Category Archives: Royal Churches

Friedenskirche (Church of Peace) and the Temple of Antiquities in Potsdam, Germany

by Susan Flantzer
© Unofficial Royalty 2022

The Friedenskirche with the domed Kaiser Friedrich Mauseleum on the left; Credit – By Arild Vågen – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=29982486

The Friedenskirche (Church of Peace) is a Lutheran church in Sanssouci Park, surrounding Sanssouci Palace, in Potsdam, Germany. Sanssouci Palace was built between 1745 – 1747 in Potsdam, Kingdom of Prussia, now in the German state of Brandenburg, during the reign of Friedrich II (the Great), King of Prussia as his summer palace.

Sanssouci Park contains other structures including:

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History of the Friedenskirche

The Friedenskirche with the domed Kaiser Friedrich Mausoleum of the right; Credit – By Wolfgang Staudt – originally posted to Flickr as Potsdam Friedenskirche, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=3988614

In 1839, as Crown Prince of Prussia, Friedrich Wilhelm IV, King of Prussia devised a preliminary plan for a church in the Sanssouci Park that would meet the needs of the Prussian court to worship while in summer residence at Sanssouci Palace. He envisioned a church with a lake, a park, and additional buildings. When Friedrich Wilhelm IV became King of Prussia in 1840, he began to carry out those plans. However, he was quite particular and repeatedly rejected the designs of the court architect Friedrich Ludwig Persius. After nearly two years, Friedrich Wilhelm III approved Persius’ plans. The cornerstone was laid on April 14, 1845. However, three months later Persius died and architect Friedrich August Stüler continued the project. On September 24, 1848, the Friedenskirche was consecrated in the presence of King Friedrich IV and his wife Elisabeth Ludovika of Bavaria, Queen of Prussia. The church served not only as a chapel royal but also as a church for the parish of Brandenburger Vorstadt, a part of Potsdam.

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The Exterior of the Friedenskirche

Friedenskirche; Credit – Von Gemeingut im Foto – Eigenes Werk, Gemeinfrei, https://commons.wikimedia.org/w/index.php?curid=39348752

The Friedenskirche was built in the style of an early Christian church with buildings surrounding the church built in the style of northern Italian monastery buildings.

The inner courtyard with the statue of Christ: Credit – By Wolfgang Staudt – originally posted to Flickr as Church of Peace, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=3988611

There is an inner courtyard with a fountain and a life-size statue of Christ, a copy of the 1821 statue by Danish sculptor Bertel Thorvaldsen in the Church of Our Lady in Copenhagen, Denmark.

The bell tower; Credit – Von Miguel Hermoso Cuesta – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=37843644

Next to the church is a free-standing bell tower modeled after the bell tower at the Basilica of Santa Maria in Cosmedin in Rome, Italy.

Steinbrück fresco depicting Jesus praying in the Garden of Gethsemane; Credit – By Elena Jamov – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=21668281

On the eastern side of the church, there is a fresco by German painter and etcher Eduard Steinbrück depicting Jesus praying in the Garden of Gethsemane.

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The Interior of the Friedenskirche

The interior of the Friedenskirche; Credit – By Jochen Teufel – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=7216909

The Friedenskirche is a columned basilica with three aisles and no transept.

The 13th century mosaic in the aspe; Credit – Von Karl-Heinz Meurer (–Charlie1965nrw) – HDR-Bild aus drei digitalen Fotografien, selbst fotografiert, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=11906128

When he was Crown Prince of Prussia, Friedrich Wilhelm IV had purchased at auction a 13th-century mosaic from a church that was going to be demolished, the 1109 Church of San Cipriano on Murano near Venice, Italy. The Byzantine mosaic shows Jesus Christ seated on a throne as the judge of the world. This mosaic was installed in the apse over the altar.

The main altar; Credit – By J.hagelüken – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=33175253

The four dark green columns of the main altar ciborium, the structure over the altar, are made of Siberian jasper and were a gift from Nicholas I, Emperor of All Russia in 1842. Nicholas I was married to Friedrich Wilhelm IV’s sister Charlotte.

Victoria, Princess Royal, German Empress, Queen of Prussia with her daughters at the coffin of her husband Friedrich III in the Friedenskirche; Credit – Wikipedia

The sacristy is in the left aisle. After Friedrich Wilhelm IV’s death, it was temporarily used as a resting place for his coffin. Upon the deaths of nearly two-year-old Prince Sigismund in 1866 and eleven-year-old Prince Waldemar in 1879, the sons of the future Friedrich III, German Emperor, King of Prussia and his wife Victoria, Princess Royal, their coffins were interred in the sacristy. In 1888, Friedrich III’s coffin was also interred here. After the completion of the Kaiser Friedrich Mausoleum, all three coffins were moved there. In 1920, Prince Joachim, the youngest son of Wilhelm II, the last German Emperor, and King of Prussia was interred in the sacristy. His coffin was moved to the Temple of Antiquities in 1931.

The entrance to the royal crypt; By Ra Boe / Wikipedia, CC BY-SA 3.0 de, https://commons.wikimedia.org/w/index.php?curid=11867337

The entrance to the royal crypt is under two marble tablets honoring Friedrich Wilhelm IV and his wife Elisabeth Luise in front of the altar steps. Friedrich Wilhelm IV died on January 2, 1861, following several strokes. His coffin rested in the sacristy of the Friedenskirche until it was moved to the royal crypt after its dedication in October 1864.

It was common to hold confirmations of members of the House of Hohenzollern at the Friedenskirche. Among those confirmed there were Wilhelm II, German Emperor, King of Prussia, son of Friedrich III, and his seven children.

 

Prince Georg Friedrich of Prussia, the great-great-grandson of Wilhelm II and the current head of the Prussian branch of the House of Hohenzollern, and Princess Sophie of Isenburg were married at the Friedenskirche on August 27, 2011.

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The Kaiser Friedrich Mausoleum

The Kaiser Friedrich Mausoleum; Credit – By Barbas, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=17290128

Friedrich III, German Emperor, King of Prussia reigned for only 99 days, dying at the age of 56 on June 15, 1888. Already seriously ill with cancer of the larynx, he succeeded his father Wilhelm I, German Emperor, King of Prussia on March 9, 1888. Friedrich III was succeeded by his son Wilhelm II, the last German Emperor and King of Prussia. The year 1888 is called “The Year of Three Emperors” in German history. Friedrich III’s coffin was initially placed in the sacristy of the Friedenskirche. From 1888 – 1890, the Kaiser Friedrich Mausoleum was added to the north side of the Friedenskirche. It was designed by architect Julius Carl Raschdorff who also designed the 1893 – 1905 reconstruction of the Berlin Cathedral. After the inauguration of the Kaiser Friedrich Mausoleum on October 18, 1890, the coffins of Friedrich III, along with those of his two sons who had died in childhood, were moved from the sacristy of the Friedenskirche to the mausoleum. When Friedrich III’s wife Victoria died in 1901, she was also interred in the mausoleum.

Julius Carl Raschdorff designed the mausoleum in the Baroque-influenced Italian High Renaissance style based upon the 17th-century Chapel of the Holy Sepulcher in San Candido, Italy which was modeled after the Church of the Holy Sepulcher in Jerusalem. The mausoleum is a domed building with a circular floor plan with an attached rectangular chancel. A gold mosaic on the vaulted ceiling alternately depicts angels and palm trees.

Tomb of Friedrich III, German Emperor, King of Prussia; Credit – Wikipedia

In the middle of the rotunda are the marble sarcophagi of Friedrich III, German Emperor and King of Prussia and his wife, the eldest daughter of Queen Victoria of the United Kingdom, Victoria, Princess Royal.

Tombs of Victoria and Friedrich next to each other; Credit – By TeeBee – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=47840199

Tomb of Prince Sigismund; Credit – Wikipedia

Prussian sculptor Reinhold Begas created the effigies of Friederich III and his wife Victoria and also created the tombs of Prince Sigismund and Prince Waldemar, the two sons of Friedrich III and Victoria who died in childhood, that stand against the side walls.

Tomb of Prince Waldemar; Credit – http://www.findagrave.com

Friedrich Wilhelm I, King of Prussia was originally interred at the Garrison Church in Potsdam, Kingdom of Prussia. During World War II, his coffin, along with several others, were moved, for their protection, to a salt mine near Bernterode, Germany. The coffins were discovered by occupying American forces, who re-interred them in St. Elisabeth’s Church in Marburg, Germany in 1946. Friedrich Wilhelm I’s original black marble sarcophagus was destroyed in 1945 and his remains were placed in a copy made from copper. In 1953, Friedrich Wilhelm I’s coffin was moved to Hohenzollern Castle in Hechingen, Baden-Württemberg, Germany. The coffin finally found its final resting place in 1991, on the steps of the altar in the Kaiser Friedrich Mausoleum in the Friedenskirche.

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Burials at the Friedenskirche

Sarcophagi of Friedrich Wilhelm IV and his wife Elisabeth Luise in the royal crypt; Credit – By Wo st 01 / Wikimedia Commons, CC BY-SA 3.0 de, https://commons.wikimedia.org/w/index.php?curid=7032743

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The Temple of Antiquities

The Temple of Antiquities; Credit – Wikipedia

While it is now a mausoleum, the Temple of Antiquities was originally built to house the collection of classical works of art, antique artifacts, antique coins, and antique gems of Friedrich II (the Great), King of Prussia. Wilhelm II, German Emperor, King of Prussia intended to convert the Temple of Antiquities into a court chapel but the plans were never carried out because of World War I. On April 19, 1921, Wilhelm II’s first wife Augusta Viktoria of Schleswig-Holstein, German Empress, Queen of Prussia was interred in the Temple of Antiquities as per her wishes and it became the burial site of several other members of the House of Hohenzollern.

All the Hohenzollerns interred at the Temple of Antiquities are relatives of Wilhelm II, the last German Emperor and King of Prussia. After World War I, Wilhelm II went into exile in the Netherlands, where he purchased Huis Doorn, a small manor house outside of Doorn, a small town near Utrecht in the Netherlands. As a condition of his exile, Wilhelm could never return to Germany and was allowed only to travel within a radius of fifteen miles from his house. A mausoleum in the garden of Huis Doorn near Wilhelm’s favorite rhododendrons was built to house his remains. Both his wives were interred at the Temple of Antiquities.

Coffins inside the Antique Temple; Credit – Wikipedia

Those interred at the Temple of Antiquities:

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Works Cited

  • De.wikipedia.org. 2022. Antikentempel – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Antikentempel> [Accessed 11 March 2022].
  • De.wikipedia.org. 2022. Friedenskirche (Potsdam) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Friedenskirche_(Potsdam)> [Accessed 11 March 2022].
  • En.wikipedia.org. 2022. Antique Temple – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Antique_Temple> [Accessed 11 March 2022].
  • En.wikipedia.org. 2022. Church of Peace, Potsdam – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Church_of_Peace,_Potsdam> [Accessed 11 March 2022].
  • Royaltombs.dk. 2022. The Valley of the Kings – Burial Places of European Monarchs. [online] Available at: <http://www.royaltombs.dk/> [Accessed 11 March 2022].
  • Unofficial Royalty. 2022. Kingdom of Prussia Index. [online] Available at: <https://www.unofficialroyalty.com/current-monarchies-article-index/german-royals-index/prussian-index/> [Accessed 11 March 2022].

Berlin Cathedral (Berliner Dom) in Berlin, Germany

by Susan Flantzer
© Unofficial Royalty 2022

Berlin Cathedral; Credit – By Ansgar Koreng / CC BY 3.0 (DE), CC BY 3.0 de, https://commons.wikimedia.org/w/index.php?curid=41469664

Located in Berlin, the capital of Germany, the Berlin Cathedral, known in German as the Berliner Dom, is a member of the Evangelical Church in Germany, a federation of twenty Lutheran, Reformed (Calvinist), and United (Prussian Union, for example) Protestant regional churches and denominations in Germany. As with many churches in Europe, the religious affiliation of the Berlin Cathedral has changed over the centuries: Roman Catholic until 1539, Lutheran from 1539–1632, Reformed from 1632–1817, and United (Prussian Union) from 1817 – present. The current church was built from 1894 to 1905 during the reign of Wilhelm II, the last German Emperor and King of Prussia. Although lesser well known than other royal burial sites, the Hohenzollern Crypt in the Berlin Cathedral is the most important dynastic burial site in Germany and rivals the Imperial Crypt at the Capuchin Church in Vienna, Austria, Westminster Abbey in London, England, the Basilica of Saint-Denis near Paris, France, and the Royal Basilica of San Lorenzo de El Escorial in San Lorenzo de El Escorial, Spain.

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House of Hohenzollern

Wilhelm II, the last German Emperor and King of Prussia; Credit – Wikipedia

The Protestant Franconian branch of the House of Hohenzollern ruled as Margraves of Brandenburg, Dukes of Prussia, Electors of Brandenburg, Kings of Prussia from 1415 until 1918. The first King in Prussia succeeded his father as Friedrich III, Duke of Prussia, Elector of Brandenburg in 1688. The Electorate of Brandenburg was part of the Holy Roman Empire, while the Duchy of Prussia, formerly a fief of the Crown of Poland, lay outside the Empire’s borders. The Duchy had been inherited by the Hohenzollern Prince-Electors of Brandenburg in 1618 and was ruled in personal union.

Friedrich I, the first King in Prussia, formerly Friedrich III, Duke of Prussia, Elector of Brandenburg; Credit – Wikipedia

In November 1700, in exchange for supporting the Holy Roman Empire in the Spanish War of Succession, Leopold I, Holy Roman Emperor agreed to allow Friedrich III, Duke of Prussia, Elector of Brandenburg to make Prussia a kingdom and become its first king. Because the Hohenzollerns’ sovereignty over the Duchy of Prussia was dependant upon succession in the male line (and would return to the Polish crown if there were no male heirs to succeed), Friedrich I agreed to style himself King in Prussia and not King of Prussia. In 1772, King Friedrich II (the Great) in Prussia, through several battles and wars, united the various parts of his kingdom, taking the title King of Prussia.

In 1871, the German Empire, consisting of four kingdoms, six grand duchies, five duchies, seven principalities, three free Hanseatic cities, and one imperial territory, was proclaimed. The King of Prussia was also the German Emperor (Kaiser). In the aftermath of World War I, Prussia had a revolution that resulted in the replacement of the monarchy with a republic. Wilhelm II, German Emperor, King of Prussia abdicated on November 9, 1918. On November 10, 1918, Wilhelm Hohenzollern crossed the border by train and went into exile in the Netherlands, never to return to Germany.

The Kingdom of Prussia had territory that today is part of Belgium, the Czech Republic, Denmark, Germany, Lithuania, the Netherlands, Poland, Russia, and Switzerland. All or parts of the following states of today’s Germany were part of the Kingdom of Prussia: Brandenburg, Hesse, Lower Saxony, North Rhine-Westphalia, Saarland, Saxony-Anhalt, and Schleswig-Holstein.

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History of the Berlin Cathedral

The Berlin Cathedral; Credit – By Thomas Wolf, www.foto-tw.de, CC BY-SA 3.0 de, https://commons.wikimedia.org/w/index.php?curid=64059550

The original church was consecrated in 1454, as the Roman Catholic St. Erasmus Chapel, the chapel of the Berlin Palace, the main residence of the House of Hohenzollern from 1443 – 1918.  St. Erasmus Chapel was used for the services of the family of the Elector of Brandenburg and the court. In 1465, Pope Paul II raised it to the status of a collegiate church. Eventually, the chapel could not meet the growing needs of the Electors of Brandenburg.

The first cathedral, used 1536–1747; Credit – Wikipedia

In 1535, the Dominican monastery church south of the Berlin Palace was converted into the first cathedral. The Gothic brick church was expanded and richly furnished. A burial site for the House of Hohenzollern was established. The new cathedral was consecrated in 1536. A new western façade with two towers was built in 1538. Joachim II Hector, Elector of Brandenburg converted to Lutheranism in 1539 and the Catholic cathedral became a Protestant cathedral.

Model of the Baroque cathedral by Jan Boumann and Georg Wenzeslaus von Knobelsdorff; Credit – Wikipedia

Over the years, the Gothic brick cathedral became dilapidated. From 1747 – 1750, Friedrich II (the Great), King of Prussia had a new Baroque cathedral, designed by Dutch architect Jan Boumann and Prussian architect and painter Georg Wenzeslaus von Knobelsdorff, built where the current cathedral stands today. After the coffins of the Hohenzollern family members were transferred to the new cathedral, the old cathedral was demolished to clear space for the Baroque extension of the Berlin Palace. On September 6, 1750, the new Baroque cathedral was consecrated. Prussian architect Karl Friedrich Schinkel remodeled the interior in 1817 and the exterior in 1820 – 1822 in the Neoclassicist style.

Model of Karl Friedrich Schinkel’s remodeling of the exterior in the Neoclassicist style; Credit – Wikipedia

After the founding of the German Empire in 1871, there had been calls for a new church that could compete with the major churches in the world and impressively replace the previous churches. In 1885, Prussian architect Julius Carl Raschdorff, professor of architecture at the Technical University of Berlin, presented plans for a new cathedral in an adaptation of the Italian High Renaissance style and influenced by the Baroque style. After dismantling the movable interior decorations (altar, paintings, tombs), the cathedral designed by Boumann and von Knobelsdorff was demolished in 1893. The cornerstone for the new cathedral was laid on June 17, 1894, with the goal of consecrating the cathedral in 1900. However, due to construction delays, the consecration did not take place until February 27, 1905. The state paid the entire construction cost. The new cathedral was much larger than any of the previous churches and was considered a Protestant rival to the Roman Catholic St. Peter’s Basilica in Vatican City.

Berlin Cathedral in 1905; Credit – Wikipedia

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World War II Destruction and Reconstruction

Berlin Cathedral in May 1945 with much damage, compare it to the photo above; Credit – Wikipedia

The Berlin Cathedral suffered much damage during World War II. Allied air raids destroyed windows and major cracks appeared on the cupolas of the corner towers. On May 24, 1944, the dome and its cupola lantern were hit by a bomb of combustible liquids. The resulting fire was unreachable and could not be extinguished. The entire cupola lantern fell into the interior of the cathedral, smashing through the floor with its enormous weight and damaging large parts of the Hohenzollern Crypt and some of its coffins below. By the end of World War II, twenty-five percent of the Berlin Cathedral had been destroyed.

The damaged sarcophagus of Friedrich Wilhelm II, King of Prussia; Credit – Von Colin Pelka – Selbst fotografiert, Gemeinfrei, https://commons.wikimedia.org/w/index.php?curid=23256455

After World War II, when Berlin and Germany were divided, the Berlin Cathedral was located in East Berlin in the Communist German Democratic Republic also known as East Germany. The East German government promoted state atheism although some people remained loyal to Christian churches. To protect the interior of the cathedral while the status of the Berlin Cathedral was debated, a temporary roof was built between 1949 – 1953. The Berlin Palace, which had also been damaged, was demolished by the East German government in 1950. Serious consideration was given to also demolishing the Berlin Cathedral. Following lengthy and extensive negotiations, an agreement was finally reached between the government of the German Democratic Republic (East Germany), the Federation of Protestant Churches in the GDR, and the churches in the Federal Republic of Germany (West Germany), which provided for the reconstruction.

Memorial Church section of the Berlin Cathedral with the Hohenzollern Crypt access in 1900; Credit – Wikipedia

However, the Communist East German government had two demands. First, it demanded the removal of as many crosses as possible. The second demand dealt with the Memorial Church (Denkmalskirch) section on the north side of the Berlin Cathedral that contained the ceremonial sarcophagi (cenotaphs or empty tombs) of Johann Cicero, Elector of Brandenburg, Friedrich Wilhelm, Elector of Brandenburg and his wife Dorothea Sophie of Schleswig-Holstein-Sonderburg-Glücksburg, Friedrich I, King in Prussia and his wife Sophie Charlotte of Hanover, and Friedrich III, German Emperor and King of Prussia. In the middle of the Memorial Church was the access to the Hohenzollern Crypt. Although the Memorial Church section of the Berlin Cathedral had survived World War II intact, it was demolished by the Communist East German government in 1975 for ideological reasons due to it being a place of honor for the Hohenzollern dynasty. The ceremonial sarcophagi were moved into the Sermon Church (Predigtkirche), the main part of the cathedral.

Rüdiger Hoth, a German civil engineer, was hired as the master builder in 1975. During many meetings with the East German government, Hoth successfully negotiated that the cathedral would be largely reconstructed according to the 1885 designs of Julius Raschdorff.

In 1980, the Baptismal and Matrimonial Church (Tauf- und Traukirche) on the south side of the cathedral was reopened for services. The restoration of the large main part, the Sermon Church (Predigtkirche), in the center, began in 1984. Berlin Cathedral was finally able to be re-consecrated during a celebratory service on June 6, 1993, with the participation of numerous prominent guests in what was now a unified Germany, reunified since October 3, 1990.

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Interior of the Berlin Cathedral

Interior of the Berlin Cathedral; Credit- By Steve Collis from Melbourne, Australia – Berliner Dom (HDR), CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=24306403

In the center of the large dome is a round window showing the Holy Spirit as a dove in a halo. Around the round window are eight large mosaics depicting the Beatitudes of the Sermon on the Mount created by Prussian painter Anton von Werner.

The dome of the Berlin Cathedral; Credit – Von Svein-Magne Tunli – tunliweb.no – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=56131113

The main altar comes from the previous cathedral and was the work of Prussian architect Friedrich August Stüler, and consists of a marble table supported by Corinthian columns with a crucifix, and a gilded wooden stand with the statues of the twelve apostles. On both sides of the altar are two large Baroque candelabras. The three paintings above the altar by Anton von Werner depict scenes from the life of Jesus: the Nativity, the Crucifixion, and the Resurrection.

The main altar: Credit – By Mathew Schwartz – Imported from 500px (archived version) by the Archive Team. (detail page), CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=75775034

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The Hohenzollern Crypt

The Hohenzollern Crypt: Credit – By Rolf Dietrich Brecher from Germany – Hohenzollerngruft I, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=63622648

The Hohenzollern Crypt, which occupies almost the entire basement of the Berlin Cathedral, is the most important dynastic burial site in Germany. A total of 94 members of the House of Hohenzollern have been interred there from 1595 – 1873. The sarcophagi and coffins, some simple and some quite elaborate, represent all artistic styles from late Gothic onwards and were made from stone, metal, or textile-covered wood.

Styles of coffins; Credit – By Steve Collis from Melbourne, Australia – Berliner Dom Crypt, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=24306375

With the expansion of Sanssouci Palace in Potsdam near Berlin, the Hohenzollern Crypt fell out of favor as a burial site. Some of the Prussian royals were buried in the Friedenskirche (Church of Peace) as well as elsewhere on the grounds of Sanssouci Palace. Several chose to be buried in a mausoleum at Charlottenburg Palace in Berlin. The last German Emperor, Wilhelm II, was entombed in a mausoleum built on the grounds of Huis Doorn, his home in exile in the Netherlands, while his two wives were buried at the Antique Temple on the grounds of Sanssouci Palace.

Credit – By Rolf Dietrich Brecher from Germany – A lot of coffins – Generations.., CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=63652230

During the reconstruction of the Berlin Cathedral overseen by civil engineer Rüdiger Hoth, who served as the master builder on the project, the Hohenzollern Crypt was refurbished. Hoth said of the crypt, “It was always considered a private family crypt in the time of the kaisers, and commoners were not allowed to come in but today we think it is historically and culturally important to Germans to be in touch with this part of their past.” Refurbished with white marble floors, whitewashed walls, and soft lighting, the Hohenzollern Crypt was opened to the public for the first time ever on November 20, 1999.

A child’s coffin; Credit – By Pudelek (Marcin Szala) – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=17789259

There had been discussion concerning whether Hohenzollerns buried elsewhere should be moved to the refurbished Hohenzollern Crypt. However, historians and descendants of the Hohenzollerns rejected the idea of moving the remains of Hohenzollerns whose express wishes were to be buried elsewhere. Prince Wilhelm-Karl of Prussia (born 1955), a great-grandson of Wilhelm II, the last German Emperor and King of Prussia said, “I believe the wishes of the deceased should be respected.” He did find the public gawking at his family’s burial crypt “a little unsettling.” However, he agreed with the head of the Prussian branch of the House of Hohenzollern Prince Georg Friedrich of Prussia (born 1976), the great-great-grandson and heir of Wilhelm II, that the burial site belongs to German history and, therefore, to the general public.

Credit – By Jorge Láscar from Australia – Crypt and intricate sarcophagi – Berliner Dom, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=31952300

Those buried in the Hohenzollern Crypt at the Berlin Cathedral:

  • Elisabeth Magdalene of Brandenburg, Duchess of Brunswick-Lüneburg (1537 – 1595), daughter of Joachim II, Elector of Brandenburg and wife of Franz Otto, Duke of of Brunswick-Lüneburg
  • Johann Georg, Elector of Brandenburg (1525 – 1598)
  • Albrecht Friedrich of Brandenburg (1582 – 1600), son Joachim Friedrich, Elector of Brandenburg
  • Joachim of Brandenburg (1583 – 1600), son of Joachim Friedrich, Elector of Brandenburg
  • Augustus of Brandenburg (1580 – 1601), son of Joachim Friedrich, Elector of Brandenburg
  • Catherine of Brandenburg-Küstrin, Electress of Brandenbueg (1549 – 1602), first wife of Joachim Friedrich, Elector of Brandenburg
  • Elisabeth of Anhalt-Zerbst, Electress of Brandenburg (1563 – 1607), wife of Elector Johann Georg, Elector of Brandenburg
  • Eleonore of Prussia, Electress of Brandenburg (1583–1607), second wife Joachim Friedrich, Elector of Brandenburg
  • Joachim Friedrich, Elector of Brandenburg (1546 – 1608)
  • Albrecht Christian of Brandenburg (born and died 1609), son of Johann Sigismund, Elector of Brandenburg
  • Ernst of Brandenburg (1583 – 1613), son of Joachim Friedrich, Elector of Brandenburg
  • Georg of Brandenburg-Jägerndorf (1613 – 1614), son of Johann Georg of Brandenburg-Jägerndorf, grandson of Joachim Friedrich, Elector of Brandenburg
  • Johann Sigismund, Elector of Brandenburg (1572 – 1620)
  • Albrecht of Brandenburg-Jägerndorf (1614 – 1620), son of Johann Georg of Brandenburg-Jägerndorf, grandson of Joachim Friedrich, Elector of Brandenburg
  • Catharina Sibylla of Brandenburg-Jägerndorf (born and died 1615), daughter of of Johann Georg of Brandenburg-Jägerndorf, granddaughter of Joachim Friedrich, Elector of Brandenburg
  • Johann Sigismund of Brandenburg (born and died 1624), son of Georg Wilhelm, Elector of Brandenburg
  • Joachim Sigismund of Brandenburg (1603 -1625), son of Johann Sigismund, Elector of Brandenburg
  • Ernst of Brandenburg-Jägerndorf (1617–1642), son of Johann Georg of Brandenburg-Jägerndorf, grandson of Joachim Friedrich, Elector of Brandenburg
  • Wilhelm Heinrich of Brandenburg (1648 – 1649), son of Friedrich Wilhelm, Elector of Brandenburg
  • Anna Sophia of Brandenburg (1598 – 1659), daughter of Johann Sigismund, Elector of Brandenburg, wife of Friedrich Ulrich, Duke of Brunswick-Lüneburg
  • Elisabeth Charlotte of the Palatinate, Electress of Brandenburg (1597 – 1660), wife of Georg Wilhelm, Elector of Brandenburg
  • Heinrich of Brandenburg (born and died 1664), son of Friedrich Wilhelm, Elector of Brandenburg
  • Amalia of Brandenburg (1664 – 1665), daughter of Friedrich Wilhelm, Elector of Brandenburg
  • Katharina Sofie of the Palatinate (1594 – 1665), daughter of Friedrich IV, Elector Palatine, sister of Elisabeth Charlotte of the Palatinate, Electress of Brandenburg
  • Luise Henriette of Nassau, Electress of Brandenburg (1627–1667), first wife of Friedrich Wilhelm, Elector of Brandenburg
  • Karl Emil, Electoral Prince of Brandenburg (1655 – 1674), son of Friedrich Wilhelm, Elector of Brandenburg
  • Dorothea of Brandenburg (1675 – 1676), daughter of Friedrich Wilhelm, Elector of Brandenburg
  • Elisabeth Henriette of Hesse-Kassel, Electoral Princess of Brandenburg (1661 – 1683), first wife of the future Friedrich I, King in Prussia
  • Friedrich August of Brandenbrg (1685 – 1686), son of the future Friedrich I, King in Prussia
  • Ludwig of Brandenburg (1666 – 1687), son of Friedrich Wilhelm, Elector of Brandenburg
  • Friedrich Wilhelm, Elector of Brandenburg (1620 – 1688)
  • Dorothea Sophie of Schleswig-Holstein-Sonderburg-Glücksburg, Electress of Brandenburg (1636 – 1689), second wife of Friedrich Wilhelm, Elector of Brandenburg
  • Karl Philipp of Brandenburg-Schwedt (1673 – 1695), son of Friedrich Wilhelm, Elector of Brandenburg
  • Friederike of Brandenburg-Schwedt (1700 – 1701), daughter of Philipp Wilhelm, Margarve of Brandenburg-Schwedt
  • Georg Wilhelm von Brandenburg-Schwedt (born and died 1704), son of Philipp Wilhelm, Margarve of Brandenburg-Schwedt
  • Sophie Charlotte of Hanover, Queen in Prussia (1668 – 1705), second wife of Friedrich I, King in Prussia
  • Friedrich of of Brandenburg-Schwedt (1704 – 1707), son of Albrecht Friedrich of Brandenburg-Schwedt, grandson of Friedrich Wilhelm, Elector of Brandenburg
  • Friedrich Ludwig of Prussia (1707 – 1708), son of Friedrich Wilhelm I, King of Prussia Wilhelm, Elector of Brandenburg
  • Friedrich Wilhelm of Prussia (1710 – 1711), son of Friedrich Wilhelm I, King of Prussia
  • Philipp Wilhelm, Margrave of Brandenburg-Schwedt (1669 – 1711), son of Friedrich Wilhelm, Elector of Brandenburg
  • Friedrich I, King in Prussia (1657 – 1713)
  • Charlotte Albertine of Prussia (1713 – 1714), daughter of Friedrich Wilhelm I, King of Prussia
  • Ludwig of Prussia (1717 – 1719), son of Friedrich Wilhelm I, King of Prussia
  • Luise Wilhelmine of Brandenburg-Schwedt (1709 – 1726), daughter of Albrecht Friedrich of Brandenburg-Schwedt, granddaughter of Friedrich Wilhelm, Elector of Brandenburg
  • Albrecht Friedrich of Brandenburg-Schwedt (1672 – 1731), son of Friedrich Wilhelm, Elector of Brandenburg
  • Christian Ludwig of Brandenburg-Schwedt (1677 – 1734), son of Friedrich Wilhelm, Elector of Brandenburg
  • Friedrich of Brandenburg-Schwedt (1710 – 1741), son of Albrecht Friedrich of Brandenburg-Schwedt, grandson of Friedrich Wilhelm, Elector of Brandenburg
  • Friedrich Wilhelm of Brandenburg-Schwedt (1715 – 1744), son of Albrecht Friedrich of Brandenburg-Schwedt, grandson of Friedrich Wilhelm, Elector of Brandenburg
  • Sophie Dorothea of Hanover, Queen of Prussia (1687 – 1757), wife of Friedrich Wilhelm I, King of Prussia, daughter of King George I of Great Britain
  • August Wilhelm of Prussia (1722 – 1758), son of Friedrich Wilhelm I, King of Prussia
  • Emil of Prussia (1758 – 1759), son of August Wilhelm of Prussia, grandson of Friedrich Wilhelm I, King of Prussia
  • Karl Friedrich Albrecht of Brandenburg-Schwedt (1705 – 1762), son of Albrecht Friedrich of Brandenburg-Schwedt, grandson of Friedrich Wilhelm, Elector of Brandenburg
  • Heinrich of Prussia (1747 – 1767), son of August Wilhelm of Prussia, grandson of Friedrich Wilhelm I, King of Prussia
  • Christine of Prussia (1772 – 1773), daughter of Friedrich Wilhelm II, King of Prussia
  • Friederike Elisabeth of Prussia (1761 – 1773), daughter of August Ferdinand of Prussia, granddaughter of Friedrich Wilhelm I, King of Prussia
  • Friedrich Heinrich of Prussia (1769 – 1773), son of August Ferdinand of Prussia, grandson of Friedrich Wilhelm I, King of Prussia
  • Friedrich Paul of Prussia (born and died 1776), son of August Ferdinand of Prussia, grandson of Friedrich Wilhelm I, King of Prussia
  • Luise Amalie of Brunswick-Wolfenbüttel, Princess of Prussia (1722 – 1780), wife of August Wilhelm of Prussia
  • Anna Amalia of Prussia, Abbess of Quedlinburg (1723 – 1787), daughter of Friedrich Wilhelm I, King of Prussia
  • Ludwig of Prussia (1771 – 1790), son of August Ferdinand of Prussia, grandson of Friedrich Wilhelm I, King of Prussia
  • Unnamed Princess of Prussia (born and died 1794), daughter of Friedrich Wilhelm III, King of Prussia
  • Friedrich Ludwig Karl of Prussia (1773 – 1796), son of Friedrich Wilhelm II, King of Prussia
  • Friedrich Wilhelm II, King of Prussia (1744 – 1797)
  • Elisabeth Christine of Brunswick-Bevern, Queen of Prussia (1715 – 1797), wife of Friedrich II (the Great), King of Prussia
  • Karl Georg of Prussia (1795 – 1798), son of Friedrich Ludwig Karl of Prussia, grandson of Friedrich Wilhelm II, King of Prussia
  • Philippine of Brandenburg-Schwedt, Landgravine of Hesse-Kassel (1745 – 1800), wife of Landgrave Friedrich II of Hesse-Kassel, daughter of Friedrich Wilhelm, Margrave of Brandenburg-Schwedt
  • Friederike of Prussia (1799 – 1800), daughter of Friedrich Wilhelm III, King of Prussia
  • Friederike Luise of Hesse-Darmstadt, Queen of Prussia (1751 – 1805), second wife of Friedrich Wilhelm II, King of Prussia
  • Ludwig Ferdinand of Prussia (1772 – 1806), son of August Ferdinand of Prussia, grandson of Friedrich Wilhelm I, King of Prussia
  • Ferdinand of Prussia (1804 – 1806), son of Friedrich Wilhelm III, King of Prussia
  • Ferdinand of Hesse-Kassel (born and died 1806), son of Wilhelm of Landgrave Hesse-Kassel, grandson of Friedrich Wilhelm II, King of Prussia
  • Unnamed Prince (born and died 1806), son of Prince Willem of Orange-Nassau (later King Willem I of the Netherlands) and Wilhelmine of Prussia, grandson of Friedrich Wilhelm II, King of Prussia
  • Wilhelmine of Hesse-Kassel, Princess of Prussia (1726 – 1808), wife of Heinrich of Prussia
  • August Ferdinand of Prussia (1730 – 1813), son of Friedrich Wilhelm I, King of Prussia
  • Wilhelm of Prussia (1811 – 1813), son of Wilhelm of Prussia, grandson of Friedrich Wilhelm II, King of Prussia
  • Tassilo of Prussia (1813 – 1814), son of Wilhelm of Prussia, grandson of Friedrich Wilhelm II, King of Prussia
  • Anna Elisabeth Luise of Brandenburg-Schwedt (1738 – 1820), wife August Ferdinand of Prussia
  • Unnamed Prince (born and died 1832), son of Prince Albrecht of Prussia, grandson of Friedrich Wilhelm III, King of Prussia
  • Augustus of Prussia (1779 – 1843), son of August Ferdinand of Prussia, grandson of Friedrich Wilhelm I, King of Prussia
  • Heinrich Karl of Prussia (1781 – 1846), son of Friedrich Wilhelm II, King of Prussia
  • Maria Anna Amalie of Hesse-Homburg, Princess of Prussia (1785 – 1846), wife of Wilhelm of Prussia
  • Waldemar of Prussia (1817 – 1849), son of Wilhelm of Prussia, grandson of Friedrich Wilhelm II, King of Prussia
  • Wilhelm of Prussia (1783 – 1851), son of Friedrich Wilhelm II, King of Prussia
  • Anna of Prussia (born and died 1858), daughter of Prince Friedrich Karl of Prussia, great-granddaughter of Friedrich Wilhelm III, King of Prussia
  • Adalbert of Prussia (1811–1873), son of Wilhelm of Prussia, grandson of Friedrich Wilhelm II, King of Prussia

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

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Works Cited

  • Berlinerdom.de. 2022. Berliner Dom. [online] Available at: <https://www.berlinerdom.de/> [Accessed 5 March 2022].
  • Berlinerdom.de. 2022. GDR period and reconstruction | Berliner Dom. [online] Available at: <https://www.berlinerdom.de/en/visiting/about-the-cathedral/gdr-period-and-reconstruction/> [Accessed 5 March 2022].
  • Berlinerdom.de. 2022. The ‘Hohenzollern’ crypt | Berliner Dom. [online] Available at: <https://www.berlinerdom.de/en/visiting/about-the-cathedral/the-hohenzollern-crypt/> [Accessed 5 March 2022].
  • De.wikipedia.org. 2022. Berliner Dom – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Berliner_Dom> [Accessed 5 March 2022].
  • De.wikipedia.org. 2022. Berliner Dom – Hohenzollerngruft – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Berliner_Dom#Hohenzollerngruft> [Accessed 5 March 2022].
  • En.wikipedia.org. 2022. Berlin Cathedral – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Berlin_Cathedral> [Accessed 5 March 2022].
  • Mehl, Scott, 2012. Royal Burial Sites of the Kingdom of Prussia. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/german-royal-burial-sites/royal-burial-sites-of-the-kingdom-of-prussia/> [Accessed 5 March 2022].
  • Unofficial Royalty. 2015. Kingdom of Prussia Index. [online] Available at: <https://www.unofficialroyalty.com/current-monarchies-article-index/german-royals-index/prussian-index/> [Accessed 5 March 2022].
  • Williams, Carol, 1999. Germany’s Royals Getting Belated Respect. [online] Los Angeles Times. Available at: <https://www.latimes.com/archives/la-xpm-1999-dec-24-mn-47041-story.html> [Accessed 5 March 2022].

Monastery of São Vicente de Fora in Lisbon, Portugal

by Susan Flantzer
© Unofficial Royalty 2022

Monastery of São Vicente de Fora, the church can be seen on the left; Credit – By Deensel – Lisbon, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=69227699

The Roman Catholic Monastery of São Vicente de Fora in Lisbon, Portugal contains the Royal Pantheon of the House of Braganza, the burial site for members of the House of Braganza that reigned in Portugal from 1640 until the monarchy was abolished in 1910. In 1640, the Braganzas came to rule the Kingdom of Portugal when the Portuguese Restoration War ended the sixty-year rule of Portugal by the Spanish Habsburgs. João II, Duke of Braganza became King João IV of Portugal. From 1640 – 1822, the Braganzas ruled Portugal and the Portuguese Empire. In 1822, Brazil, part of the Portuguese Empire, became independent and the Braganzas also reigned as rulers of the Empire of Brazil. The Braganzas lost their power when Emperor Pedro II of Brazil was deposed in Brazil in 1889 and when King Manuel II of Portugal was deposed Portugal in 1910.

The Monastery of São Vicente de Fora in Lisbon, Portugal was founded in 1147 as an Augustinian monastery by Afonso Henriques, the first King of Portugal (reigned 1139 – 1185). It was dedicated to São Vicente de Fora (Saint Vincent of Saragossa), patron saint of Lisbon, who was martyred by the Romans around 304. The monastery we see today is the result of a reconstruction project started by King Felipe II of Spain from the House of Habsburg, who also became King of Portugal (as Felipe I) after the Portuguese succession crisis of 1580.

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The Church of the Monastery of São Vicente de Fora

The Church of the Monastery of São Vicente de Fora; Credit – By Andreas Manessinger – Arriving at São Vicente, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=46171873

The construction of the monastery church began in 1582 under the supervision of the Italian architect and engineer Filippo Terzi using designs by the Spanish architect Juan de Herrera. After they both died in 1597, Portuguese architect Baltasar Álvares (link in Portuguese) supervised the work on the monastery church until he was replaced by Pedro Nunes Tinoco in 1624. The monastery church was completed in 1627, however, the entire monastery reconstruction project was not completed until the 1700s.

The façade of the monastery church designed by Portuguese architect Baltasar Álvares in the Late Renaissance style known as Mannerism is simple and yet majestic. Below the two towers are several niches with statues of saints. The lower part of the façade has three arched doorways that lead to the entrance hall.

The nave looking toward the altar. The barrel-vaulted ceiling and the dome can also be seen; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=24603843

The interior of the monastery church is a Latin cross building with a one-aisled nave with several side chapels. The ceiling is covered by barrel vaulting and has a large dome over the crossing.

The main altar; Credit – © José Luiz Bernardes Ribeiro, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=24603847

Joaquim Machado de Castro, one of Portugal’s most famous sculptors, is responsible for the main altar in the Baroque style. It is in the shape of a baldachin, the canopy of state placed over an altar or throne, and is decorated with several statues.

King Carlos I of Portugal and his elder son and heir Luís Filipe, Prince Royal of Portugal laying in state at the Church of the Monastery of São Vicente de Fora; Credit – Wikipedia

In 1908, after the assassination of King Carlos I of Portugal and his elder son and heir Luís Filipe, Prince Royal of Portugal, called the Lisbon Regicide, their bodies lay in state in front of the main altar at the Church of the Monastery of São Vicente de Fora.

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Royal Pantheon of the House of Braganza

Royal Pantheon of the House of Braganza Credit – Wikipedia Commons

After the nationalization of the property of monasteries in 1834, the Monastery of São Vicente de Fora became the palace for the Archbishops of Lisbon. Fernando II, King Consort of Portugal (born Fernando of Saxe-Coburg and Gotha), second husband of Queen Maria II of Portugal, had the monks’ old refectory, the dining room of a monastery, transformed into the Royal Pantheon of the House of Braganza, a burial site for members of the House of Braganza. Originally, members of the House of Braganza had been interred in the Church of the Monastery of São Vicente de Fora. Their remains were transferred to the new pantheon in 1855.

Royal Pantheon of the House of Braganza; Credit – Wikipedia

The majority of the tombs are located on the sides of the pantheon. Those tombs are simple marble boxes in groups of four tombs. If the tomb belongs to a monarch, a crown has been engraved in gold on the side of the tomb and a crown placed on top of the entire group of tombs. This can be seen in the photos above.

Tombs of Carlos I, King of Portugal and his son and heir Luís Filipe, Prince Royal of Portugal; Credit – Wikipedia

Two tombs of the four in the center aisle of the pantheon belong to King Carlos I of Portugal and his son and heir Luís Filipe, Prince Royal of Portugal, who were shot to death in 1908 by assassins sympathetic to republican interests. In 1933, a statue of a crying woman symbolizing the country crying for its martyrs was erected next to the tombs. The two other tombs in the center aisle belong to Amélie of Orléans, the last Queen Consort of Portugal, wife of King Carlos I, and her son Manuel II, the last King of Portugal.

Statue of a crying woman symbolizing the country crying for its martyrs was erected next to the tombs of Carlos I and his son; Credit – Wikipedia

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Burials at the Royal Pantheon of the House of Braganza

Sign over the entrance to the Pantheon of the House of Braganza; Credit – By Bobo Boom – Igreja de São VincenteUploaded by tm, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=78979281

Note: Unofficial Royalty articles for kings and queens from 1640 – 1826 will be published in the upcoming months and the links will be added below. Until then, their Wikipedia article links will be listed. Also note, that some listed below do not have Wikipedia articles.

The following members of the royal family of Portugal are buried in the Royal Pantheon of the House of Braganza:

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Former Burials at the Royal Pantheon of the House of Braganza

The Pantheon of the House of Braganza in the early 20th century, before the Lisbon Regicide of 1908; Credit – By Charles Chusseau-Flaviens – George Eastman Museum, Public Domain, https://commons.wikimedia.org/w/index.php?curid=38249250

Pedro I, Emperor of Brazil/Pedro IV, King of Portugal (1798 – 1834) died in 1834, at the age of 35, from tuberculosis at his birthplace, the Royal Palace of Queluz in Lisbon, Portugal. He was first buried at the Pantheon of the House of Braganza at the Monastery of São Vicente de Fora in Lisbon, Portugal. In 1972, Pedro’s remains were transferred to the Brazilian Imperial Crypt and Chapel under the Monument of the Ipiranga (Monument to the Independence of Brazil) in São Paulo, Brazil.

Amélie of Leuchtenberg, Empress of Brazil (1812 – 1873) was the second wife of Pedro I, Emperor of Brazil/Pedro IV, King of Portugal. When her husband died, Amélie was left a widow at the age of twenty-two with a three-year-old daughter. Amélie remained in Portugal, never remarried, and devoted herself to the care and education of her daughter Princess Maria Amélia of Brazil (1831 – 1853). Sadly, Maria Amélia became ill with tuberculosis, the same disease that had killed her father, and died in 1853, at the age of twenty-one. She was first buried in the Royal Pantheon of the House of Braganza. In 1982, Maria Amélia’s remains were transferred to Brazil and buried in the Convento de Santo Antônio (Convent of Saint Anthony) in Rio de Janeiro, Brazil where some other Brazilian royals are also interred. When Amélie died at the age of 60 in 1873, she was first buried in the Royal Pantheon of the House of Braganza. In 1982, her remains were transferred to Brazil and placed in the Brazilian Imperial Crypt and Chapel under the Monument of the Ipiranga (Monument to the Independence of Brazil) in São Paulo, Brazil next to her husband Pedro I, Emperor of Brazil/Pedro IV, King of Portugal and his first wife Maria Leopoldina of Austria, Empress of Brazil, Queen of Portugal (1797 – 1826).

Emperor Pedro II of Brazil (1825 – 1891), the son of Pedro I, Emperor of Brazil/Pedro IV, King of Portugal, reigned for 58 years before he was deposed in 1889. He lived in exile in Paris, France for the last two years of his life. When he died, he was buried in the Royal Pantheon of the House of Braganza. His wife Teresa Cristina of the Two Sicilies, Empress of Brazil (1822 – 1889) had predeceased her husband and was also initially buried in the Royal Pantheon. In 1920, the decree banning the former Brazilian Imperial Family was rescinded and in 1921 the remains of Emperor Pedro II and his wife were brought from the Royal Pantheon in Lisbon, Portugal to Rio de Janeiro, Brazil where they were temporarily housed in the old Metropolitan Cathedral. In 1925, their remains were transferred to the Imperial Crypt of the Imperial Crypt at the newly completed Cathedral of St. Pedro of Alcantara in Petrópolis, Brazil

King Carol II of Romania (1893 – 1953), who had been deposed in 1940, died while in exile in Portugal. He was first buried in the Royal Pantheon of the House of Braganza. His former mistress and third wife Magda Lupescu (1899 – 1977) was also buried there when she died 24 years later. In 2003, their remains were brought back to Romania and buried in a chapel outside the Curtea de Argeş Monastery in Argeş, Romania.

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

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Works Cited

  • De.wikipedia.org. 2022. Panteão da Casa de Bragança – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Pante%C3%A3o_da_Casa_de_Bragan%C3%A7a> [Accessed 23 February 2022].
  • En.wikipedia.org. 2022. Monastery of São Vicente de Fora – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Monastery_of_S%C3%A3o_Vicente_de_Fora> [Accessed 23 February 2022].
  • En.wikipedia.org. 2022. Pantheon of the House of Braganza – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Pantheon_of_the_House_of_Braganza> [Accessed 23 February 2022].
  • Flantzer, Susan, 2018. Portuguese Royal Burial Sites – House of Braganza. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/portuguese-royal-burial-sites/> [Accessed 23 February 2022].
  • Pt.wikipedia.org. 2022. Igreja de São Vicente de Fora – Wikipédia, a enciclopédia livre. [online] Available at: <https://pt.wikipedia.org/wiki/Igreja_de_S%C3%A3o_Vicente_de_Fora> [Accessed 23 February 2022].
  • Pt.wikipedia.org. 2022. Panteão da Dinastia de Bragança – Wikipédia, a enciclopédia livre. [online] Available at: <https://pt.wikipedia.org/wiki/Pante%C3%A3o_da_Dinastia_de_Bragan%C3%A7a> [Accessed 23 February 2022].

Metropolitan Cathedral of the Annunciation in Athens, Greece

by Susan Flantzer
© Unofficial Royalty 2022

Metropolitan Cathedral of the Annunciation; Credit – By George E. Koronaios – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=78384160

The Metropolitan Cathedral of the Annunciation, located in central Athens near the Acropolis, is a three-aisled, domed basilica designed in a mixed Romanesque–Renaissance–Byzantine style.

Some Greek History

King Otto in traditional Greek dress; Credit – Wikipedia

Greece’s monarchy came late and lasted for a total of 130 years. Greece was part of the Ottoman Empire from the 15th century until 1821 when Greece declared its independence. The Greeks and the Ottoman Empire fought the Greek War of Independence (1821 – 1832), and with the help of the three Great Powers – France, Russia, and the United Kingdom – the Ottoman Empire was finally defeated. In 1832, the Convention of London established Greece as a kingdom, and the Great Powers appointed 17-year-old Prince Otto of Bavaria, the second son of King Ludwig I of Bavaria, to be the new kingdom’s first king. Having dismissed his regency council in 1835 when he came of age, Otto ruled as an absolute monarch for a few years, until uprisings by the Greek people occurred, demanding a constitution. Otto had no recourse but to give in to the demands and allow for a constitution and the establishment of a Greek National Assembly. In 1862, while Otto was away from Athens, a coup d’état led to the formation of a provisional government, and Otto was deposed.

King George I in 1864; Credit – Wikipedia

Still wanting a monarchy, Greece began searching for a new king. While several European princes were put forward as possible kings, the Greek people and the Great Powers soon chose Prince Vilhelm of Denmark, the second son of King Christian IX of Denmark, as their king. On March 30, 1863, the 17-year old Vilhelm was unanimously elected by the Greek National Assembly and took the name King George I of the Hellenes. In 1924, the Second Hellenic Republic was declared and the monarchy was abolished. The monarchy was restored in 1935. On April 21, 1967, a coup d’état led by a group of army colonels took over Greece. King Constantine II remained the head of state in exile until June 1, 1973, when the monarchy was officially abolished.

The Greek government did not permit former King Constantine II to return to Greece until 1981 when he and his family were allowed to enter Greece for several hours to attend the burial of his mother Queen Frederica in the Royal Cemetery at Tatoi Palace. Constantine and his family made a private visit to Greece in 1993. After 2003, when a property dispute between Constantine and the Greek government was resolved, Constantine and his family were able to make visits to Greece and purchase a summer home there. In 2013, former King Constantine II permanently returned to reside in Greece.

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History of the Metropolitan Cathedral of the Annunciation in Athens, Greece

1918 postcard of the Metropolitan Cathedral; Credit – Wikipedia

Like the modern Greek monarchy, the major cathedral in Athens is also not old. In 1833, with the establishment of the Kingdom of Greece, the new government decided to form its own national church and broke away from the Patriarch of the Orthodox Churches in Constantinople, the capital of the Ottoman Empire, now Istanbul, Turkey. Known as the Church of Greece, it is part of the worldwide Greek Orthodox Church. Authority of the Church of Greece is vested in the Holy Synod of the Church of Greece, comprised of diocesan bishops who have metropolitan status.  The head of the Church of Greece is the Archbishop of Athens and All Greece.

A new cathedral in the capital city of Athens was part of a comprehensive building program that King Otto carried out. The cornerstone of the new cathedral was laid in the presence of King Otto on Christmas Day 1842. The relationship of the new Church of Greece with King Otto and his wife Amalia of Oldenburg, who he married in 1836, was strained. Although King Otto agreed that his children would be raised in the Greek Orthodox religion, he refused to convert from Roman Catholicism. Likewise, Queen Amalia refused to convert from Lutheranism. Otto and Amalia never had children and their refusal to convert to the Greek Orthodox religion led to them being greatly disliked by the Greek people and were contributing factors to King Otto being deposed in 1862.

King Otto and Queen Amalia in the Metropolitan Cathedral; Credit – Wikipedia

The Metropolitan Cathedral of the Annunciation was built in several stages, and four architects worked on its construction: Danish architect Theophilus von Hansen (1842 – 1843), Greek architect Dimitrios Zezos (1846 – 1857), French architect Francois Boulanger, and Greek architect Panagiotis Kalkos (1857 – 1862). Marble from 72 demolished churches was used to build the cathedral. Work was stopped on the cathedral for three years, 1843 – 1846, due to financial problems. On May 21, 1862, the completed cathedral was dedicated to the Annunciation of the Virgin Mary in the presence of King Otto and Queen Amalia.

The Metropolitan Cathedral in 2008 while it was still being repaired due to the damage caused by the 1999 earthquake: Credit – Από Badseed – Own work CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=4309396

The cathedral was damaged by an earthquake on September 7, 1999. Renovations and repairs were extensive and the scaffolding was not removed until 2016.

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The Exterior of the Metropolitan Cathedral of the Annunciation

Exterior of the Metropolitan Cathedral in 2016 after the end of the repair work caused by the 1999  earthquake; Credit – Από C messier – Έργο αυτού που το ανεβάζει, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=51359657

The exterior of the cathedral is in a simple Byzantine-modern style with two bell towers. Above the main doors is a mosaic representing the Annunciation, the announcement of the Archangel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of the Son of God.

The mosaic of the Annunciation above the main doors; Credit – By Κυριάκος Κ. – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=84743057

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The Interior of the Metropolitan Cathedral of the Annunciation

The layout of the traditional interior of an Orthodox church; Credit – By Phiddipus at en.wikipedia – self-made, Attribution, https://commons.wikimedia.org/w/index.php?curid=13396583

Orthodox churches are set up differently than other Christian churches. They are divided into three main parts: the narthex, the nave, and the sanctuary.

The narthex is the connection between the church and the outside world. It used to be the practice that non-Orthodox people had to remain in the narthex but this practice has mostly fallen into disuse.

The nave looking toward the iconostasis; Credit – By George E. Koronaios – https://www.flickr.com/photos/140911325@N02/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=99501816

The congregation stands in the nave during services. Traditionally there is no sitting during Orthodox services and so Orthodox churches usually do not have pews or chairs. The Metropolitan Cathedral has no pews but chairs are sometimes used.

The iconostasis; Credit – © Ad Meskens / Wikimedia Commons Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=83302715

In Orthodox Christianity, an iconostasis is a wall of icons and religious paintings that divides the sanctuary from the nave. The sanctuary is where the Eucharist or Divine Liturgy is performed behind the iconostasis. The iconostasis usually has three doors, one in the middle and one on either side. The middle door is traditionally called the Beautiful Gate and is only used by the clergy. The doors on either side are called the Deacons’ Doors or Angel Doors as they often have depicted on them the Archangels Michael and Gabriel. These doors are used by deacons and servers to enter the sanctuary. Traditionally, only males may enter the sanctuary, however, no one may enter the sanctuary without a blessing from the priest or bishop.

Decorations of the interior of the Metropolitan Cathedral; Credit – By C messier – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=73200702

The interior of the Metropolitan Cathedral of the Annunciation is richly decorated with frescoes, icons, and stone carvings.

Icon of the Virgin Mary and Infant Jesus; Credit- By Tzim78 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=37693059

The cathedral has the tombs of Saint Philothei of Athens (1522 – 1589) and Saint Georgios V, Patriarch of Constantinople (1746 – 1821), who were killed by the Ottoman Turks while Greece was part of the Ottoman Empire. They are revered as martyrs for the freedom of Greece and the Orthodox faith.

Shrine of Saint Georgios V, Patriarch of Constantinople; Credit – By Χρήστης Templar52 – Transferred from el.wikipedia to Commons by Alaniaris using CommonsHelper.(Original text: Φωτογράφηση ρξ ιδίων), Attribution, https://commons.wikimedia.org/w/index.php?curid=4313193

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Royal Events at the Metropolitan Cathedral of the Annunciation

Wedding of Prince Philippos and Nina Nastassja Flohr in 2021

The Metropolitan Cathedral has been the site of important ceremonies including weddings and funerals of notable personalities including Greek royalty. It is likely that there would have been more royal events at the Metropolitan Cathedral had the Greek royals not been in exile from 1924 – 1935 during the Second Hellenic Republic and from 1967 – 2003, after the monarchy was abolished and until former King Constantine II was allowed to once again to enter Greece. Most recently, the religious wedding of Prince Philippos, the youngest child of former King Constantine II, and Nina Nastassja Flohr was held at the Metropolitan Cathedral on October 23, 2021.

Christening of Crown Prince Pavlos of Greece in 1967; Credit – https://www.pinterest.com/pin/385761524301918610/

Royal christenings held at the Metropolitan Cathedral of the Annunciation include:

Embed from Getty Images
Wedding of King Constantine II of Greece and Princess Anne-Marie of Denmark in 1964

Royal weddings held at the Metropolitan Cathedral of the Annunciation include:

The coffin of Grand Duchess Elena Vladimirovna of Russia, wife of Prince Nicholas of Greece, is carried by members of the Royal Guard at her funeral in 1957, followed by King Paul of Greece

Royal funerals held at the Metropolitan Cathedral of the Annunciation include:

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2022. Kathedrale Mariä Verkündigung (Athen) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Kathedrale_Mari%C3%A4_Verk%C3%BCndigung_(Athen)> [Accessed 14 February 2022].
  • El.wikipedia.org. 2022. Μητροπολιτικός Ναός Αθηνών – Βικιπαίδεια. [online] Available at: <https://el.wikipedia.org/wiki/%CE%9C%CE%B7%CF%84%CF%81%CE%BF%CF%80%CE%BF%CE%BB%CE%B9%CF%84%CE%B9%CE%BA%CF%8C%CF%82_%CE%9D%CE%B1%CF%8C%CF%82_%CE%91%CE%B8%CE%B7%CE%BD%CF%8E%CE%BD> [Accessed 14 February 2022]. (Greek Wikipedia)
  • En.wikipedia.org. 2022. Eastern Orthodox church architecture – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Eastern_Orthodox_church_architecture> [Accessed 14 February 2022].
  • En.wikipedia.org. 2022. Iconostasis – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Iconostasis> [Accessed 14 February 2022].
  • En.wikipedia.org. 2022. Metropolitan Cathedral of Athens – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Metropolitan_Cathedral_of_Athens> [Accessed 14 February 2022].
  • The Royal Watcher. 2022. The Royal Watcher. [online] Available at: <https://royalwatcherblog.com/> [Accessed 14 February 2022]. (for event dates)
  • Van Der Kiste, John, 1999. Kings of the Hellenes: The Greek Kings 1863 – 1974. Stroud: Sutton Publishing.

Notre-Dame de Reims in Reims, France (Reims Cathedral)

by Susan Flantzer
© Unofficial Royalty 2022

Reims Cathedral; Credit – Par Tim Hodson — https://www.flickr.com/photos/informationtakesover/6593926237/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=18031986

Notre-Dame de Reims, also called Reims Cathedral, is a Roman Catholic cathedral in Reims, France dedicated to the Blessed Virgin Mary. It was the coronation cathedral and most Kings of France from 1027 – 1825 were crowned there. Reims Cathedral is the seat of the Archbishop of Reims. The construction of the present Reims Cathedral began in the 13th century and was completed in the 15th century but there were three other cathedrals on the site.

Saint Remigius, Bishop of Reims baptizing Clovis I, King of the Franks; Credit – Wikipedia

The first Christian church in Reims was founded between 250 and 300. In the 5th century, a new church dedicated to the Blessed Virgin Mary was built on the site. About 496, Saint Remigius, Bishop of Reims baptized Clovis I, the first King of the Franks to be baptized. Although there had been some Christians in the Kingdom of the Franks, Clovis’ baptism led to the conversion of the entire population of the Kingdom of the Franks to Christianity.

In 816, Louis I the Pious, King of the Franks and Holy Roman Emperor was crowned in Reims Cathedral by Pope Stephen IV. The coronation revealed the poor condition and inadequate size of the first cathedral. Beginning in 818, a much larger cathedral was built on the site using stone from the old city ramparts. The interior of the new cathedral was decorated with mosaics, paintings, sculptures, and tapestries. The cathedral was consecrated in 862 and, in 976, it began to be enlarged.

Seal of Reims Cathedral, showing how it appeared in the 12th century; Credit – CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=32910537

By the 12th century, the second cathedral was considered too small. The existing nave and transept were preserved but the two ends of the cathedral were enlarged. The west front and its adjoining tower were demolished and replaced by two matching flanking towers. The major additions to the third cathedral were in the Gothic style but much of the original Carolingian style of the second cathedral remained.

On May 6, 1210, the third Carolingian/Gothic cathedral was destroyed by fire. Construction on the fourth and current cathedral in the High Gothic style began exactly a year later and was completed in 1275, which was exceptionally quick.

On July 24, 1481, during a renovation of the roof, two workers in charge of the lead for the roof, forgot to turn off a furnace, located in the attic of the cathedral. In a short time, the frame of the cathedral was on fire. The fire destroyed the roof, the central bell tower and its ten bells, and part of the transept. Molten lead from the roof destroyed several stained glass windows. King Charles VIII and then King Louis XII provided funds for the necessary renovations.

Interior of Reims Cathedral after World War I bombing; Credit – Wikipedia

Reims Cathedral was near the front lines of World War I and was hit by more than three hundred artillery shells. A major restoration project began in 1919 and was completed in 1938.

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The High Altar

The nave looking east toward the high altar; Credit – By Johan Bakker – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=28038332

The high altar, made of French and Italian marble, is a copy of the 1747 altar which was destroyed by bombing during World War I.

The High Altar; Credit – By Zairon – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=65334623

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The Gallery of Kings

 

On the west facade, above the entrance to the cathedral and the central rose window and continuing on the sides of the cathedral is the Gallery of Kings, statues of French monarchs, each fifteen feet/4.5 meters high. The Gallery of Kings was constructed from 1300 – 1350. At the center is Clovis I, the first King of the Franks to be baptized, with his wife Saint Clotilde on the left and Saint Remigius, Bishop of Reims who baptized him, on the right (see photo below). Saint Clotilde was raised as a Christian and played a role in her husband’s conversion to Christianity and the spreading of Christianity throughout western Europe.

Clovis I, King of the Franks in the center with his wife Saint Clotilde on the left and Saint Remigius, Bishop of Reims on the right; Credit – Wikipedia

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Coronation of Charles VII, King of France and the Impact of Joan of Arc

Coronation of King Charles VII of France at Reims Cathedral. Joan of Arc is standing behind him holding her battle standard. This painting is at the Pantheon in Paris, France; Credit – Wikipedia

Perhaps the most historically symbolic coronation of a French king was the coronation of King Charles VII (reigned 1422 – 1461). He inherited the French throne in desperate times. France was fighting England in the Hundred Years’ War, caused by disputed claims to the French throne between the English House of Plantagenet and the French House of Valois. English forces occupied northern France including Paris and Reims. In 1420, King Charles VI of France had disinherited his son and recognized his son-in-law King Henry V of England and his heirs as the legitimate successors to the French crown. Meanwhile, a civil war was occurring in France between the Armagnacs, supporters of the House of Valois, and the Burgundians, supporters of the House of Valois-Burgundy and allies of the English.

Charles VII’s political and military position improved dramatically with the emergence of Joan of Arc as a military and spiritual leader. The teenage Joan of Arc said she had visions of Saint Michael the Archangel, Saint Margaret of Antioch, and Saint Catherine of Alexandria instructing her to support Charles VII in his efforts to purge the English from France.

Joan of Arc led French troops to victories at the Siege of Orléans and the Battle of Patay. With the English troops dispersed, the population of Reims switched their allegiance to King Charles VII and opened the city’s gates. This allowed for the coronation of King Charles VII on July 17, 1429, at Reims Cathedral with Joan of Arc standing nearby holding her battle standard. After the coronation, Joan knelt before Charles VII and joyously called him king for the first time.

On May 23, 1430, Joan of Arc was captured by the Burgundian faction and handed over to the English. She was tried on several charges including heresy by the pro-English Pierre Cauchon, Bishop of Beauvais, declared guilty, and then burned at the stake on May 30, 1431. In 1456, the Catholic Church ordered a second trial. The first trial and its conclusions were declared “null, void, without value or effect” and Joan and her family were fully rehabilitated.

By the time of her second trial in 1456, Joan of Arc had already become a symbol of France and she remains an important symbol of French identity and unity. On May 16, 1920, Pope Benedict XV canonized Joan of Arc as a saint of the Roman Catholic Church. She is remembered at Reims Cathedral with two statues: an equestrian statue outside the cathedral and another statue in the cathedral.

Statue of Joan of Arc in Reims Cathedral; Credit – Wikipedia

French sculptor Prosper d’Epinay created a polychrome statue of Joan of Arc which he exhibited at the Salon des artistes français of 1902, an art exhibition held every year in early February in Paris. Seven years later, one of his patrons offered the statue to Reims Cathedral, at the time of Joan of Arc’s beatification as Blessed Joan of Arc. It stands in the place where Joan of Arc stood during the coronation of King Charles VII. The helmet and the armor were made from silvered bronze, the face was carved in ivory, and the tunic is yellow marble dotted with fleur-de-lis in lapis lazuli.

The original placement of the equestrian statue of Joan of Arc; Credit – Wikipedia

The bronze equestrian statue of Joan of Arc holding a sword in front of Reims Cathedral was designed by French sculptor Paul Dubois and was inaugurated by French President Félix Faure on Bastille Day, July 14, 1896. Originally the statue stood in front of Reims Cathedral with its back toward the cathedral depicting Joan of Arc riding away after Charles VII’s coronation. Today the statue faces the cathedral on the far end of Place du Cardinal-Luçon, the plaza in front of Reims Cathedral, as shown in the photo below.

 

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Coronations

Coronation of Louis XIII, King of France; Credit – CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=35561924

The fact that Clovis I had been baptized at Reims Cathedral and the political power of the Archbishop of Reims led to the cathedral becoming the coronation site of Kings of France. After King Henri I was crowned at Reims Cathedral in 1027, the tradition of holding coronations there was firmly established. Since 987, when the House of Capet began its reign, and continuing through the House of Valois and the House of Bourbon, all but seven of France’s kings were crowned at Reims Cathedral. Hugh Capet, Robert II, Louis VI, and Henri IV were crowned elsewhere, Jean I reigned as the posthumous son and successor of Louis X for the five days he lived, and Louis XVIII and Louis Philippe I chose not to have coronations.

In 1804, Napoleon Bonaparte was crowned Napoleon I, Emperor of France at Notre Dame de Paris. With the Bourbon Restoration in 1814 after the downfall of Napoleon I, the practice of royal coronations at Reims Cathedral was resumed, but only once. The Bourbon Restoration saw two brothers of the beheaded King Louis XVI on the French throne. King Louis XVIII decided not to have a coronation. However, in 1825, his younger brother King Charles X was the last King of France to be crowned and his coronation was at Reims Cathedral. King Charles X was overthrown in the Revolution of 1830 and replaced by a constitutional monarch, Louis Philippe, Duke of Orléans I, who reigned as Louis Philippe, King of the French and was sworn in at the Parliament in Paris rather than crowned in Reims.

Louis-Napoléon Bonaparte, a nephew of Napoleon Bonaparte, became President of France after Louis Philippe, King of the French was deposed in the Revolution of 1848. Not content with being simply President, he arranged for a referendum to decide if he should be declared Emperor. On December 2, 1852, following an overwhelming vote in his favor, the Second French Republic ended and the Second French Empire was declared. Louis-Napoleon took the throne as Napoleon III, Emperor of the French. However, Napoleon III chose not to have a coronation ceremony. In 1870, after France’s defeat in the Franco-Prussian War, the Third French Republic was declared, ending, for the last time, the French monarchy.

Coronation of Philippe V and his wife Joan of Burgundy at Reims Cathedral in 1317; Credit – Wikipedia

Several queen consorts were crowned with their husbands at Reims Cathedral. A queen’s coronation could take place years after her marriage or her husband’s accession to the throne. Queen consorts were crowned either together with their husband at Reims Cathedral, alone at Sainte-Chapelle in Paris or the Basilica of Saint-Denis, or not at all.

Coronations at Reims Cathedral

Coronation of King Charles X in 1825 by François Gérard, the last coronation held at Reims Cathedral; Credit – By François Gérard – Web Gallery of Art:   Image  Info about artwork, Public Domain, https://commons.wikimedia.org/w/index.php?curid=15883911

When Saint Louis IX, King of France was crowned in 1226, the current cathedral was still under construction. The coronation of kings before Louis IX took place at the earlier cathedrals in Reims.

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2022. Kathedrale von Reims – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Kathedrale_von_Reims> [Accessed 3 February 2022].
  • En.wikipedia.org. 2022. Reims Cathedral – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Reims_Cathedral> [Accessed 3 February 2022].
  • Fr.wikipedia.org. 2022. Cathédrale Notre-Dame de Reims — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Cath%C3%A9drale_Notre-Dame_de_Reims> [Accessed 3 February 2022].
  • Fr.wikipedia.org. 2022. Incendie de Notre-Dame de Reims (1481) — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Incendie_de_Notre-Dame_de_Reims_(1481)> [Accessed 3 February 2022].
  • Fr.wikipedia.org. 2022. Sacre des rois de France — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Sacre_des_rois_de_France> [Accessed 3 February 2022].
  • Fr.wikipedia.org. 2022. Statue équestre de Jeanne d’Arc (Paul Dubois) — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Statue_%C3%A9questre_de_Jeanne_d%27Arc_(Paul_Dubois)> [Accessed 3 February 2022].
  • Jenkins, Simon, 2021. Europe’s 100 Best Cathedral. London: Penguin Random House UK.

Chapel Royal at the Palace of Versailles in Versailles, France

by Susan Flantzer
© Unofficial Royalty 2022

Interior of the Chapel Royal at the Palace of Versailles; Credit – By Jorge Láscar from Melbourne, Australia https://commons.wikimedia.org/w/index.php?curid=66026550

In 1623, King Louis XIII of France (reigned 1610 – 1643) built a hunting lodge in Versailles, France, about 12 miles/19 km west of Paris. From 1631 – 1634, the hunting lodge was replaced by a small château. King Louis XIV (reigned 1643 – 1715) expanded the château into the magnificent Palace of Versailles, which this writer has visited, in several phases from 1661 – 1715. He eventually moved the seat of his court and government to Versailles, making the palace the de facto capital of France, and this was continued during the reigns of Louis XIV’s successors, his great-grandson King Louis XV and then Louis XV’s grandson King Louis XVI.

The Palace of Versailles; Credit – By ToucanWings – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=28505340

The Chapel Royal that we see today at the Palace of Versailles is the fifth chapel royal at Versailles. It was built from 1699 to 1710, at the end of the 72-year reign of King Louis XIV who died in 1715. Therefore, Louis XIV used the fifth chapel royal for only the last five years of his life but his successors Louis XV and Louis XVI used the fifth chapel royal during their entire reigns. The Chapel Royal, originally a Roman Catholic church, is no longer a church. It was deconsecrated in the 19th century and since then has served as a venue for government and private events and musical concerts.

Aerial view of the Chapel Royal at the Palace of Versailles; Credit – By ToucanWings – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=36855710

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The Previous Chapels

First Chapel Royal

The first chapel royal dates from the reign of Louis XIII (reigned 1610 – 1643). It was a detached building located near the château that had replaced the original hunting lodge. This chapel royal was demolished during the construction of the Grotto of Téthys (link in French), an artificial grotto constructed in the gardens of the Palace of Versailles in 1666 during the reign of Louis XIV.

Second Chapel Royal

The second chapel was constructed during Louis XIV’s second building campaign (1669–1672) When this new part of the Palace of Versailles was completed, the chapel royal was located in the Queen’s Grand Apartment The second chapel royal was used by the royal family and court until 1678 when a new chapel royal was built

Third Chapel Royal

The third chapel royal, used from 1678 – 1682, was located next to the site of the second royal chapel which had become the Queen’s Guard Room. In 1682, Louis XIV officially moved the French court from Paris to the Palace of Versailles, and the third chapel royal became inconvenient and did not meet the needs of either Louis XIV or the court.

Fourth Chapel Royal

King Louis XIV at prayer in the fourth chapel; Credit – Wikipedia

When the north wing of the Palace of Versailles was constructed, a new chapel royal was built in 1682. When the fourth chapel was constructed, a balcony-like, upper level, was built where the king and select members of the royal family and the court heard daily Mass. The fourth chapel royal remained in use until 1710 and it was here that many important religious events of the court and royal family during the reign of Louis XIV occurred.

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The Fifth Chapel Royal

Credit – Par Nono vlf — Travail personnel, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=76828541

The Chapel Royal that is seen today at the Palace of Versailles was created by King’s Architect Jules Hardouin-Mansart. From 1677 until his death in 1708, Hardouin-Mansart worked on the expansion of the Palace of Versailles, including the famous Hall of Mirrors. He was also responsible for other major projects during Louis XIV’s reign including Les Invalides in Paris, and the Place des Victoires and Place Vendôme, squares in Paris.

The current Chapel Royal was built near the corner formed by the wing of the King’s Grand Apartment and the north wing of the Palace of Versailles. Construction started in 1689 but was soon stopped due to the Nine Years’ War (1688 – 1697) between France and a European coalition. In 1699, construction resumed and Hardouin-Mansart continued working on the chapel until his death in 1708. His brother-in-law Robert de Cotte finished the construction. On June 5, 1710, the Royal Chapel was consecrated by Cardinal Louis Antoine de Noailles, Archbishop of Paris. The Royal Chapel was dedicated to Saint Louis IX, King of France (reigned 1226 – 1270), the patron saint of the House of Bourbon and the ancestor of King Louis XIV. Until the French Revolution, the Chapel Royal was the religious center of the French court.

The Chapel Royal is a traditional two-story palace church. The upper level, the royal tribune, a balcony lined with Corinthian columns, overlooks the nave of the chapel. This was where the King and his family sat. The royal tribune can be entered directly from the north wing of the palace through a vestibule known as the Chapel Hall. Originally, the Chapel Royal contained stalls, a pulpit, confessionals, and furniture for the use of the King and his family. Today, only the altars and the organ remain.

The Floor

The floor of the nave; Credit – Par Lionel Allorge — Travail personnel, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15557485

The floor of the nave is paved with multi-colored marble. At the foot of the steps to the altar is a crowned monogram of two intertwined letter Ls for Saint Louis IX, the patron of the Chapel Royal, and King Louis XIV, the builder of the Royal Chapel. This can be seen in the photo above, at the bottom, although it is upside down.

The Paintings

God the Father in His Glory Bringing to the World the Promise of Redemption, painted by Antoine Coypel: Credit – Par Jebulon — Travail personnel, CC0, https://commons.wikimedia.org/w/index.php?curid=20081779

Above, the painting on the ceiling of the nave is entitled God the Father in His Glory Bringing to the World the Promise of Redemption, painted by Antoine Coypel.

Charles de la Fosse’s The Resurrection of Christ; Credit – Par Brian Jeffery Beggerly — originally posted to Flickr as IMG_5327, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=11700443

Above, the half-dome of the apse is decorated with Charles de la Fosse‘s The Resurrection of Christ.

Jean Jouvenet’s The Descent of the Holy Spirit upon the Blessed Virgin Mary and the Apostles; Credit – Par Lionel Allorge — Travail personnel, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15557787

Above, over the royal tribune is Jean Jouvenet‘s The Descent of the Holy Spirit upon the Blessed Virgin Mary and the Apostles.

Altars

The High Altar; Credit – By Zairon – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=70191334

The altarpiece over the high altar is a gilt bronze bas-relief of The Lamentation of the Dead Christ by French sculptor Corneille Van Clève (link in French).

One of the side altars; Credit – By Lionel Allorge – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15557313

The nine other altars in the Chapel Royal were consecrated to the Blessed Sacrament, the Blessed Virgin Mary, and to the main patron saints of the royal family: Saint Louis of France, Saint Anne, Saint Teresa of Avila, Saint Philip the Apostle, Saint Charles Borromeo, Saint Victoire, and Saint Adelaide of Burgundy.

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Royal Events

The view from the royal tribune where the King and the royal family heard daily Mass

At 10:00 every morning, the King’s Mass was said in the Chapel Royal and attended by the court. The King and his family sat in the royal tribune, a balcony that overlooked the nave of the chapel. The ladies of the court sat in the side tribunes, the side balconies. Seated below in the nave were other members of the court.

Te Deums, short religious services of blessing or thanks, were sung to celebrate military victories and the births of children. Ceremonies of the Order of the Holy Spirit, a French order of chivalry founded by King Henri III in 1578, and baptisms and weddings of princes and princesses were held in the Chapel Royal.

Among the baptisms held at the Chapel Royal were those of five future Kings of France: Louis XV, Louis XVI, Louis XVIII, Charles X, and Louis-Philippe I, and two future titular Kings of France: Louis-Charles, Dauphin of France (Louis XVII, son of Louis XVI) and Louis Antoine, Duke of Angoulême (Louis XIX, son of Charles X). In addition, Felipe V, the first Bourbon King of Spain, born Philippe, Duke of Anjou was baptized at the Chapel Royal. He was the second son of Louis, Le Grand Dauphin, the son and heir of Louis XIV who predeceased his father. Among the funerals held at the Chapel Royal were those of Louis XIV and Louis XV.

Wedding of Louis, Duke of Burgundy, Le Petite Dauphin & Marie Adélaïde of Savoy in the 4th Chapel Royal. King Louis XIV, the grandfather of the groom, can be prominently seen in the middle; Credit – Wikipedia

Note: The Princes of Condé (below) were from the French Princely House of Bourbon-Condé which was a cadet branch of the House of Bourbon. From 1589 – 1709, the Princes of Condé held the rank of premier prince du sang royal (First Prince of the Blood Royal). The Princes of Conti (below) were a cadet branch of the Princely House of Bourbon-Condé.

Among the weddings at the Chapel Royal were:

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • Château du Versailles. 2022. Restoration of the Royal Chapel. [online] Available at: <https://en.chateauversailles.fr/news/life-estate/restoration-royal-chapel/royal-chapel> [Accessed 22 January 2022].
  • Château du Versailles. 2022. The Royal Chapel – The Palace of Versailles. [online] Available at: <https://en.chateauversailles.fr/discover/estate/palace/royal-chapel> [Accessed 22 January 2022].
  • De.wikipedia.org. 2022. Schlosskapelle (Versailles) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Schlosskapelle_(Versailles)> [Accessed 22 January 2022].
  • En.wikipedia.org. 2022. Chapels of Versailles – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Chapels_of_Versailles> [Accessed 22 January 2022].
  • En.wikipedia.org. 2022. Palace of Versailles – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Palace_of_Versailles> [Accessed 22 January 2022].
  • Fr.wikipedia.org. 2022. Chapelle royale de Versailles — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Chapelle_royale_de_Versailles> [Accessed 22 January 2022].
  • Fr.wikipedia.org. 2022. Château de Versailles — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Ch%C3%A2teau_de_Versailles> [Accessed 22 January 2022].

Basilica of Saint-Denis in Saint-Denis, France

by Susan Flantzer
© Unofficial Royalty 2022

Basilica of Saint-Denis; Credit – © Susan Flantzer

The Basilica of Saint-Denis, which this writer has visited, is a Roman Catholic church in the Paris suburb of Saint-Denis, France. The current Gothic cathedral was built in the 12th century. The Kings of France and their families were buried for centuries at the Basilica of Saint-Denis and it is often referred to as the “royal necropolis of France.” The remains of all but three monarchs of France from the 10th century until 1789 are interred at the Basilica of Saint-Denis. The basilica is named after Saint Denis, a patron saint of France, who became the first Bishop of Paris in the third century. He was decapitated on the hill of Montmartre and is said to have carried his head to the site of the current church, indicating where he wanted to be buried.

Saint Denis holding his head – Notre Dame de Paris; Credit – Wikipedia

A shrine-mausoleum was erected on the site of Saint Denis’ grave in about 313 AD. It was enlarged into a basilica with the addition of tombs and monuments and became a place of pilgrimage during the fifth and sixth centuries. Dagobert, King of the Franks (reigned 628 to 637) re-founded the church as the Abbey of Saint-Denis, a Benedictine monastery, and commissioned a new shrine to house Saint Denis’ remains. Abbot Suger (lived c. 1081 – 1151), a confidant of French kings and Abbot of Saint-Denis from 1122, began work around 1135 to rebuild and enlarge the Abbey of Saint-Denis into the Gothic cathedral we see today.

The interior of the Basilica of St. Denis; Credit – By Rita1234 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=8784509

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Coronations of the Queen of France

The Coronation in Saint-Denis of Marie de Medici by Peter Paul Rubens; Credit – Wikipedia

Not all Queens of France, wives of the Kings of France, were crowned. A queen’s coronation could take place years after her marriage or her husband’s accession to the throne. Queens of France were crowned either together with their husband at Notre-Dame de Reims, or alone at Sainte-Chapelle or the Basilica of Saint-Denis. Marie de Medici, the wife of King Henri IV, was the last of Queen of France to be crowned. She was crowned ten years after her marriage and her husband was assassinated the day after her coronation.

The Queens of France who were crowned at the Basilica of Saint-Denis include the following:

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Destruction and Restoration

Violation of the royal tombs of Saint-Denis by Hubert Robert (Musée Carnavalet, Paris); Credit – https://uk.tourisme93.com/basilica/desecration-of-the-royal-tombs.html

During the French Revolution, the remains of French royals were desecrated and some tombs and effigies were destroyed. By the decree on August 1, 1793, the National Convention ordered: “The tombs and mausoleums of the former kings, mounted in the Church of Saint-Denis, in temples and in other places, across the entire Republic, will be destroyed.”  This occurred systematically from August 1793 – October 1793. The remains of 46 kings, 32 queens, and 63 other royals were thrown into two large pits in the monks’ cemetery adjacent to the Basilica of  Saint-Denis and covered in quicklime and soil. A combination of seventy effigies and tombs were saved because of the efforts of archaeologist Alexandre Lenoir who claimed them as artworks for his Museum of French Monuments.

Crypt where Louis VII, Louis de Lorraine, Louis XVI, Marie-Antoinette, and Louis XVIII are buried at Saint-Denis; Credit – By Fbrandao.1963 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=64407677

Napoleon I, Emperor of the French reopened the Basilica of Saint-Denis in 1806 but left the royal remains in their mass graves. One of the first things King Louis XVIII, a younger brother of the guillotined King Louis XVI, did after the Bourbon Restoration in 1814 was to order a search for the remains of his brother and sister-in-law, King Louis XVI and Queen Marie Antoinette. They had been originally been buried in the cemetery at the Madeleine Church and covered with quicklime. The few remains that were found were reburied at the Basilica of Saint-Denis on January 21, 1815, the twenty-second anniversary of King Louis XVI’s execution.

Door leading to the crypt where the desecrated royal remains were re-interred at Saint-Denis. The large plaques on either side of the door are engraved with the names of those who were re-interred; Credit – © Susan Flantzer

In 1817, King Louis XVIII ordered the mass graves adjacent to the Basilica of Saint-Denis to be opened but due to the damage from the quicklime, identification of the remains was impossible. The remains were collected into an ossuary, a site serving as the final resting place of human skeletal remains, in the crypt of the basilica. Large marble plates on either side of the gated door leading to the crypt are engraved with the names of those whose remains are buried in the crypt. The seventy effigies and tombs that Alexandre Lenoir saved were returned to the Basilica of Saint-Denis and are now mostly in their original places.

Some of the effigies rescued and preserved by archaeologist Alexandre Lenoir; Credit – © Susan Flantzer

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The Heart of Louis-Charles, Dauphin of France, son of King Louis XVI

Louis-Charles, Dauphin of France, son of King Louis XVI and Queen Marie Antoinette, and sometimes called King Louis XVII, died from tuberculosis on June 8, 1795, at the age of ten while imprisoned at the Temple, the remains of a medieval fortress in Paris. He was buried at the Cimetière Sainte-Marguerite in Paris in a grave without any marker. However, before Louis-Charles was buried, an autopsy was performed. Following the tradition of preserving royal hearts, Louis-Charles’s heart was removed and smuggled out during the autopsy by Dr. Philippe-Jean Pelletan, a royalist, who then preserved the heart in alcohol. After the Bourbon Restoration in 1815, Dr. Pellatan offered the heart to Louis-Charles’ paternal uncle King Louis XVIII but he refused because he could not bring himself to believe that it was the heart of his nephew. Following the July Revolution in 1830, Dr. Pelletan’s son found the heart in the remnants of a looted palace and placed it in the crystal urn where it still resides. After the death of Dr. Pelletan’s son in 1879, Eduard Dumont, a relative of Dr. Pelletan’s wife, took possession of the heart.

Louis-Charles’ heart in the crystal urn; Photo Credit – © Susan Flantzer

In 1895, Carlos, Duke of Madrid, the Legitimist claimant to the French throne, accepted the heart from Eduard Dumont. The heart was kept at Schloss Frohsdorf near Vienna, Austria. Upon the death of his father Carlos, Duke of Madrid in 1909, Jaime, Duke of Madrid, the next Legitimist claimant to the French throne, inherited the heart and gave it to his sister Beatriz.

During World War II, Schloss Frohsdorf suffered damage and the heart was rescued by descendants of Carlos, Duke of Madrid and ultimately came into the possession of his granddaughter Princess Marie des Neiges Massimo. In 1975, the princess offered the heart to the Memorial of Saint-Denis in Paris, the organization that oversees the royal graves at the Basilica of St. Denis. The heart was placed in an underground crypt at the basilica where the remains of French royals that were desecrated during the French Revolution were subsequently interred.

In 2004, DNA tests using mitochondrial DNA proved the heart really did belong to Louis-Charles. Comparison samples were taken from descendants of Marie Antoinette’s sisters, members of the Bourbon-Parma family including Queen Anne of Romania who was born a Princess of Bourbon-Parma, and a strand of Marie Antoinette’s hair. With the approval of the French government, the Legitimists organized a ceremony at the Basilica of St. Denis on June 8, 2004, the 209th anniversary of Louis-Charles’ death. His heart was placed in a niche near the graves of his parents Louis XVI and Marie Antoinette whose remains were transferred to the basilica in 1815.

The resting place of Louis-Charles’ heart; Photo Credit – © Susan Flantzer

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Royal Burials

*Unofficial Royalty article

https://fr.wikipedia.org/wiki/Liste_des_personnes_enterr%C3%A9es_dans_la_basilique_Saint-Denis

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • Basilique cathédrale de Saint-Denis. 2022. Basilique cathédrale de Saint-Denis. [online] Available at: <http://www.saint-denis-basilique.fr/en/> [Accessed 14 March 2022].
  • En.wikipedia.org. 2022. Basilica of Saint-Denis – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Basilica_of_Saint-Denis> [Accessed 14 March 2022].
  • Flantzer, Susan, 2018. French Royal Burial Sites – House of Bourbon, House of Bonaparte, House of Orléans. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/current-monarchies-article-index/french-royal-index/french-burial-sites-house-of-bourbon-house-of-bonaparte-house-of-orleans/> [Accessed 14 March 2022].
  • Flantzer, Susan, 2019. French Royal Burial Sites – House of Valois. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/french-royal-burial-sites-house-of-valois/> [Accessed 14 March 2022].
  • Fr.wikipedia.org. 2022. Basilique Saint-Denis — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Basilique_Saint-Denis> [Accessed 14 March 2022].
  • Fr.wikipedia.org. 2022. Liste des personnes enterrées dans la basilique Saint-Denis — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Liste_des_personnes_enterr%C3%A9es_dans_la_basilique_Saint-Denis> [Accessed 14 March 2022].

Theatinerkirche St. Kajetan (Theatine Church of St. Cajetan) in Munich, Germany

by Susan Flantzer
© Unofficial Royalty 2022

Theatinekirche; Photo Credit – © Susan Flantzer

The Theatinerkirche St. Kajetan (Theatine Church of St. Cajetan), which this writer has visited, is a Roman Catholic church located in Munich in the German state of Bavaria. The church was founded by Ferdinand Maria, Elector of Bavaria (reigned 1651 to 1679) and his wife Henriette Adelaide of Savoy, in gratitude for the birth of a long-awaited male heir. Ferdinand Maria and Henriette Adelaide had married in 1650. Henriette Adelaide had a daughter in 1660, a stillbirth in 1661, and finally gave birth to a male heir, the future Maximilian II Emanuel, Elector of Bavaria, in 1662, twelve years after her marriage.

The Theatinekirche has two patron saints. Gaetano dei Conti di Thiene (1480 – 1547), known as Saint Cajetan, was an Italian Catholic priest and co-founder of the Theatine Order and was canonized as a saint in 1671. Saint Adelaide (Adelheid) of Italy (931 – 999) (also known as Saint Adelaide of Burgundy) was the wife of Otto I, Holy Roman Emperor. Adelaide was devoted to charitable work and supported the founding of monasteries. Because of her charity, Adelaide was widely revered after her death and was canonized in 1097.

Italian architect Agostino Barelli introduced Italian Baroque architecture to Bavaria with his design for the Theatinekirche. The design was modeled after the mother church of the Theatine Order, Sant’Andrea della Valle in Rome. Construction began in 1663. Barelli completed the shell of the church and left Munich in 1674 because of arguments with the site manager Antonio Spinelli and Henriette Adelaide’s confessor. The incomplete church was consecrated in 1675. Barelli’s successor as the chief architect of the Bavarian court, Enrico Zuccalli, actually Johann Heinrich Zuccalli, a Swiss architect, added the two towers which were not in the original plans, from 1684 -1692. The interior was completed in 1688 and the dome in 1690. For a long time, the outer facade of the Theatinerkirche remained unfinished. Despite many discussions, no agreement was reached. Finally, in 1765, the Bavarian court architect François de Cuvilliés the Elder designed a facade in the Rococo style which his son François de Cuvilliés the Younger completed.

During World War II, the Theatinekirche was bombed four times by the Allied Forces and suffered great damage. An altarpiece by Italian painter Antonio Zanchi was destroyed, along with the choir (the area between the nave and the sanctuary), the altar, and the south chapel. Reconstruction began in 1946 and was completed enough by 1955 to allow church services to resume.

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Interior of the Theatinekirche

Photo Credit – © Susan Flantzer

Stucco Decorations

Stucco decorations; Credit – By marsupium photography – https://www.flickr.com/photos/hagdorned/10382855675/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=57528584

The interior of the Theatinekirche is richly decorated with stucco in the Baroque and Rococo styles with Corinthian columns decorated with acanthus leaves, ornaments, and religious figures.

The Pulpit

The pulpit; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62189862

The 1686 black oak pulpit is the work of Austrian sculptor Andreas Faistenberger (link in German).

The High Altar

The high altar; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62189854

Before the World War II bombing, over the high altar hung a 1675 painting (below) by Italian painter Antonio Zanchi that depicted the patron saints of the church St. Cajetan and St. Adelaide, the founders of the church Ferdinand Maria, Elector of Bavaria and his wife Henriette Adelaide of Savoy with their children, and two pages holding a model of the Theatinekirche. Sadly, the painting was destroyed during a bombing in 1944.

A draft of Antonio Zanchi’s destroyed painting: Credit – Wikipedia

The high altar now contains a 1646 painting (below) by Flemish painter Gaspar de Crayer showing an enthroned Mary holding the infant Jesus surrounded by saints.

Gaspar de Crayer’s painting; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62189858

Statues of the Four Evangelists

The statues of the four evangelists on the high altar can be seen in this photo; Credit – Von © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62189657

In 1722, Bavarian sculptor Balthasar Ableithner (link in German) created the larger-than-life statues of the four evangelists, Matthew, Mark, Luke, and John, which were placed around the high altar. Only the statues of Mark and John survived the World War II bombing intact. The statue of Luke was able to be reconstructed. A new statue of Matthew was created by Italian sculptor Giuseppe Ducrot and placed on the altar in 2017.

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July 11, 2011: Requiem Mass for Otto von Habsburg

 

Otto von Habsburg, the last Crown Prince of Austria and later in his long life, a member of the European Parliament, was the eldest and the longest surviving of the eight children of Karl I, the last Emperor of Austria and his wife Zita of Bourbon-Parma. Otto and his wife Regina of Saxe-Meiningen lived at Villa Austria in Pöcking, Bavaria, Germany, and Otto died there on July 4, 2011, aged 98. Multiple requiem masses were celebrated for Otto von Habsburg including one at the Theatinekirche in Munich, in Bavaria, Germany.

On July 11, 2011, a requiem mass was celebrated in the Theatinekirche by Cardinal Reinhard Marx and his predecessor Cardinal Friedrich Wetter. Munich’s Chief Rabbi Steven Langnas recited a Jewish funeral prayer. At the end of the requiem mass, the “Kaiserhymne” (Emperor’s Hymn), the old Austrian imperial anthem, was sung.

The requiem mass was screened on big screens at the Odeonsplatz, the large square in front of the Theatine Church, and was broadcast by Bavarian Television. Following the requiem mass, the Prime Minister of Bavaria Horst Seehofer hosted a reception for 700 invited guests in the Kaisersaal of the Munich Residenz, the former royal palace of the Wittelsbachs. Among the royalty and nobility attending the requiem mass and reception were Otto von Habsburg’s seven children: Andrea von Habsburg (born 1953), Monika von Habsburg (born 1954, twin of Michaela), Michaela von Habsburg (born 1954, twin of Monika), Gabriela von Habsburg (born 1956), Walburga von Habsburg (born 1958), Karl von Habsburg (born 1961), and Georg von Habsburg (born 1964). Also attending were members of the House of Wittelsbach – Prince Luitpold of Bavaria, Prince Max, Duke in Bavaria and his wife Princess Elisabeth, Duchess in Bavaria – and Gloria, Princess Dowager of Thurn and Taxis.

On July 16, 2011, following a requiem mass at St. Stephen’s Cathedral in Vienna, Austria, Otto was interred in the Crypt Chapel of the Imperial Crypt at the Capuchin Church in Vienna, the traditional burial site of the House of Habsburg. His mother Zita of Bourbon-Parma was interred in the Crypt Chapel in 1989. At the time of his burial, Otto’s wife Regina who died in 2010, was also interred in the Crypt Chapel.

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Royal Burials

Coffins in the Princely Crypt of the Theatinekirche; Photo Credit – © Susan Flantzer

Besides the Theatinerkirche, rulers of the House of Wittelsbach have been interred at the Frauenkirche (Church of Our Lady) in Munich, Michaelskirche (St. Michael’s Church in Munich, and Andechs Abbey in Andechs. In 1977, Albrecht, Duke of Bavaria, Head of the House of Wittelsbach and pretender to the former Bavarian throne from 1955 until his death in 1996, set up a Wittelsbach private family cemetery near Andechs Abbey due to the lack of space in the other Wittelsbach burial sites. The cemetery complex is now the main burial place of the Wittelsbach family.

The Theatine Church has two burial areas.

The side chapel with the tombs of Maximilian II, King of Bavaria (on left) and Marie Friederike of Prussia, Queen of Bavaria (on right); Credit – By User:Mattes – Self-photographed, CC BY 2.0 de, https://commons.wikimedia.org/w/index.php?curid=40079208

Interred in stone sarcophagi in a side chapel of the main nave:

Sign for the Princely Crypt; Photo Credit – © Susan Flantzer

When I visited the Theatinekirche, my husband did not want to pay the two euros admission to the Princely Crypt, and so I went into the crypt alone – just me and 47 coffins of members of the House of Wittelsbach – no one else was there. Being alone was a fairly creepy experience. I looked around, took photos, and exited quickly!

A view of the dark and creepy (if you are alone!) Princely Crypt; Photo Credit – © Susan Flantzer

Interred in the Princely Crypt:

  • Luise Margarete Antonie of Bavaria (1663 – 1665) – daughter of Ferdinand Maria, Elector of Bavaria
  • Ludwig Amadeus Viktor of Bavaria (born and died 1665) – son of Ferdinand Maria, Elector of Bavaria
  • Stillborn son (1666) – son of Ferdinand Maria, Elector of Bavaria
  • Kajetan Maria Franz of Bavaria (born and died 1670) – son of Ferdinand Maria, Elector of Bavaria
  • Henriette Adelaide of Savoy, Electress of Bavaria (1636 – 1676) – wife of Ferdinand Maria, Elector of Bavaria
  • Ferdinand Maria, Elector of Bavaria (1636 – 1679)
  • Leopold Ferdinand of Bavaria (born and died 1689) – son of Maximilian II Emanuel, Elector of Bavaria
  • Anton of Bavaria (born and died 1690) – son of Maximilian II Emanuel, Elector of Bavaria
  • Wilhelm of Bavaria (1701 – 1704) – son of Maximilian II Emanuel, Elector of Bavaria
  • Alois of Bavaria (1702 – 1705) – son of Maximilian II Emanuel, Elector of Bavaria
  • Maximilian Emanuel Thomas (1704 – 1709) – son of Maximilian II Emanuel, Elector of Bavaria
  • Maximiliana Maria of Bavaria (born and died 1723) – daughter of Karl VII, Holy Roman Emperor, Elector of Bavaria
  • Maximilian II Emanuel, Elector of Bavaria (1662 – 1726)
  • Therese Kunigunde of Poland, Electress of Bavaria (1676 – 1730) – 2nd wife of Maximilian II Emanuel, Elector of Bavaria
  • Josef Ludwig of Bavaria (1728 – 1733) – son of Karl VII, Holy Roman Emperor, Elector of Bavaria
  • Maximilian Joseph Franz of Bavaria (1720 – 1738) – son of Ferdinand Maria Innocenz of Bavaria and grandson of Maximilian II Emanuel, Elector of Bavaria
  • Ferdinand Maria Innozenz of Bavaria (1699 – 1738) – son of Maximilian II Emanuel, Elector of Bavaria
  • Karl VII, Holy Roman Emperor, Elector of Bavaria (1697 – 1745)
  • Maria of Bavaria (born and died 1748)
  • Unnamed prince (born and died 1753)
  • Maria Anna of Bavaria (born and died 1754)
  • Unnamed prince (born and died 1755)
  • Maria Amalia of Austria, Holy Roman Empress (1701 – 1756) – wife of Karl VII, Holy Roman Emperor
  • Clemens Franz de Paula of Bavaria (1722 – 1770) – son of Ferdinand Maria Innocenz of Bavaria and grandson of Maximilian II Emanuel, Elector of Bavaria
  • Maria Anna of Bavaria, Margravine of Baden-Baden (1734 – 1776) – daughter of Karl VII, Holy Roman Emperor, wife of Ludwig Georg, Margrave of Baden-Baden
  • Maximilian III Joseph, Elector of Bavaria (1727 – 1777)
  • Maria Anna of Pfalz-Sulzbach, Princess of Bavaria (1722 – 1790), wife of Clemens Franz de Paula of Bavaria
  • Maria Anna Sophia of Saxony, Electress of Bavaria (1728 – 1797) – wife of Maximilian III Joseph, Elector of Bavaria
  • Karl Theodor, Elector of Bavaria (1724 – 1799)
  • Maximilian Joseph Karl Friedrich of Bavaria (1800 – 1803) – son of Maximilian I Joseph, King of Bavaria
  • Maximiliana Josephe Karoline of Bavaria (1810 – 1821) – daughter of Maximilian I Joseph, King of Bavaria

Tombs of Maximilian I Joseph, King of Bavaria and his 2nd wife Caroline of Baden, Queen of Bavaria; Photo Credit – © Susan Flantzer

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This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2022. Theatinerkirche (München) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Theatinerkirche_(M%C3%BCnchen)> [Accessed 6 January 2022].
  • En.wikipedia.org. 2022. Death and Funeral of Otto von Habsburg – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Death_and_funeral_of_Otto_von_Habsburg> [Accessed 6 January 2022].
  • En.wikipedia.org. 2022. Theatine Church, Munich – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Theatine_Church,_Munich> [Accessed 6 January 2022].
  • Mehl, Scott, 2012. Royal Burial Sites of the Kingdom of Bavaria. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/german-royal-burial-sites/royal-burial-sites-of-the-kingdom-of-bavaria/> [Accessed 6 January 2022].
  • Theatinerkirche.de. 2022. Theatinerkirche München. [online] Available at: <http://www.theatinerkirche.de/> [Accessed 6 January 2022].

Michaelskirche (St. Michael’s Church) in Munich, Germany

by Susan Flantzer
© Unofficial Royalty 2022

Michaelskirche in Munich; Credit – By Andrew Bossi – Own work, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=2918246

Michaelskirche (St. Michael’s Church), which this writer has visited, is a Roman Catholic church located in Munich in the German state of Bavaria. The patron of the church is Saint Michael the Archangel. In 1556, Albrecht V, Duke of Bavaria granted the Jesuit Order permission to establish a school in Munich which is still in existence and known as the Wilhelmsgymnasium. A church was to be built in conjunction with the founding of the Jesuit school. However, the school and the church did not get beyond the planning stage during Albrecht V’s lifetime.

Neuhauser Street and Michaelskirche, 1830s; Credit – Wikipedia

Eventually, the school and church were built during the reign of Albrecht V’s son and successor Wilhelm V, Duke of Bavaria, hence the name of the school, Wilhelmsgymnasium. Wilhelm V had received a Jesuit education and was a strong supporter of the Counter-Reformation, the Roman Catholic Church’s reaction to the Protestant Reformation. The Michaelskirche, built in the Renaissance architectural style, and the school built from 1583 – 1597 were spiritual centers of the Counter-Reformation. With the abolition of the Jesuit order in 1773, Michaelskirche and Wilhelmsgymnasium came into the possession of the House of Wittelsbach. After the end of the Kingdom of Bavaria in 1918, the church passed into the possession of the State of Bavaria. In 1921, the pastoral care of Michaelskirche returned to the Jesuit Order.

After the severe damage caused by bombings during World War II, Michaelskirche was renovated and then rededicated at Pentecost in 1953. Most recently, the interior was renovated from 1980 – 1983 for the 400th anniversary. From 2009 to 2013, the facade including the statues was renovated.

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The Facade of Michaelskirche

The facade of Michaelskirche; Credit – Credit – By Luidger – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=718322

The large, impressive facade of Michaelskirche has bronze statues of Wilhelm V, Duke of Bavaria and earlier rulers of the Bavarian House of Wittelsbach in the form of a family tree. A large bronze statue between the two entrances shows Saint Michael the Archangel battling Lucifer. The statue was made by Dutch sculptor Hubert Gerhard.

Saint Michael the Archangel vanquishing Lucifer; Credit – By pingnews.com – Sculpture in Munich, Germany, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=97462767

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The Interior of Michaelkirche

The interior of Michaelskirche; Photo Credit – © Susan Flantzer

The main altarpiece has a painting of Saint Michael the Archangel fighting Lucifer by Bavarian painter Christoph Schwarz.

The main altar; Photo Credit – © Susan Flantzer

The church contains the 1830 monument by Danish sculptor Bertel Thorvaldsen to Eugène de Beauharnais who is interred in the crypt. Eugène was the son of Josephine de Beauharnais, Napoleon Bonaparte’s first wife, and her first husband Alexandre de Beauharnais, who was executed by guillotine during the French Revolution. Eugène de Beauharnais marrried Princess Auguste of Bavaria, daughter of King Maximilian I Joseph of Bavaria, and was created Duke of Leuchtenberg.

The monument by Danish sculptor Bertel Thorvaldsen to Eugène de Beauharnais; Photo Credit – © Susan Flantzer

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The Princely Crypt

Sign with a photo of King Ludwig II at the entrance to the Princely Crypt; Photo Credit – © Susan Flantzer

The House of Wittelsbach ruled as Dukes, Electors, and Kings of Bavaria from 1180 until 1918. A princely crypt was in the original plans of Michaelskirche. Wilhelm V, Duke of Bavaria was buried in the crypt at his request, as was his son Maximilian I, Elector of Bavaria.

Stairs down to the Princely Crypt; Photo Credit – © Susan Flantzer

The best-known Bavarian ruler interred at Michaelskirche is Ludwig II, King of Bavaria, the builder of Neuschwanstein Castle who died in 1886 under mysterious circumstances. Ludwig’s brother Otto, King of Bavaria is also interred at Michaelskirche.

Tomb of Ludwig II, King of Bavaria; Photo Credit – © Susan Flantzer

Besides Michaelskirche, rulers of the House of Wittelsbach have been interred at the Theatinerkirche St. Kajetan (Theatine Church of St. Cajetan) in Munich, the Frauenkirche (Church of Our Lady) in Munich, and the Andechs Abbey in Andechs. In 1977, Albrecht, Duke of Bavaria, Head of the House of Wittelsbach and pretender to the former Bavarian throne from 1955 until his death in 1996, set up a Wittelsbach private family cemetery near Andechs Abbey due to the lack of space in the other Wittelsbach burial sites. The cemetery complex is now the main burial place of the Wittelsbach family.

The following members of the House of Wittelsbach are interred in the crypt:

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2022. St. Michael (München) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/St._Michael_(M%C3%BCnchen)> [Accessed 28 February 2022].
  • En.wikipedia.org. 2022. St. Michael’s Church, Munich – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/St._Michael%27s_Church,_Munich> [Accessed 28 February 2022].
  • Mehl, Scott, 2012. Royal Burial Sites of the Kingdom of Bavaria. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/german-royal-burial-sites/royal-burial-sites-of-the-kingdom-of-bavaria/> [Accessed 28 February 2022].
  • St-michael-muenchen.de. 2022. St. Michael – die Jesuitenkirche in der Münchner Innenstadt. [online] Available at: <https://www.st-michael-muenchen.de/index.php> [Accessed 28 February 2022].

Frauenkirche (Church of Our Lady) in Munich, Germany

by Susan Flantzer
© Unofficial Royalty 2022

Frauenkirche in Munich, Bavaria, Germany; By Diliff – CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=5825439

The Frauenkirche (Church of Our Lady) also called Münchner Dom (Munich Cathedral), which this writer has visited, is a Roman Catholic church and the cathedral church of the Archbishop of Munich located in Munich, the capital of the German state of Bavaria.

Frauenkirche in 1870 looking toward the main altar; Credit – Wikipedia

In the 12th century, a Romanesque church was built on the site replacing an earlier church. This new church served as a second parish in Munich following the older Alter Peter Church. A new late Gothic cathedral commissioned by Sigismund, Archduke of Austria and the people of Munich, was erected in the 15th century. The cathedral was built from 1468 – 1488 by bricklayer and architect Jörg von Halsbach. Red brick was chosen as the building material for financial reasons and because there was no nearby rock quarry. The cathedral was consecrated In 1494 but the towers were not completed until 1525.

Frauenkirche in ruins after World War II. The steps led to the main altar; Credit – https://www.muenchner-dom.de/die-kathedrale/geschichte/baugeschichte/

The Frauenkirche was severely damaged by the Allied Forces’ bombing raids during World War II. The roof collapsed, one of the towers was damaged, and much of the interior was destroyed. A major restoration was required and continued until 1994.

Interior of the restored Frauenkirche looking towards the main altar; Credit – By Chabe01 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=64107752

From 1971 – 1972 the main altar area was redesigned according to the reforms and specifications of the Second Vatican Council. From 1989 – 1994, the interior decorations of the original architect Jörg von Halsbach and the oak choir stalls with the sculptures of the original sculptor Erasmus Grasser were reconstructed and new altarpieces were created. Artwork from notable 14th to 18th-century artists like Peter Candid, Erasmus Grasser, Jan Polack, Hans Leinberger, Hans Krumpper, and Ignaz Günther replaced the artwork destroyed in the World War II bombing raids.

The main altar; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62161379

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Cenotaph of Ludwig IV, Holy Roman Emperor

The Cenotaph of Ludwig IV, Holy Roman Emperor; Photo Credit – © Susan Flantzer

A cenotaph, an empty tomb erected in honor of a person whose remains are elsewhere, for Ludwig IV, Holy Roman Emperor who died in 1347, stands in the south aisle. The remains of Ludwig IV, Holy Roman Emperor are interred in the Frauenkirche crypt. The cenotaph was the work of sculptor Hans Krumpper (circa 1570 – 1634) who was the chief sculptor to the Bavarian court during the reigns of Wilhelm V, Duke of Bavaria and Maximilian I, Duke of Bavaria.  During the World War II-related restoration of the Frauenkirche in the 1980s, the cenotaph was restored with financial help from the Messerschmitt Foundation whose primary goal is the preservation and maintenance of German cultural monuments.

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The Crypt

The 1971 crypt in the Frauenkirche; Credit – By User: Bbb at wikivoyage shared, CC BY-SA 1.0, https://commons.wikimedia.org/w/index.php?curid=22660042

The crypt we see today was created in 1971 when a larger crypt with exposed brick walls and a concrete beam ceiling was built during World War II-related reconstruction. The coffins of members of the Bavarian House of Wittelsbach were then transferred to new wall niches with grave markers. The House of Wittelsbach ruled as Dukes, Electors, and Kings of Bavaria from 1180 until 1918.

Besides the Frauenkirche, rulers of the House of Wittelsbach have mostly been interred at the Theatinerkirche St. Kajetan (Theatine Church of St Cajetan) in Munich and Michaelskirche (St. Michael’s Church) in Munich, and the Andechs Monastery in Andechs. In 1977, Albrecht, Duke of Bavaria, head of the House of Wittelsbach and pretender to the former Bavarian throne from 1955 until his death in 1996, set up a Wittelsbach family cemetery near Andechs Abbey due to the lack of space in the other Wittelsbach burial sites. The cemetery complex is now the main burial place of the Wittelsbach family.

Burial site of some members of the House of Wittelsbach; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62160767

The following members of the House of Wittelsbach are interred in the crypt:

Burial site of Ludwig III, the last King of Bavaria, his wife and five of their children; Photo Credit – © Susan Flantzer

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Works Cited

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