedia.org. 2022. Некрополь Вознесенского монастыря — Википедия. [online] Available at: <https://ru.wikipedia.org/wiki/%D0%9D%D0%B5%D0%BA%D1%80%D0%BE%D0%BF%D0%BE%D0%BB%D1%8C_%D0%92%D0%BE%D0%B7%D0%BD%D0%B5%D1%81%D0%B5%D0%BD%D1%81%D0%BA%D0%BE%D0%B3%D0%BE_%D0%BC%D0%BE%D0%BD%D0%B0%D1%81%D1%82%D1%8B%D1%80%D1%8F> [Accessed 21 March 2022].

Monastery of Curtea de Argeș in Curtea de Argeș, Romania

by Susan Flantzer
© Unofficial Royalty 2022

The 16th-century Cathedral of Curtea de Argeș; Credit – By Alexandru Baboş Albabos – Own work, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=10304987

The Monastery of Curtea de Argeș is a Romanian Orthodox monastery in Curtea de Argeș, Romania built between 1515 – 1517, during the reign of Neagoe Basarab V, Prince of Wallachia. On the grounds of the monastery is the 16th-century Cathedral of Curtea de Argeș. The cathedral served as a burial site for Neagoe Basarab V and his family and as the seat for the Romanian Orthodox Archdiocese of Argeș and Muscel. During the reign (1881 – 1914) of Carol I, King of Romania, a burial site for the Royal Family of Romania was established at the cathedral.

The 21st-century New Archbishopric and Royal Cathedral in Curtea de Argeș; Credit – By Rereader1996 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=84735309

The New Archbishopric and Royal Cathedral in Curtea de Argeș was built on the monastery grounds from 2009 – 2018. It serves as the seat of the Archdiocese of Argeș and Muscel and as a new burial site for members of the Royal Family of Romania

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The Cathedral of Curtea de Argeș

Credit – By Florin – Own work, CC BY-SA 3.0 ro, https://commons.wikimedia.org/w/index.php?curid=28662047

The 16th-century cathedral was built during the reign of Neagoe Basarab V, Prince of Wallachia. Wallachia, a historical and geographical region of Romania, was founded as a principality in the early 14th century. One of the earlier Princes of Wallachia was Vlad III, Prince of Wallachia, commonly known as Vlad the Impaler (Romanian: Vlad Țepeș) or Vlad Dracula (reigned 1428 – 1431 and 1476 – 1477). Neagoe Basarab made major donations to Orthodox churches and monasteries in Wallachia and throughout what is known today as Eastern Europe and also in the Ottoman Empire and the Holy Land. He used the religious and political traditions from the defunct Byzantine Empire in his style of ruling. Neagoe Basarab also established diplomatic contacts with the Pope, taking steps to resolve the conflict between the Roman Catholic Church and the Orthodox Church. On July 8, 2008, the Holy Synod of the Romanian Orthodox Church canonized Neagoe Basarab as a saint. His feast day is celebrated on September 26.

Part of the ceiling; Credit – By Pudelek – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=64976936

Neagoe Basarab had direct involvement in the planning and building of the Cathedral of Curtea de Argeș. The cathedral was consecrated on August 15, 1517, and was dedicated to the Dormition of the Mother of God, the Orthodox feast celebrated on August 15, of the “falling asleep” (death) of Mary the Theotokos (Mother of God, literally translated as God-Bearer), and her being taken bodily up into heaven (Assumption of Mary in the Roman Catholic religion).

View from the back showing the annex; Credit – By Daria Virbanescu – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=72885130

The oblong cathedral, in the Byzantine style with Moorish arabesques, sits upon a raised platform above the ground with a many-sided annex at the back. The two smaller cupolas sit in front of the central dome and another dome is above the annex. Atop each dome is the triple cross, representing the Trinity.

The iconostasis – the wall of icons and religious paintings, separating the nave from the sanctuary in an Orthodox church; Credit – Wikipedia By Pudelek – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=64976937

In the narthex of the cathedral, a lobby area typical of early Christian and Byzantine churches, are the tombs of the cathedral’s founder Neagoe Basarab V, Prince of Wallachia, his wife Milița Despina, and several other family members. Also in the narthex, members of the recent Royal Family of Romania were buried although several have been re-interred at the New Archbishopric and Royal Cathedral.

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The New Archbishopric and Royal Cathedral in Curtea de Argeş

By Rereader1996 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=84735313

The New Archbishopric and Royal Cathedral was a joint project of the Archdiocese of Argeș and Muscel and the Royal House of Romania. The Romanian royal family wanted a new burial site because the 16th-century Cathedral of Curtea de Argeș had no more room for burials while the new cathedral would serve the Archdiocese of Argeş and Muscel as the seat of the archdiocese. The expenses for the construction were shared by the Royal House of Romania and the Archdiocese of Argeş and Muscel.

Dr. Augustin Ioan, a Romanian architect, writer, and professor at the Ion Mincu University of Architecture and Urban Planning in Bucharest, Romania was chosen to design the new cathedral. In 2008, the first discussion took place between architect Dr. Augustin Ioan and Princess Margareta of Romania, the eldest of the five daughters of former King Mihai of Romania (also known as Michael, reigned 1927 – 1930 and 1940 – 1947 when the monarchy was abolished), known as the Custodian of the Crown of Romania since her father’s death in 2017, and her husband Prince Radu of Romania. Princess Margareta expressed the wish of her father King Mihai to be buried with his ancestors and to bring them all together to be buried in the same place. On May 10, 2009, the foundation stone was laid in the presence of Princess Margareta and her husband Prince Radu.

The new cathedral was designed in the style of Byzantine architecture as a tribute to the 16th-century cathedral. The interior was decorated with mosaics, in the style of the old cathedral. Likewise, the stone exterior of the new cathedral makes a connection to the old cathedral.

Graves in the new burial site; Credit – By Rereader1996 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=84733946

The royal burial site of the new cathedral is located on the right after the entrance. Because the sixteen gravesites could not all be aligned to the east as is the tradition, architect Augustin Ioan came up with a solution. He designed the royal burial site as a circular arcaded portico with the altar in the middle, explaining “The holy altar table represents the mystical east of the church. At the liturgy, the living and the dead await together the conversion of wine and bread into the blood and flesh of Christ, but also the Resurrection.” When entering the burial site, visitors have a figurative and a literal threshold of light to cross because the entrance is a structural glass bridge with light below.

The child martyr Saint Filofteia carrying her food basket with the axe that killed her on the ground

The New Archbishopric and Royal Cathedral in Curtea de Argeş was consecrated on December 7, 2018, and dedicated to Archangel Michael and Archangel Gabriel and the child martyr Saint Filofteia (1206 – 1218) who lived in what is now Bulgaria. Filofteia was a loving, generous and kind little girl whose father and stepmother often beat her. While bringing a basket of food to her father working in the fields, Filofteia would often give some of the food to her less fortunate neighbors. When her father found out where the food was going, he became so angry that he hit her with an ax in the leg and she bled to death. According to the story, Filofteia’s body remained on the ground for days because no one could lift it, as if an otherworldly force was holding it to the ground. The surrounding area glowed with a bright and persistent light and people flocked to the area to pray.

Filofteia’s relics; Credit – De la Țetcu Mircea Rareș – Operă proprie, CC BY-SA 3.0 ro, https://commons.wikimedia.org/w/index.php?curid=28263365

Finally, Filofteia’s remains were properly cared for and were considered a miraculous relic. Eventually, the relics were then given to Mircea the Elder, Prince of Wallachia (reigned 1386 – 1418) who placed them in the Princely Church of Saint Nicholas in Curtea de Argeș which was built in the beginning of the 14th-century. Filofteia was considered the protector of Wallachia. The relics were eventually placed in the Cathedral of Curtea de Argeș. Filofteia’s relics have been moved to a small chapel on the left of the entrance of the New Archbishopric and Royal Cathedral, across from the new royal burial site.

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Buried at the Cathedral of Curtea de Argeș

Family of Neagoe Basarab V, Prince of Wallachia, the builder of the Cathedral of Curtea de Argeș

Neagoe Basarab of Wallachia and his family with the Cathedral of Curtea de Argeș in the middle: on the left, Neagoe Basarab and his three sons: Teodosie, Petru, and Ioan; on the right his wife Milica Despina and their daughters: Stana, Ruxandra, and Angelina; Credit – https://mappingeasterneurope.princeton.edu/item/neagoe-basarab-of-wallachia-and-his-family.html

The grave of Radu of Afumați, Prince of Wallachia, son-in-law of Neagoe Basarab V: Credit – Țetcu Mircea Rareș Own work, CC BY-SA 3.0 ro, https://commons.wikimedia.org/w/index.php?curid=28263363

The Recent Royal Family of Romania

King Carol I in the center with his nephew the future King Ferdinand I on the right and his great-nephew the future King Carol II on the right; Credit – Wikipedia

Because of political unrest in what was then called the Romanian United Principalities, the Ruling Prince, Alexander Ioan Cuza, was forced to abdicate in February 1866. Due largely to the familial relationship with the French Emperor Napoleon III and the Prussian monarchs, Prince Karl of Hohenzollern-Sigmaringen was elected by the Romanian government to become the new Ruling Prince. Karl arrived in Romania on May 10, 1866, and declared his allegiance to his new country, taking on the more Romanian spelling of his name, Carol. In 1881, the Romanian parliament declared Romania a kingdom, and Prince Carol became King Carol I. Romania remained a monarchy until 1947 when King Mihai I was forced to sign a document of abdication by the Communist regime. A year later, he publicly announced that his abdication was invalid, as it had been forced upon him, and that he remained the rightful King of Romania.

It would be 43 years before Mihai set foot on Romanian soil again. In December 1990, Mihai was given permission for a 24-hour visit. However, this ended up being cut short and he was forced to leave early. He visited Romania in again 1992 but the mass outpouring of crowds and supporters concerned the current government and he was banned again for several years. Finally, in 1997, the Romanian government restored Mihai’s citizenship and in the following years, several properties were returned to the royal family.

Buried at the Cathedral of Curtea de Argeș

The grave of Elisabeth of Wied, Queen of Romania; Credit – By Țetcu Mircea Rareș – Own work, CC BY-SA 3.0 ro, https://commons.wikimedia.org/w/index.php?curid=28263366

Possibly sometime in the future, some or all of the following could be moved from the Cathedral of Curtea de Argeș to the New Archbishopric and Royal Cathedral.

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Buried at the New Archbishopric and Royal Cathedral in Curtea de Argeş

The mausoleum at the New Archbishopric and Royal Cathedral; Credit – By Rereader1996  Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=84739150

  • Anne of Bourbon-Parma, Queen of Romania (titular) (1923 – 2016), wife of Mihai I
  • Mihai I (Michael), King of Romania (1921 – 2017), son of Carol II
  • Carol II, King of Romania (1893 – 1953), son of Ferdinand I, died in exile in Portugal, first buried at the Royal Pantheon of the House of Braganza at the Monastery of São Vicente de Fora in Lisbon, Portugal, in 2003 his remains were returned to Romania and buried in a chapel outside the Curtea de Argeş Cathedral, reinterred at the New Archbishopric and Royal Cathedral in Curtea de Argeș on March 8, 2019
  • Helen of Greece and Denmark, Queen Mother of Romania (1896 – 1982), second of the three wives of Carol II (divorced), mother of Mihai I, first buried at the Bois-de-Vaux Cemetery in Lausanne, Switzerland, reinterred at the New Archbishopric and Royal Cathedral at Curtea de Argeș on October 19, 2019.
  • Prince Mircea of Romania (1913 – 1916), the three-year-old son of Ferdinand I, died of typhoid fever on November 2, 1916. As the family was fleeing enemy forces approaching Bucharest during World War I, he was quickly buried in the grounds of Cotroceni Palace. In 1941, his remains were moved to the chapel at Bran Castle. In 2019, his remains found their final resting place at the New Archbishopric and Royal Cathedral at Curtea de Argeş.

Graves of King Mihai I and Queen Anne; Credit – www.findagrave.com

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

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