Category Archives: Royal Churches

Chapel Royal at the Palace of Versailles in Versailles, France

by Susan Flantzer
© Unofficial Royalty 2022

Interior of the Chapel Royal at the Palace of Versailles; Credit – By Jorge Láscar from Melbourne, Australia https://commons.wikimedia.org/w/index.php?curid=66026550

In 1623, King Louis XIII of France (reigned 1610 – 1643) built a hunting lodge in Versailles, France, about 12 miles/19 km west of Paris. From 1631 – 1634, the hunting lodge was replaced by a small château. King Louis XIV (reigned 1643 – 1715) expanded the château into the magnificent Palace of Versailles, which this writer has visited, in several phases from 1661 – 1715. He eventually moved the seat of his court and government to Versailles, making the palace the de facto capital of France, and this was continued during the reigns of Louis XIV’s successors, his great-grandson King Louis XV and then Louis XV’s grandson King Louis XVI.

The Palace of Versailles; Credit – By ToucanWings – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=28505340

The Chapel Royal that we see today at the Palace of Versailles is the fifth chapel royal at Versailles. It was built from 1699 to 1710, at the end of the 72-year reign of King Louis XIV who died in 1715. Therefore, Louis XIV used the fifth chapel royal for only the last five years of his life but his successors Louis XV and Louis XVI used the fifth chapel royal during their entire reigns. The Chapel Royal, originally a Roman Catholic church, is no longer a church. It was deconsecrated in the 19th century and since then has served as a venue for government and private events and musical concerts.

Aerial view of the Chapel Royal at the Palace of Versailles; Credit – By ToucanWings – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=36855710

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The Previous Chapels

First Chapel Royal

The first chapel royal dates from the reign of Louis XIII (reigned 1610 – 1643). It was a detached building located near the château that had replaced the original hunting lodge. This chapel royal was demolished during the construction of the Grotto of Téthys (link in French), an artificial grotto constructed in the gardens of the Palace of Versailles in 1666 during the reign of Louis XIV.

Second Chapel Royal

The second chapel was constructed during Louis XIV’s second building campaign (1669–1672) When this new part of the Palace of Versailles was completed, the chapel royal was located in the Queen’s Grand Apartment The second chapel royal was used by the royal family and court until 1678 when a new chapel royal was built

Third Chapel Royal

The third chapel royal, used from 1678 – 1682, was located next to the site of the second royal chapel which had become the Queen’s Guard Room. In 1682, Louis XIV officially moved the French court from Paris to the Palace of Versailles, and the third chapel royal became inconvenient and did not meet the needs of either Louis XIV or the court.

Fourth Chapel Royal

King Louis XIV at prayer in the fourth chapel; Credit – Wikipedia

When the north wing of the Palace of Versailles was constructed, a new chapel royal was built in 1682. When the fourth chapel was constructed, a balcony-like, upper level, was built where the king and select members of the royal family and the court heard daily Mass. The fourth chapel royal remained in use until 1710 and it was here that many important religious events of the court and royal family during the reign of Louis XIV occurred.

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The Fifth Chapel Royal

Credit – Par Nono vlf — Travail personnel, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=76828541

The Chapel Royal that is seen today at the Palace of Versailles was created by King’s Architect Jules Hardouin-Mansart. From 1677 until his death in 1708, Hardouin-Mansart worked on the expansion of the Palace of Versailles, including the famous Hall of Mirrors. He was also responsible for other major projects during Louis XIV’s reign including Les Invalides in Paris, and the Place des Victoires and Place Vendôme, squares in Paris.

The current Chapel Royal was built near the corner formed by the wing of the King’s Grand Apartment and the north wing of the Palace of Versailles. Construction started in 1689 but was soon stopped due to the Nine Years’ War (1688 – 1697) between France and a European coalition. In 1699, construction resumed and Hardouin-Mansart continued working on the chapel until his death in 1708. His brother-in-law Robert de Cotte finished the construction. On June 5, 1710, the Royal Chapel was consecrated by Cardinal Louis Antoine de Noailles, Archbishop of Paris. The Royal Chapel was dedicated to Saint Louis IX, King of France (reigned 1226 – 1270), the patron saint of the House of Bourbon and the ancestor of King Louis XIV. Until the French Revolution, the Chapel Royal was the religious center of the French court.

The Chapel Royal is a traditional two-story palace church. The upper level, the royal tribune, a balcony lined with Corinthian columns, overlooks the nave of the chapel. This was where the King and his family sat. The royal tribune can be entered directly from the north wing of the palace through a vestibule known as the Chapel Hall. Originally, the Chapel Royal contained stalls, a pulpit, confessionals, and furniture for the use of the King and his family. Today, only the altars and the organ remain.

The Floor

The floor of the nave; Credit – Par Lionel Allorge — Travail personnel, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15557485

The floor of the nave is paved with multi-colored marble. At the foot of the steps to the altar is a crowned monogram of two intertwined letter Ls for Saint Louis IX, the patron of the Chapel Royal, and King Louis XIV, the builder of the Royal Chapel. This can be seen in the photo above, at the bottom, although it is upside down.

The Paintings

God the Father in His Glory Bringing to the World the Promise of Redemption, painted by Antoine Coypel: Credit – Par Jebulon — Travail personnel, CC0, https://commons.wikimedia.org/w/index.php?curid=20081779

Above, the painting on the ceiling of the nave is entitled God the Father in His Glory Bringing to the World the Promise of Redemption, painted by Antoine Coypel.

Charles de la Fosse’s The Resurrection of Christ; Credit – Par Brian Jeffery Beggerly — originally posted to Flickr as IMG_5327, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=11700443

Above, the half-dome of the apse is decorated with Charles de la Fosse‘s The Resurrection of Christ.

Jean Jouvenet’s The Descent of the Holy Spirit upon the Blessed Virgin Mary and the Apostles; Credit – Par Lionel Allorge — Travail personnel, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15557787

Above, over the royal tribune is Jean Jouvenet‘s The Descent of the Holy Spirit upon the Blessed Virgin Mary and the Apostles.

Altars

The High Altar; Credit – By Zairon – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=70191334

The altarpiece over the high altar is a gilt bronze bas-relief of The Lamentation of the Dead Christ by French sculptor Corneille Van Clève (link in French).

One of the side altars; Credit – By Lionel Allorge – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15557313

The nine other altars in the Chapel Royal were consecrated to the Blessed Sacrament, the Blessed Virgin Mary, and to the main patron saints of the royal family: Saint Louis of France, Saint Anne, Saint Teresa of Avila, Saint Philip the Apostle, Saint Charles Borromeo, Saint Victoire, and Saint Adelaide of Burgundy.

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Royal Events

The view from the royal tribune where the King and the royal family heard daily Mass

At 10:00 every morning, the King’s Mass was said in the Chapel Royal and attended by the court. The King and his family sat in the royal tribune, a balcony that overlooked the nave of the chapel. The ladies of the court sat in the side tribunes, the side balconies. Seated below in the nave were other members of the court.

Te Deums, short religious services of blessing or thanks, were sung to celebrate military victories and the births of children. Ceremonies of the Order of the Holy Spirit, a French order of chivalry founded by King Henri III in 1578, and baptisms and weddings of princes and princesses were held in the Chapel Royal.

Among the baptisms held at the Chapel Royal were those of five future Kings of France: Louis XV, Louis XVI, Louis XVIII, Charles X, and Louis-Philippe I, and two future titular Kings of France: Louis-Charles, Dauphin of France (Louis XVII, son of Louis XVI) and Louis Antoine, Duke of Angoulême (Louis XIX, son of Charles X). In addition, Felipe V, the first Bourbon King of Spain, born Philippe, Duke of Anjou was baptized at the Chapel Royal. He was the second son of Louis, Le Grand Dauphin, the son and heir of Louis XIV who predeceased his father. Among the funerals held at the Chapel Royal were those of Louis XIV and Louis XV.

Wedding of Louis, Duke of Burgundy, Le Petite Dauphin & Marie Adélaïde of Savoy in the 4th Chapel Royal. King Louis XIV, the grandfather of the groom, can be prominently seen in the middle; Credit – Wikipedia

Note: The Princes of Condé (below) were from the French Princely House of Bourbon-Condé which was a cadet branch of the House of Bourbon. From 1589 – 1709, the Princes of Condé held the rank of premier prince du sang royal (First Prince of the Blood Royal). The Princes of Conti (below) were a cadet branch of the Princely House of Bourbon-Condé.

Among the weddings at the Chapel Royal were:

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • Château du Versailles. 2022. Restoration of the Royal Chapel. [online] Available at: <https://en.chateauversailles.fr/news/life-estate/restoration-royal-chapel/royal-chapel> [Accessed 22 January 2022].
  • Château du Versailles. 2022. The Royal Chapel – The Palace of Versailles. [online] Available at: <https://en.chateauversailles.fr/discover/estate/palace/royal-chapel> [Accessed 22 January 2022].
  • De.wikipedia.org. 2022. Schlosskapelle (Versailles) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Schlosskapelle_(Versailles)> [Accessed 22 January 2022].
  • En.wikipedia.org. 2022. Chapels of Versailles – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Chapels_of_Versailles> [Accessed 22 January 2022].
  • En.wikipedia.org. 2022. Palace of Versailles – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Palace_of_Versailles> [Accessed 22 January 2022].
  • Fr.wikipedia.org. 2022. Chapelle royale de Versailles — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Chapelle_royale_de_Versailles> [Accessed 22 January 2022].
  • Fr.wikipedia.org. 2022. Château de Versailles — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Ch%C3%A2teau_de_Versailles> [Accessed 22 January 2022].

Basilica of Saint-Denis in Saint-Denis, France

by Susan Flantzer
© Unofficial Royalty 2022

Basilica of Saint-Denis; Credit – © Susan Flantzer

The Basilica of Saint-Denis, which this writer has visited, is a Roman Catholic church in the Paris suburb of Saint-Denis, France. The current Gothic cathedral was built in the 12th century. The Kings of France and their families were buried for centuries at the Basilica of Saint-Denis and it is often referred to as the “royal necropolis of France.” The remains of all but three monarchs of France from the 10th century until 1789 are interred at the Basilica of Saint-Denis. The basilica is named after Saint Denis, a patron saint of France, who became the first Bishop of Paris in the third century. He was decapitated on the hill of Montmartre and is said to have carried his head to the site of the current church, indicating where he wanted to be buried.

Saint Denis holding his head – Notre Dame de Paris; Credit – Wikipedia

A shrine-mausoleum was erected on the site of Saint Denis’ grave in about 313 AD. It was enlarged into a basilica with the addition of tombs and monuments and became a place of pilgrimage during the fifth and sixth centuries. Dagobert, King of the Franks (reigned 628 to 637) re-founded the church as the Abbey of Saint-Denis, a Benedictine monastery, and commissioned a new shrine to house Saint Denis’ remains. Abbot Suger (lived c. 1081 – 1151), a confidant of French kings and Abbot of Saint-Denis from 1122, began work around 1135 to rebuild and enlarge the Abbey of Saint-Denis into the Gothic cathedral we see today.

The interior of the Basilica of St. Denis; Credit – By Rita1234 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=8784509

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Coronations of the Queen of France

The Coronation in Saint-Denis of Marie de Medici by Peter Paul Rubens; Credit – Wikipedia

Not all Queens of France, wives of the Kings of France, were crowned. A queen’s coronation could take place years after her marriage or her husband’s accession to the throne. Queens of France were crowned either together with their husband at Notre-Dame de Reims, or alone at Sainte-Chapelle or the Basilica of Saint-Denis. Marie de Medici, the wife of King Henri IV, was the last of Queen of France to be crowned. She was crowned ten years after her marriage and her husband was assassinated the day after her coronation.

The Queens of France who were crowned at the Basilica of Saint-Denis include the following:

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Destruction and Restoration

Violation of the royal tombs of Saint-Denis by Hubert Robert (Musée Carnavalet, Paris); Credit – https://uk.tourisme93.com/basilica/desecration-of-the-royal-tombs.html

During the French Revolution, the remains of French royals were desecrated and some tombs and effigies were destroyed. By the decree on August 1, 1793, the National Convention ordered: “The tombs and mausoleums of the former kings, mounted in the Church of Saint-Denis, in temples and in other places, across the entire Republic, will be destroyed.”  This occurred systematically from August 1793 – October 1793. The remains of 46 kings, 32 queens, and 63 other royals were thrown into two large pits in the monks’ cemetery adjacent to the Basilica of  Saint-Denis and covered in quicklime and soil. A combination of seventy effigies and tombs were saved because of the efforts of archaeologist Alexandre Lenoir who claimed them as artworks for his Museum of French Monuments.

Crypt where Louis VII, Louis de Lorraine, Louis XVI, Marie-Antoinette, and Louis XVIII are buried at Saint-Denis; Credit – By Fbrandao.1963 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=64407677

Napoleon I, Emperor of the French reopened the Basilica of Saint-Denis in 1806 but left the royal remains in their mass graves. One of the first things King Louis XVIII, a younger brother of the guillotined King Louis XVI, did after the Bourbon Restoration in 1814 was to order a search for the remains of his brother and sister-in-law, King Louis XVI and Queen Marie Antoinette. They had been originally been buried in the cemetery at the Madeleine Church and covered with quicklime. The few remains that were found were reburied at the Basilica of Saint-Denis on January 21, 1815, the twenty-second anniversary of King Louis XVI’s execution.

Door leading to the crypt where the desecrated royal remains were re-interred at Saint-Denis. The large plaques on either side of the door are engraved with the names of those who were re-interred; Credit – © Susan Flantzer

In 1817, King Louis XVIII ordered the mass graves adjacent to the Basilica of Saint-Denis to be opened but due to the damage from the quicklime, identification of the remains was impossible. The remains were collected into an ossuary, a site serving as the final resting place of human skeletal remains, in the crypt of the basilica. Large marble plates on either side of the gated door leading to the crypt are engraved with the names of those whose remains are buried in the crypt. The seventy effigies and tombs that Alexandre Lenoir saved were returned to the Basilica of Saint-Denis and are now mostly in their original places.

Some of the effigies rescued and preserved by archaeologist Alexandre Lenoir; Credit – © Susan Flantzer

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The Heart of Louis-Charles, Dauphin of France, son of King Louis XVI

Louis-Charles, Dauphin of France, son of King Louis XVI and Queen Marie Antoinette, and sometimes called King Louis XVII, died from tuberculosis on June 8, 1795, at the age of ten while imprisoned at the Temple, the remains of a medieval fortress in Paris. He was buried at the Cimetière Sainte-Marguerite in Paris in a grave without any marker. However, before Louis-Charles was buried, an autopsy was performed. Following the tradition of preserving royal hearts, Louis-Charles’s heart was removed and smuggled out during the autopsy by Dr. Philippe-Jean Pelletan, a royalist, who then preserved the heart in alcohol. After the Bourbon Restoration in 1815, Dr. Pellatan offered the heart to Louis-Charles’ paternal uncle King Louis XVIII but he refused because he could not bring himself to believe that it was the heart of his nephew. Following the July Revolution in 1830, Dr. Pelletan’s son found the heart in the remnants of a looted palace and placed it in the crystal urn where it still resides. After the death of Dr. Pelletan’s son in 1879, Eduard Dumont, a relative of Dr. Pelletan’s wife, took possession of the heart.

Louis-Charles’ heart in the crystal urn; Photo Credit – © Susan Flantzer

In 1895, Carlos, Duke of Madrid, the Legitimist claimant to the French throne, accepted the heart from Eduard Dumont. The heart was kept at Schloss Frohsdorf near Vienna, Austria. Upon the death of his father Carlos, Duke of Madrid in 1909, Jaime, Duke of Madrid, the next Legitimist claimant to the French throne, inherited the heart and gave it to his sister Beatriz.

During World War II, Schloss Frohsdorf suffered damage and the heart was rescued by descendants of Carlos, Duke of Madrid and ultimately came into the possession of his granddaughter Princess Marie des Neiges Massimo. In 1975, the princess offered the heart to the Memorial of Saint-Denis in Paris, the organization that oversees the royal graves at the Basilica of St. Denis. The heart was placed in an underground crypt at the basilica where the remains of French royals that were desecrated during the French Revolution were subsequently interred.

In 2004, DNA tests using mitochondrial DNA proved the heart really did belong to Louis-Charles. Comparison samples were taken from descendants of Marie Antoinette’s sisters, members of the Bourbon-Parma family including Queen Anne of Romania who was born a Princess of Bourbon-Parma, and a strand of Marie Antoinette’s hair. With the approval of the French government, the Legitimists organized a ceremony at the Basilica of St. Denis on June 8, 2004, the 209th anniversary of Louis-Charles’ death. His heart was placed in a niche near the graves of his parents Louis XVI and Marie Antoinette whose remains were transferred to the basilica in 1815.

The resting place of Louis-Charles’ heart; Photo Credit – © Susan Flantzer

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Royal Burials

*Unofficial Royalty article

https://fr.wikipedia.org/wiki/Liste_des_personnes_enterr%C3%A9es_dans_la_basilique_Saint-Denis

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • Basilique cathédrale de Saint-Denis. 2022. Basilique cathédrale de Saint-Denis. [online] Available at: <http://www.saint-denis-basilique.fr/en/> [Accessed 14 March 2022].
  • En.wikipedia.org. 2022. Basilica of Saint-Denis – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Basilica_of_Saint-Denis> [Accessed 14 March 2022].
  • Flantzer, Susan, 2018. French Royal Burial Sites – House of Bourbon, House of Bonaparte, House of Orléans. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/current-monarchies-article-index/french-royal-index/french-burial-sites-house-of-bourbon-house-of-bonaparte-house-of-orleans/> [Accessed 14 March 2022].
  • Flantzer, Susan, 2019. French Royal Burial Sites – House of Valois. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/french-royal-burial-sites-house-of-valois/> [Accessed 14 March 2022].
  • Fr.wikipedia.org. 2022. Basilique Saint-Denis — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Basilique_Saint-Denis> [Accessed 14 March 2022].
  • Fr.wikipedia.org. 2022. Liste des personnes enterrées dans la basilique Saint-Denis — Wikipédia. [online] Available at: <https://fr.wikipedia.org/wiki/Liste_des_personnes_enterr%C3%A9es_dans_la_basilique_Saint-Denis> [Accessed 14 March 2022].

Theatinerkirche St. Kajetan (Theatine Church of St. Cajetan) in Munich, Germany

by Susan Flantzer
© Unofficial Royalty 2022

Theatinekirche; Photo Credit – © Susan Flantzer

The Theatinerkirche St. Kajetan (Theatine Church of St. Cajetan), which this writer has visited, is a Roman Catholic church located in Munich in the German state of Bavaria. The church was founded by Ferdinand Maria, Elector of Bavaria (reigned 1651 to 1679) and his wife Henriette Adelaide of Savoy, in gratitude for the birth of a long-awaited male heir. Ferdinand Maria and Henriette Adelaide had married in 1650. Henriette Adelaide had a daughter in 1660, a stillbirth in 1661, and finally gave birth to a male heir, the future Maximilian II Emanuel, Elector of Bavaria, in 1662, twelve years after her marriage.

The Theatinekirche has two patron saints. Gaetano dei Conti di Thiene (1480 – 1547), known as Saint Cajetan, was an Italian Catholic priest and co-founder of the Theatine Order and was canonized as a saint in 1671. Saint Adelaide (Adelheid) of Italy (931 – 999) (also known as Saint Adelaide of Burgundy) was the wife of Otto I, Holy Roman Emperor. Adelaide was devoted to charitable work and supported the founding of monasteries. Because of her charity, Adelaide was widely revered after her death and was canonized in 1097.

Italian architect Agostino Barelli introduced Italian Baroque architecture to Bavaria with his design for the Theatinekirche. The design was modeled after the mother church of the Theatine Order, Sant’Andrea della Valle in Rome. Construction began in 1663. Barelli completed the shell of the church and left Munich in 1674 because of arguments with the site manager Antonio Spinelli and Henriette Adelaide’s confessor. The incomplete church was consecrated in 1675. Barelli’s successor as the chief architect of the Bavarian court, Enrico Zuccalli, actually Johann Heinrich Zuccalli, a Swiss architect, added the two towers which were not in the original plans, from 1684 -1692. The interior was completed in 1688 and the dome in 1690. For a long time, the outer facade of the Theatinerkirche remained unfinished. Despite many discussions, no agreement was reached. Finally, in 1765, the Bavarian court architect François de Cuvilliés the Elder designed a facade in the Rococo style which his son François de Cuvilliés the Younger completed.

During World War II, the Theatinekirche was bombed four times by the Allied Forces and suffered great damage. An altarpiece by Italian painter Antonio Zanchi was destroyed, along with the choir (the area between the nave and the sanctuary), the altar, and the south chapel. Reconstruction began in 1946 and was completed enough by 1955 to allow church services to resume.

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Interior of the Theatinekirche

Photo Credit – © Susan Flantzer

Stucco Decorations

Stucco decorations; Credit – By marsupium photography – https://www.flickr.com/photos/hagdorned/10382855675/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=57528584

The interior of the Theatinekirche is richly decorated with stucco in the Baroque and Rococo styles with Corinthian columns decorated with acanthus leaves, ornaments, and religious figures.

The Pulpit

The pulpit; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62189862

The 1686 black oak pulpit is the work of Austrian sculptor Andreas Faistenberger (link in German).

The High Altar

The high altar; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62189854

Before the World War II bombing, over the high altar hung a 1675 painting (below) by Italian painter Antonio Zanchi that depicted the patron saints of the church St. Cajetan and St. Adelaide, the founders of the church Ferdinand Maria, Elector of Bavaria and his wife Henriette Adelaide of Savoy with their children, and two pages holding a model of the Theatinekirche. Sadly, the painting was destroyed during a bombing in 1944.

A draft of Antonio Zanchi’s destroyed painting: Credit – Wikipedia

The high altar now contains a 1646 painting (below) by Flemish painter Gaspar de Crayer showing an enthroned Mary holding the infant Jesus surrounded by saints.

Gaspar de Crayer’s painting; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62189858

Statues of the Four Evangelists

The statues of the four evangelists on the high altar can be seen in this photo; Credit – Von © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62189657

In 1722, Bavarian sculptor Balthasar Ableithner (link in German) created the larger-than-life statues of the four evangelists, Matthew, Mark, Luke, and John, which were placed around the high altar. Only the statues of Mark and John survived the World War II bombing intact. The statue of Luke was able to be reconstructed. A new statue of Matthew was created by Italian sculptor Giuseppe Ducrot and placed on the altar in 2017.

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July 11, 2011: Requiem Mass for Otto von Habsburg

 

Otto von Habsburg, the last Crown Prince of Austria and later in his long life, a member of the European Parliament, was the eldest and the longest surviving of the eight children of Karl I, the last Emperor of Austria and his wife Zita of Bourbon-Parma. Otto and his wife Regina of Saxe-Meiningen lived at Villa Austria in Pöcking, Bavaria, Germany, and Otto died there on July 4, 2011, aged 98. Multiple requiem masses were celebrated for Otto von Habsburg including one at the Theatinekirche in Munich, in Bavaria, Germany.

On July 11, 2011, a requiem mass was celebrated in the Theatinekirche by Cardinal Reinhard Marx and his predecessor Cardinal Friedrich Wetter. Munich’s Chief Rabbi Steven Langnas recited a Jewish funeral prayer. At the end of the requiem mass, the “Kaiserhymne” (Emperor’s Hymn), the old Austrian imperial anthem, was sung.

The requiem mass was screened on big screens at the Odeonsplatz, the large square in front of the Theatine Church, and was broadcast by Bavarian Television. Following the requiem mass, the Prime Minister of Bavaria Horst Seehofer hosted a reception for 700 invited guests in the Kaisersaal of the Munich Residenz, the former royal palace of the Wittelsbachs. Among the royalty and nobility attending the requiem mass and reception were Otto von Habsburg’s seven children: Andrea von Habsburg (born 1953), Monika von Habsburg (born 1954, twin of Michaela), Michaela von Habsburg (born 1954, twin of Monika), Gabriela von Habsburg (born 1956), Walburga von Habsburg (born 1958), Karl von Habsburg (born 1961), and Georg von Habsburg (born 1964). Also attending were members of the House of Wittelsbach – Prince Luitpold of Bavaria, Prince Max, Duke in Bavaria and his wife Princess Elisabeth, Duchess in Bavaria – and Gloria, Princess Dowager of Thurn and Taxis.

On July 16, 2011, following a requiem mass at St. Stephen’s Cathedral in Vienna, Austria, Otto was interred in the Crypt Chapel of the Imperial Crypt at the Capuchin Church in Vienna, the traditional burial site of the House of Habsburg. His mother Zita of Bourbon-Parma was interred in the Crypt Chapel in 1989. At the time of his burial, Otto’s wife Regina who died in 2010, was also interred in the Crypt Chapel.

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Royal Burials

Coffins in the Princely Crypt of the Theatinekirche; Photo Credit – © Susan Flantzer

Besides the Theatinerkirche, rulers of the House of Wittelsbach have been interred at the Frauenkirche (Church of Our Lady) in Munich, Michaelskirche (St. Michael’s Church in Munich, and Andechs Abbey in Andechs. In 1977, Albrecht, Duke of Bavaria, Head of the House of Wittelsbach and pretender to the former Bavarian throne from 1955 until his death in 1996, set up a Wittelsbach private family cemetery near Andechs Abbey due to the lack of space in the other Wittelsbach burial sites. The cemetery complex is now the main burial place of the Wittelsbach family.

The Theatine Church has two burial areas.

The side chapel with the tombs of Maximilian II, King of Bavaria (on left) and Marie Friederike of Prussia, Queen of Bavaria (on right); Credit – By User:Mattes – Self-photographed, CC BY 2.0 de, https://commons.wikimedia.org/w/index.php?curid=40079208

Interred in stone sarcophagi in a side chapel of the main nave:

Sign for the Princely Crypt; Photo Credit – © Susan Flantzer

When I visited the Theatinekirche, my husband did not want to pay the two euros admission to the Princely Crypt, and so I went into the crypt alone – just me and 47 coffins of members of the House of Wittelsbach – no one else was there. Being alone was a fairly creepy experience. I looked around, took photos, and exited quickly!

A view of the dark and creepy (if you are alone!) Princely Crypt; Photo Credit – © Susan Flantzer

Interred in the Princely Crypt:

  • Luise Margarete Antonie of Bavaria (1663 – 1665) – daughter of Ferdinand Maria, Elector of Bavaria
  • Ludwig Amadeus Viktor of Bavaria (born and died 1665) – son of Ferdinand Maria, Elector of Bavaria
  • Stillborn son (1666) – son of Ferdinand Maria, Elector of Bavaria
  • Kajetan Maria Franz of Bavaria (born and died 1670) – son of Ferdinand Maria, Elector of Bavaria
  • Henriette Adelaide of Savoy, Electress of Bavaria (1636 – 1676) – wife of Ferdinand Maria, Elector of Bavaria
  • Ferdinand Maria, Elector of Bavaria (1636 – 1679)
  • Leopold Ferdinand of Bavaria (born and died 1689) – son of Maximilian II Emanuel, Elector of Bavaria
  • Anton of Bavaria (born and died 1690) – son of Maximilian II Emanuel, Elector of Bavaria
  • Wilhelm of Bavaria (1701 – 1704) – son of Maximilian II Emanuel, Elector of Bavaria
  • Alois of Bavaria (1702 – 1705) – son of Maximilian II Emanuel, Elector of Bavaria
  • Maximilian Emanuel Thomas (1704 – 1709) – son of Maximilian II Emanuel, Elector of Bavaria
  • Maximiliana Maria of Bavaria (born and died 1723) – daughter of Karl VII, Holy Roman Emperor, Elector of Bavaria
  • Maximilian II Emanuel, Elector of Bavaria (1662 – 1726)
  • Therese Kunigunde of Poland, Electress of Bavaria (1676 – 1730) – 2nd wife of Maximilian II Emanuel, Elector of Bavaria
  • Josef Ludwig of Bavaria (1728 – 1733) – son of Karl VII, Holy Roman Emperor, Elector of Bavaria
  • Maximilian Joseph Franz of Bavaria (1720 – 1738) – son of Ferdinand Maria Innocenz of Bavaria and grandson of Maximilian II Emanuel, Elector of Bavaria
  • Ferdinand Maria Innozenz of Bavaria (1699 – 1738) – son of Maximilian II Emanuel, Elector of Bavaria
  • Karl VII, Holy Roman Emperor, Elector of Bavaria (1697 – 1745)
  • Maria of Bavaria (born and died 1748)
  • Unnamed prince (born and died 1753)
  • Maria Anna of Bavaria (born and died 1754)
  • Unnamed prince (born and died 1755)
  • Maria Amalia of Austria, Holy Roman Empress (1701 – 1756) – wife of Karl VII, Holy Roman Emperor
  • Clemens Franz de Paula of Bavaria (1722 – 1770) – son of Ferdinand Maria Innocenz of Bavaria and grandson of Maximilian II Emanuel, Elector of Bavaria
  • Maria Anna of Bavaria, Margravine of Baden-Baden (1734 – 1776) – daughter of Karl VII, Holy Roman Emperor, wife of Ludwig Georg, Margrave of Baden-Baden
  • Maximilian III Joseph, Elector of Bavaria (1727 – 1777)
  • Maria Anna of Pfalz-Sulzbach, Princess of Bavaria (1722 – 1790), wife of Clemens Franz de Paula of Bavaria
  • Maria Anna Sophia of Saxony, Electress of Bavaria (1728 – 1797) – wife of Maximilian III Joseph, Elector of Bavaria
  • Karl Theodor, Elector of Bavaria (1724 – 1799)
  • Maximilian Joseph Karl Friedrich of Bavaria (1800 – 1803) – son of Maximilian I Joseph, King of Bavaria
  • Maximiliana Josephe Karoline of Bavaria (1810 – 1821) – daughter of Maximilian I Joseph, King of Bavaria

Tombs of Maximilian I Joseph, King of Bavaria and his 2nd wife Caroline of Baden, Queen of Bavaria; Photo Credit – © Susan Flantzer

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This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2022. Theatinerkirche (München) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Theatinerkirche_(M%C3%BCnchen)> [Accessed 6 January 2022].
  • En.wikipedia.org. 2022. Death and Funeral of Otto von Habsburg – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Death_and_funeral_of_Otto_von_Habsburg> [Accessed 6 January 2022].
  • En.wikipedia.org. 2022. Theatine Church, Munich – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Theatine_Church,_Munich> [Accessed 6 January 2022].
  • Mehl, Scott, 2012. Royal Burial Sites of the Kingdom of Bavaria. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/german-royal-burial-sites/royal-burial-sites-of-the-kingdom-of-bavaria/> [Accessed 6 January 2022].
  • Theatinerkirche.de. 2022. Theatinerkirche München. [online] Available at: <http://www.theatinerkirche.de/> [Accessed 6 January 2022].

Michaelskirche (St. Michael’s Church) in Munich, Germany

by Susan Flantzer
© Unofficial Royalty 2022

Michaelskirche in Munich; Credit – By Andrew Bossi – Own work, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=2918246

Michaelskirche (St. Michael’s Church), which this writer has visited, is a Roman Catholic church located in Munich in the German state of Bavaria. The patron of the church is Saint Michael the Archangel. In 1556, Albrecht V, Duke of Bavaria granted the Jesuit Order permission to establish a school in Munich which is still in existence and known as the Wilhelmsgymnasium. A church was to be built in conjunction with the founding of the Jesuit school. However, the school and the church did not get beyond the planning stage during Albrecht V’s lifetime.

Neuhauser Street and Michaelskirche, 1830s; Credit – Wikipedia

Eventually, the school and church were built during the reign of Albrecht V’s son and successor Wilhelm V, Duke of Bavaria, hence the name of the school, Wilhelmsgymnasium. Wilhelm V had received a Jesuit education and was a strong supporter of the Counter-Reformation, the Roman Catholic Church’s reaction to the Protestant Reformation. The Michaelskirche, built in the Renaissance architectural style, and the school built from 1583 – 1597 were spiritual centers of the Counter-Reformation. With the abolition of the Jesuit order in 1773, Michaelskirche and Wilhelmsgymnasium came into the possession of the House of Wittelsbach. After the end of the Kingdom of Bavaria in 1918, the church passed into the possession of the State of Bavaria. In 1921, the pastoral care of Michaelskirche returned to the Jesuit Order.

After the severe damage caused by bombings during World War II, Michaelskirche was renovated and then rededicated at Pentecost in 1953. Most recently, the interior was renovated from 1980 – 1983 for the 400th anniversary. From 2009 to 2013, the facade including the statues was renovated.

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The Facade of Michaelskirche

The facade of Michaelskirche; Credit – Credit – By Luidger – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=718322

The large, impressive facade of Michaelskirche has bronze statues of Wilhelm V, Duke of Bavaria and earlier rulers of the Bavarian House of Wittelsbach in the form of a family tree. A large bronze statue between the two entrances shows Saint Michael the Archangel battling Lucifer. The statue was made by Dutch sculptor Hubert Gerhard.

Saint Michael the Archangel vanquishing Lucifer; Credit – By pingnews.com – Sculpture in Munich, Germany, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=97462767

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The Interior of Michaelkirche

The interior of Michaelskirche; Photo Credit – © Susan Flantzer

The main altarpiece has a painting of Saint Michael the Archangel fighting Lucifer by Bavarian painter Christoph Schwarz.

The main altar; Photo Credit – © Susan Flantzer

The church contains the 1830 monument by Danish sculptor Bertel Thorvaldsen to Eugène de Beauharnais who is interred in the crypt. Eugène was the son of Josephine de Beauharnais, Napoleon Bonaparte’s first wife, and her first husband Alexandre de Beauharnais, who was executed by guillotine during the French Revolution. Eugène de Beauharnais marrried Princess Auguste of Bavaria, daughter of King Maximilian I Joseph of Bavaria, and was created Duke of Leuchtenberg.

The monument by Danish sculptor Bertel Thorvaldsen to Eugène de Beauharnais; Photo Credit – © Susan Flantzer

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The Princely Crypt

Sign with a photo of King Ludwig II at the entrance to the Princely Crypt; Photo Credit – © Susan Flantzer

The House of Wittelsbach ruled as Dukes, Electors, and Kings of Bavaria from 1180 until 1918. A princely crypt was in the original plans of Michaelskirche. Wilhelm V, Duke of Bavaria was buried in the crypt at his request, as was his son Maximilian I, Elector of Bavaria.

Stairs down to the Princely Crypt; Photo Credit – © Susan Flantzer

The best-known Bavarian ruler interred at Michaelskirche is Ludwig II, King of Bavaria, the builder of Neuschwanstein Castle who died in 1886 under mysterious circumstances. Ludwig’s brother Otto, King of Bavaria is also interred at Michaelskirche.

Tomb of Ludwig II, King of Bavaria; Photo Credit – © Susan Flantzer

Besides Michaelskirche, rulers of the House of Wittelsbach have been interred at the Theatinerkirche St. Kajetan (Theatine Church of St. Cajetan) in Munich, the Frauenkirche (Church of Our Lady) in Munich, and the Andechs Abbey in Andechs. In 1977, Albrecht, Duke of Bavaria, Head of the House of Wittelsbach and pretender to the former Bavarian throne from 1955 until his death in 1996, set up a Wittelsbach private family cemetery near Andechs Abbey due to the lack of space in the other Wittelsbach burial sites. The cemetery complex is now the main burial place of the Wittelsbach family.

The following members of the House of Wittelsbach are interred in the crypt:

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2022. St. Michael (München) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/St._Michael_(M%C3%BCnchen)> [Accessed 28 February 2022].
  • En.wikipedia.org. 2022. St. Michael’s Church, Munich – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/St._Michael%27s_Church,_Munich> [Accessed 28 February 2022].
  • Mehl, Scott, 2012. Royal Burial Sites of the Kingdom of Bavaria. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/german-royal-burial-sites/royal-burial-sites-of-the-kingdom-of-bavaria/> [Accessed 28 February 2022].
  • St-michael-muenchen.de. 2022. St. Michael – die Jesuitenkirche in der Münchner Innenstadt. [online] Available at: <https://www.st-michael-muenchen.de/index.php> [Accessed 28 February 2022].

Frauenkirche (Church of Our Lady) in Munich, Germany

by Susan Flantzer
© Unofficial Royalty 2022

Frauenkirche in Munich, Bavaria, Germany; By Diliff – CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=5825439

The Frauenkirche (Church of Our Lady) also called Münchner Dom (Munich Cathedral), which this writer has visited, is a Roman Catholic church and the cathedral church of the Archbishop of Munich located in Munich, the capital of the German state of Bavaria.

Frauenkirche in 1870 looking toward the main altar; Credit – Wikipedia

In the 12th century, a Romanesque church was built on the site replacing an earlier church. This new church served as a second parish in Munich following the older Alter Peter Church. A new late Gothic cathedral commissioned by Sigismund, Archduke of Austria and the people of Munich, was erected in the 15th century. The cathedral was built from 1468 – 1488 by bricklayer and architect Jörg von Halsbach. Red brick was chosen as the building material for financial reasons and because there was no nearby rock quarry. The cathedral was consecrated In 1494 but the towers were not completed until 1525.

Frauenkirche in ruins after World War II. The steps led to the main altar; Credit – https://www.muenchner-dom.de/die-kathedrale/geschichte/baugeschichte/

The Frauenkirche was severely damaged by the Allied Forces’ bombing raids during World War II. The roof collapsed, one of the towers was damaged, and much of the interior was destroyed. A major restoration was required and continued until 1994.

Interior of the restored Frauenkirche looking towards the main altar; Credit – By Chabe01 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=64107752

From 1971 – 1972 the main altar area was redesigned according to the reforms and specifications of the Second Vatican Council. From 1989 – 1994, the interior decorations of the original architect Jörg von Halsbach and the oak choir stalls with the sculptures of the original sculptor Erasmus Grasser were reconstructed and new altarpieces were created. Artwork from notable 14th to 18th-century artists like Peter CandidErasmus GrasserJan PolackHans LeinbergerHans Krumpper, and Ignaz Günther replaced the artwork destroyed in the World War II bombing raids.

The main altar; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62161379

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Cenotaph of Ludwig IV, Holy Roman Emperor

The Cenotaph of Ludwig IV, Holy Roman Emperor; Photo Credit – © Susan Flantzer

A cenotaph, an empty tomb erected in honor of a person whose remains are elsewhere, for Ludwig IV, Holy Roman Emperor who died in 1347, stands in the south aisle. The remains of Ludwig IV, Holy Roman Emperor are interred in the Frauenkirche crypt. The cenotaph was the work of sculptor Hans Krumpper (circa 1570 – 1634) who was the chief sculptor to the Bavarian court during the reigns of Wilhelm V, Duke of Bavaria and Maximilian I, Duke of Bavaria.  During the World War II-related restoration of the Frauenkirche in the 1980s, the cenotaph was restored with financial help from the Messerschmitt Foundation whose primary goal is the preservation and maintenance of German cultural monuments.

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The Crypt

The 1971 crypt in the Frauenkirche; Credit – By User: Bbb at wikivoyage shared, CC BY-SA 1.0, https://commons.wikimedia.org/w/index.php?curid=22660042

The crypt we see today was created in 1971 when a larger crypt with exposed brick walls and a concrete beam ceiling was built during World War II-related reconstruction. The coffins of members of the Bavarian House of Wittelsbach were then transferred to new wall niches with grave markers. The House of Wittelsbach ruled as Dukes, Electors, and Kings of Bavaria from 1180 until 1918.

Besides the Frauenkirche, rulers of the House of Wittelsbach have mostly been interred at the Theatinerkirche St. Kajetan (Theatine Church of St Cajetan) in Munich and Michaelskirche (St. Michael’s Church) in Munich, and the Andechs Monastery in Andechs. In 1977, Albrecht, Duke of Bavaria, head of the House of Wittelsbach and pretender to the former Bavarian throne from 1955 until his death in 1996, set up a Wittelsbach family cemetery near Andechs Abbey due to the lack of space in the other Wittelsbach burial sites. The cemetery complex is now the main burial place of the Wittelsbach family.

Burial site of some members of the House of Wittelsbach; Credit – By © José Luiz Bernardes Ribeiro, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62160767

The following members of the House of Wittelsbach are interred in the crypt:

Burial site of Ludwig III, the last King of Bavaria, his wife and five of their children; Photo Credit – © Susan Flantzer

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2021. Frauenkirche (München) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Frauenkirche_(M%C3%BCnchen)> [Accessed 29 December 2021].
  • En.wikipedia.org. 2021. Munich Frauenkirche – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Munich_Frauenkirche> [Accessed 29 December 2021].
  • Muenchner-dom.de. 2021. Der Münchner Dom: Baugeschichte. [online] Available at: <https://www.muenchner-dom.de/die-kathedrale/geschichte/baugeschichte/> [Accessed 29 December 2021].
  • Muenchner-dom.de. 2021. Der Münchner Dom: Home. [online] Available at: <https://www.muenchner-dom.de/> [Accessed 29 December 2021].

St. Stephen’s Cathedral in Vienna, Austria

by Susan Flantzer
© Unofficial Royalty 2022

St. Stephen’s Cathedral; Credit – By Bwag – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=34672766

St. Stephen’s Cathedral, which this writer has visisted, is dedicated to St. Stephen, the first Christian martyr. It is the main church of the Roman Catholic Archdiocese of Vienna, Austria, and the seat of the Archbishop of Vienna. In 1137, construction began on the first St. Stephen’s Church. The church in the Romanesque style, which was probably not completely finished at the time, was consecrated in 1147. A second Romanesque church was constructed from 1200 – 1225. Rudolf IV, Duke of Austria (1339 – 1365) commissioned a major extension of the previous church and also founded the University of Vienna before his early death at age 25.

St. Stephen’s Cathedral survived the bombing raids during World War II. However, on April 12, 1945, during the final days of the war, civilian looters lit fires in nearby shops as the Soviet Army troops entered Vienna. Winds carried the fire to the cathedral, severely damaging the roof and causing it to collapse. Fortunately, protective brick shells built around the pulpit, Holy Roman Emperor Friedrich III’s tomb, and other treasures prevented major damage to the interior except for the 1487 choir stalls which could not be saved. Reconstruction began immediately after the war and St. Stephen’s Cathedral was reopened in 1952.

Double-headed Habsburg eagle on the roof; Credit – Von kodiak – Eigenes Werk, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=1820946

The original wooden roof was replaced by a roof of 230,000 colored glazed tiles in a zig-zag pattern. On the south side of the cathedral, the tiles form the double-headed eagle, a symbol of the Habsburg dynasty, and on the north side, the tiles form the coats of arms of the City of Vienna and the Republic of Austria.

The coats of arms of the Republic of Austria and the City of Vienna; Credit – Von Bwag – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=63314921

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Altars

St. Stephen’s Cathedral has eighteen altars and additional altars in the various chapels. The High Altar and the Wiener Neustadt Altar are the most famous.

The High Altar; Credit – Von Bwag – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=63298940

The High Altar was built from 1641 – 1647 by Johann Jacob Pock (link in German), a stonemason, sculptor, and architect, and by his brother painter Tobias Pock who painted the altarpiece. The High Altar shows the stoning of the cathedral’s patron saint St. Stephen in front of the walls of Jerusalem.

Wiener Neustädter Altar, Sunday panels; Credit – Von Bwag – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=56638264

The Wiener Neustädter Altar made in 1447 is considered the most important altar in the cathedral. It is a pentaptych, a convertible altar with a main shrine, two movable outer and two movable inner wings. On weekdays, the panels are closed and display a painted scene involving 72 saints. On Sundays, the panels are opened showing gilded wooden figures depicting events in the life of the Virgin Mary. Originally, the altar was given as a gift by Holy Roman Emperor Friedrich III to the Cistercian Viktring Abbey. In 1786, the altar was sent to the Cistercian monastery of St. Bernard of Clairvaux, founded by Holy Roman Emperor Friedrich III, in the city of Wiener Neustadt. When the Wiener Neustadt monastery was closed after merging with Heiligenkreuz Abbey in 1885, the altar was sold to St. Stephen’s Cathedral.

Wiener Neustädter Altar weekday panels; Credit – Von Uoaei1 – Eigenes Werk, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=25932276

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Pulpit

Pulpit at St. Stephen’s Cathedral; Credit – Von Bwag – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=66368821

The carved stone pulpit has long been attributed to Austrian sculptor and architect Anton Pilgram but today it is thought that Dutch sculptor Nikolaus Gerhaert van Leyden is more likely to be the carver. The pulpit stands against a pillar in the nave, instead of in the chancel at the front of the church. This placement of the pillar would allow the congregation to better hear the sermon before the advent of microphones and loudspeakers. Beneath the stairs is a stone self-portrait of the sculptor looking out a window. The chisel in the subject’s hand and the stonemason’s signature mark on the shield above the window led to the speculation that it could be a self-portrait of the sculptor.

Stone self-portrait of the sculptor looking out a window; Credit – Von Markus Leupold-Löwenthal – Eigenes Werk, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=3868897

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Tomb of Friedrich III, Holy Roman Emperor

Tomb of Friedrich III, Holy Roman Emperor; Credit – Von Bwag – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=56696439

Friedrich III (1415 – 1493) was Holy Roman Emperor from 1452 until his death. In 1469, he succeeded in obtaining the necessary permissions from Pope Paul II to establish the Diocese of Vienna. Upon his death, Friedrich was interred in the Ducal Crypt at St. Stephen’s Cathedral. In 1463, thirty years before his death, Friedrich commissioned Dutch sculptor Nikolaus Gerhaert van Leyden to build a monumental tomb in St. Stephen’s Cathedral. Van Leyden died in 1473 and the work was completed by Austrian stonemason and sculptor Michael Tichter (link in German). On November 12, 1513, the remains of Friedrich III, Holy Roman Emperor were transferred in a grand ceremony from the Ducal Crypt to the tomb. The tomb lid shows Emperor Friedrich in his coronation regalia surrounded by the coats of arms of all his dominions. The sides of the tomb are decorated with 240 small statues. The tomb is considered a masterpiece of medieval sculptural art.

Depiction of the tomb lid; Credit – Von Georges Jansoone – Selbst fotografiert, CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=1061466

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Royal Events at St. Stephen’s Cathedral

1989 Funeral of Zita of Bourbon-Parma, wife of Karl I, the last Emperor of Austria

This may not be a complete list.

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What is Separate Burial?

A separate burial is a form of partial burial in which internal organs are buried separately from the rest of the body. Separate burials of the heart, viscera (the intestines), and the body were common in the House of Habsburg starting with the death of Ferdinand IV, King of the Romans in 1654 until the death of Archduke Franz Karl in 1878. Ferdinand IV of the Romans (1633 – 1654), son of Holy Emperor Ferdinand III, had a strong devotion to the Blessed Virgin Mary and requested that his heart be interred in the Loreto Chapel at the Augustinekirche in Vienna. This established the tradition of interring the hearts of members of the Habsburg family in a crypt alongside the heart of Ferdinand IV. Until then, the hearts of Habsburgs had mostly been buried with the body in the coffin at the Imperial Crypt in the nearby Capuchin Church in Vienna or in St. Stephen’s Cathedral in Vienna where the entrails of the Habsburgs were traditionally interred. With the death of Ferdinand IV, King of the Romans, it became traditional for the body to be interred in the Imperial Crypt in the Capuchin Church in Vienna, the heart to be placed in an urn in the Herzgruft, the Heart Crypt in the Loreto Chapel of the Augustinerkirche in Vienna, and the entrails to be placed in an urn in the Ducal Crypt of St. Stephen’s Cathedral in Vienna.

After the end of the monarchy in 1918, some members of the Habsburg family resumed the tradition of heart burial but not viscera burial. When Karl I, the last Emperor of Austria, died in 1922, he was not allowed to be buried in the Imperial Crypt in Vienna and instead was buried at the Church of Our Lady of Monte on the island of Madeira in Portugal. His heart remained with his widow Empress Zita until it was interred in the Loreto Chapel of the Muri Monastery in Switzerland in 1971. When Empress Zita died in 1989, her body was buried in the Imperial Crypt at the Capuchin Church in Vienna and her heart was interred with her husband’s heart in the Loreto Chapel of the Muri Monastery in Switzerland. Karl and Zita’s son Otto von Habsburg, the last Crown Prince of Austria, requested that his heart be buried in the crypt of the Benedictine Abbey of Pannonhalma in Hungary. His body was interred in the Imperial Crypt at the Capuchin Church. The body of Otto’s wife Regina of Saxe-Meiningen was also interred in the Imperial Crypt but she requested that her heart be interred in her family’s crypt at Veste Heldburg (link in German) in Heldburg, Germany.

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Royal Burials in the Ducal Crypt

Coffins in the Ducal Crypt; Credit – Von Burkhard Mücke – Eigenes Werk, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=54225621

In the Ducal Crypt (German: Herzogsgruft), located beneath the chancel of St. Stephen’s Cathedral, sixteen bodies of members of the House of Habsburg are buried along with copper urns containing the viscera (intestines) of members of the Habsburg dynasty. When Rudolf IV, Duke of Austria (1339 – 1365) commissioned an extension of the previous church, he also ordered a crypt to be built for his remains. After Rudolf IV, the family of the ruling line of Habsburg Dukes of Austria was buried here. However, after the House of Habsburg became Holy Roman Emperors beginning in 1440, they were buried in various cities as Vienna was not yet the settled seat of the Holy Roman Emperor. After the Imperial Crypt at the Capuchin Church in Vienna opened in 1633, it became the new burial site of the House of Habsburg.

In 1956, the Ducal Crypt was renovated and redesigned, with the coffins moved into the oval crypt space and niches built into the rectangular crypt space, in which the urns with entrails were placed behind gates.

The bodies of the following members of the House of Habsburg are interred in the Ducal Crypt:

  • King Friedrich III of the Romans, Duke of Austria (1289 – 1330), originally buried at Mauerbach Monastery, which he had founded. He was reburied at St. Stephen’s Cathedral after the monastery was dissolved in 1782.
  • Friedrich III, Duke of Austria (1347 – 1362) – son of Albrecht II, Duke of Austria
  • Rudolf IV, Duke of Austria (1339 – 1365) – son of Albrecht II, Duke of Austria
  • Catherine of Bohemia, Duchess of Austria (1342 – 1395) – wife of Rudolf IV, Duke of Austria
  • Albrecht III, Duke of Austria (1348 – 1395) – son of Albrecht II, Duke of Austria
  • Albrecht IV, Duke of Austria (1377 – 1404) – son of Albrecht III, Duke of Austria
  • Wilhelm, Duke of Austria (1370 – 1406) – son of Leopold III, Duke of Austria
  • Leopold IV, Duke of Austria (1371 – 1411) – son of Leopold III, Duke of Austria
  • Duke Georg (born and died 1435) – infant son of Albrecht II, King of the Romans, Duke of Austria
  • Albrecht VI, Archduke of Austria (1418 – 1463) – son of Ernst I, Duke of Austria
  • Archduke Ferdinand of Austria (1551 – 1552) – son of Holy Roman Emperor Maximilian II
  • Eleonora Gonzaga, Holy Roman Empress (1598 – 1655) – second wife of Holy Roman Emperor Ferdinand II, originally buried in the Discalced Carmelites convent she founded in Vienna. In 1782, she was reburied at St. Stephen’s Cathedral after the convent was dissolved.
  • Archduchess Maria of Austria (born and died 1564) – daughter of Holy Roman Emperor Maximilian II
  • Archduke Karl of Austria (1565 – 1566) – son of Holy Roman Emperor Maximilian II
  • Elisabeth of Austria, Queen of France (1554 – 1592) – daughter of Holy Roman Emperor Maximilian II, wife of King Charles IX of France, originally buried at the Convent of Poor Clares Mary, Queen of Angels, also known as the Queen’s Monastery, which she founded in Vienna. In 1782, she was reburied at St. Stephen’s Cathedral after the convent was dissolved.

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A Note About Two Habsburg Rulers

Empress Maria Theresa; Credit – Wikipedia

Empress Maria Theresa: Born Archduchess Maria Theresa of Austria, she was the second and eldest surviving child of Holy Roman Emperor Karl VI. Her only brother died several weeks before she was born and her two younger siblings were sisters. The fact that Maria Theresa’s father did not have a male heir caused many problems. Maria Theresa’s right to succeed to her father’s Habsburg territories in her own right was the cause of the eight-year-long War of the Austrian Succession. Upon her father’s death in 1740, Maria Theresa became the sovereign in her own right of all the Habsburg territories which included Austria, Hungary, Croatia, Bohemia, Transylvania, Mantua, Milan, Lodomeria and Galicia, the Austrian Netherlands, and Parma. However, she was unable to become the sovereign of the Holy Roman Empire because she was female. The Habsburgs had been elected Holy Roman Emperors since 1438, but in 1742 Karl Albrecht, Duke of Bavaria and Prince-Elector of Bavaria from the Bavarian House of Wittelsbach was elected Holy Roman Emperor Karl VII. He died in 1745 and via a treaty Maria Theresa arranged for her husband Francis Stephen, Duke of Lorraine to be elected Holy Roman Emperor. Despite the snub, the formidable Maria Theresa wielded the real power and in reality, ruled the Holy Roman Empire. She is generally referred to by historians simply as Empress Maria Theresa and that is how she is referred to in this article.

Emperor Franz I of Austria, formerly Holy Roman Emperor Franz II; Credit – Wikipedia

Holy Roman Emperor Franz II = Emperor Franz I of Austria: Upon the death of his father Holy Roman Emperor Leopold II in 1792, Franz was elected the last Holy Roman Emperor and reigned as Holy Roman Emperor Franz I. Franz feared that Napoleon Bonaparte could take over his personal Habsburg territories within the Holy Roman Empire, so in 1804 he proclaimed himself Emperor Franz I of Austria and reigned until he died in 1835. Franz’s decision proved to be a wise one. Two years later, after Napoleon’s victory at the Battle of Austerlitz, the Holy Roman Empire was dissolved and lands that had been held by the Holy Roman Emperor were given to Napoleon’s allies creating the Kingdom of Bavaria, the Kingdom of Württemberg, and the Grand Duchy of Baden. Franz is referred to as Emperor Franz I of Austria in this article.

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Royal Viscera Burials

In the foreground are the gated niches with urns containing the viscera of members of the House of  Habsburgs; Credit – By Bwag – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=66345452

Gated niches in the original burial vault outside the entrance to the current burial vault contain the copper urns with the viscera (intestines) of the following members of the House of Habsburg.

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2021. Grabmal Kaiser Friedrichs III. – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Grabmal_Kaiser_Friedrichs_III.> [Accessed 26 December 2021].
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  • De.wikipedia.org. 2021. Wiener Neustädter Altar – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Wiener_Neust%C3%A4dter_Altar> [Accessed 26 December 2021].
  • En.wikipedia.org. 2021. Ducal Crypt, Vienna – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Ducal_Crypt_(Vienna)> [Accessed 26 December 2021].
  • En.wikipedia.org. 2021. St. Stephen’s Cathedral, Vienna – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/St._Stephen%27s_Cathedral,_Vienna> [Accessed 26 December 2021].
  • Jenkins, Simon, 2021. Europe’s 100 Best Cathedrals. Dublin: Penguin Random House.
  • Stephanskirche.at. 2021. Domkirche St. Stephan. [online] Available at: <https://www.stephanskirche.at/> [Accessed 26 December 2021].

Capuchin Church in Vienna, Austria

by Susan Flantzer
© Unofficial Royalty 2022

Capuchin Church in Vienna (Cloister on left, Church in middle, Imperial Crypt on right); Credit – © Susan Flantzer

The Capuchin Church (German: Kapuzinerkirche), a Roman Catholic church in Vienna, Austria, which this writer has visited, contains the Imperial Crypt, the burial site for members of the House of Habsburg. The Imperial Crypt is in the care of the Capuchin monks from the cloister attached to the church. The burial place of the Habsburgs is so unlike the soaring structures containing the other burial sites I have visited and certainly not as grandiose. The Capuchin Church is small and is on a street with traffic, shops, stores, restaurants, and cafes. One cafe is directly across from it. Walking past the church, one would never think the burial place of emperors was there.

The Capuchin Church was founded by Anna of Tyrol and her husband Matthias, Holy Roman Emperor in 1617. Anna of Tyrol had come up with the idea of a Capuchin monastery and burial place for her and her husband and wanted to build it near Hofburg Palace in Vienna. In her will, Anna left funds to provide for the church’s construction. Anna died in December 1618, a year after she had made her will, and her husband Matthias died three months later. The foundation stone was laid in 1622, but the church was not completed and dedicated until 1632 because of the Thirty Years’ War. On Easter of 1633, the two sarcophagi containing the remains of Matthias and Anna were transferred to the Capuchin Church and placed in what is now called the Founders Vault.

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Interior of the Capuchin Church; Credit – Wikipedia

Although there have been renovations over the years, the main part of the church is more like a chapel with one main altar and two side altars. Father Norbert Baumgartner (1710 – 1773), a Capuchin friar at the cloister, painted the three altarpieces.

The High Altar; Credit – By Ricardalovesmonuments – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=69156888

The right side altar is dedicated to St. Felix of Cantalice, the first Capuchin friar to be named a saint.

The right side altar; Credit – By Ricardalovesmonuments – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=69156891

The left side altar is dedicated to St. Anthony of Padua.

The left side altar; Credit – By Ricardalovesmonuments – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=69156894

Two side chapels contrast the simpler church. The Imperial Chapel contains a series of life-size statues of rulers from the House of Habsburg and a high altar with a painting of Mary, Help of Christians. The last heir to the Austro-Hungarian throne, Otto von Habsburg, who died in July 2011, and his wife Regina of Saxe-Meiningen, who died in 2010 but was temporarily interred elsewhere, lay in repose in the Imperial Chapel before their burial in the Imperial Crypt.

The coffins of Otto von Habsburg and his wife Regina of Saxe-Meiningen lying in repose in the Imperial Chapel; Credit – By Gryffindor –  CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=17173925

The Pietà Chapel has a marble altar with a life-size Pietà, created by Austrian sculptor and painter Peter Strudel. The statue was originally in the Imperial Crypt and was moved into the Pietà Chapel at the end of the 18th century. In the floor in front of the altar is the burial place of Blessed Marco d’Aviano, an Italian Capuchin friar beatified by Pope John Paul II in 2003. Marco d’Aviano’s name has often been given to Austrian royals and other Roman Catholic royals. See Wikipedia: Marco d’Aviano Honorary Protection.

The altar in the Pietà Chapel; Credit – By Ricardalovesmonuments – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=69156907

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What is Separate Burial?

A separate burial is a form of partial burial in which internal organs are buried separately from the rest of the body. Separate burials of the heart, viscera (the intestines), and the body were common in the House of Habsburg starting with the death of Ferdinand IV, King of the Romans in 1654 until the death of Archduke Franz Karl in 1878. Ferdinand IV of the Romans (1633 – 1654), son of Holy Emperor Ferdinand III, had a strong devotion to the Blessed Virgin Mary and requested that his heart be interred in the Loreto Chapel at the Augustinekirche in Vienna. This established the tradition of interring the hearts of members of the Habsburg family in a crypt alongside the heart of Ferdinand IV. Until then, the hearts of Habsburgs had mostly been buried with the body in the coffin at the Imperial Crypt in the nearby Capuchin Church in Vienna or in St. Stephen’s Cathedral in Vienna where the entrails of the Habsburgs were traditionally interred. With the death of Ferdinand IV, King of the Romans, it became traditional for the body to be interred in the Imperial Crypt in the Capuchin Church in Vienna, the heart to be placed in an urn in the Herzgruft, the Heart Crypt in the Loreto Chapel of the Augustinerkirche in Vienna, and the entrails to be placed in an urn in the Ducal Crypt of St. Stephen’s Cathedral in Vienna.

After the end of the monarchy in 1918, some members of the Habsburg family resumed the tradition of heart burial but not viscera burial. When Karl I, the last Emperor of Austria, died in 1922, he was not allowed to be buried in the Imperial Crypt in Vienna and instead was buried at the Church of Our Lady of Monte on the island of Madeira in Portugal. His heart remained with his widow Empress Zita until it was interred in the Loreto Chapel of the Muri Monastery in Switzerland in 1971. When Empress Zita died in 1989, her body was buried in the Imperial Crypt at the Capuchin Church in Vienna and her heart was interred with her husband’s heart in the Loreto Chapel of the Muri Monastery in Switzerland. Karl and Zita’s son Otto von Habsburg, the last Crown Prince of Austria, requested that his heart be buried in the crypt of the Benedictine Abbey of Pannonhalma in Hungary. His body was interred in the Imperial Crypt at the Capuchin Church. The body of Otto’s wife Regina of Saxe-Meiningen was also interred in the Imperial Crypt but she requested that her heart be interred in her family’s crypt at Veste Heldburg (link in German) in Heldburg, Germany.

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The Imperial Crypt is entered by descending the stairs marked by a sign “Zur Kaisergruft” (To the Imperial Crypt); Photo Credit – © Susan Flantzer

Underneath the Capuchin Church lies the Imperial Crypt (German: Kaisergruft) which contains nearly 150 tombs of the Habsburg family. Through the years, additional vaults have been added and Capuchin friars still look after the tombs. By tradition, the bodies of the Habsburgs were buried at three locations. The hearts were interred in the Heart Crypt (German: Herzgruft) in the nearby Augustinerkirche in Vienna. The intestines were placed in copper urns in the Ducal Crypt (German: Herzogsgruft) of the Catacombs in St. Stephen’s Cathedral in Vienna. Their bodies were entombed in the Imperial Crypt. All the caskets and tombs in the Imperial Crypt are labeled in German with the identity of the person and the relationship to a Holy Roman Emperor, Emperor of Austria, or Archduke.

Read more about my visit to the Imperial Crypt at Unofficial Royalty: A Visit to the Kaisergruft (Imperial Crypt) in Vienna.

Imperialcryptvault layout

Credit – Wikipedia

A. Founders Vault: is the oldest part of the Imperial Crypt, dating from the original construction of the church which was completed in 1632.
B. Children’s Columbarium: was built in the 1960s and contains the sarcophagi of 12 children who had previously been in either the Founders Vault or the main hall of Leopold’s Vault
C. Leopold’s Vault: was built under the nave of the Capuchin Church beginning in 1657 by Holy Roman Emperor Leopold I following the edict of his father Holy Roman Emperor Ferdinand III that the hereditary burial place of the imperial family would be in the Capuchin Church.
D. Karl’s Vault: was built in 1710 by Holy Roman Emperor Joseph I and extended in 1720 by Holy Roman Emperor Karl VI
E. Maria Theresa’s Vault:  started construction in 1754. It is behind the Capuchin Church with its dome rising into the cloister courtyard.
F. Franz’s Vault: was built in 1824 by former Holy Roman Emperor Franz II, now Emperor Franz I of Austria. The octagonal Franz’s Vault is attached to the right wing of the Maria Theresa Vault.
G. Ferdinand’s Vault: was built in 1842, along with the Tuscan Vault, in conjunction with the reconstruction of the cloister above. There are only two visible sarcophagi but Ferdinand’s Vault contains one-fourth of the Imperial Crypt’s burials, walled up into the corner piers.
H. New Vault: was built between 1960 and 1962 under the monastery grounds as an enlargement to eliminate overcrowding in the other nine vaults, and to provide a climate-controlled environment to protect the metal sarcophagi from further deterioration.
I. Franz Joseph’s Vault: and the adjacent crypt chapel (J) were built in 1908 as part of the celebrations of Emperor Franz Joseph’s 60 years on the throne.
J. Crypt Chapel: The Crypt Chapel was built, along with the Franz Joseph Vault, in 1908. It is usually entered from the south doorway of the Franz Joseph Vault. The most recent burials are here.
K. The Tuscan Vault:  was built in 1842, along with the Ferdinand Vault. This vault takes its name from burials here of the many descendants of the younger sons of Holy Roman Emperor Leopold II, who reigned as Grand Duke of Tuscany from 1765 – 1790, before he became Holy Roman Emperor.

Founders Crypt

Tombs of Holy Roman Emperor Matthias and his wife Anna of Tyrol, Holy Roman Empress; Credit – Von Welleschik – Eigenes Werk, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6619836

Located under the Imperial Chapel, the Founders Crypt is the oldest part of the Imperial Crypt, dating from the original construction of the Capuchin Church. The Founders Crypt cannot be entered by visitors and is visible through a gate from the Leopold Crypt. It contains the two sarcophagi of the founders of the Capuchin Church.

Leopold’s Crypt

Leopold’s Crypt; Photo Credit – © Susan Flantzer

Leopold’s Crypt was built under the nave of the Capuchin Church beginning in 1657 by Holy Roman Emperor Leopold I following the edict of his father Holy Roman Emperor Ferdinand III that the burial place of the House of Habsburg would be at the Capuchin Church.

Children’s Columbarium

Children’s Columbarium; Credit – By Dennis Jarvis from Halifax, Canada – Austria-00826 – Emperor Tomb, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=66921927

In the 1960s, the Children’s Columbarium, twelve niches in the wall of Leopold’s Crypt, was built for the coffins of twelve young children. The coffins were originally in the Founders Crypt or Leopold’s Crypt.

  • Archduke Philipp August of Austria (1637 – 1639) – son of Holy Roman Emperor Ferdinand III
  • Archduke Maximilian Thomas of Austria (born and died 1639) – son of Holy Emperor Ferdinand III
  • Archduchess Theresia Maria of Austria (1652 – 1653) – daughter of Holy Roman Emperor Ferdinand III
  • Archduke Ferdinand Josef of Austria (1657 – 1658) – son of Holy Emperor Ferdinand III
  • Archduke Ferdinand Wenzel of Austria (1667 – 1668) – son of Holy Emperor Leopold I
  • Archduke Johann Leopold of Austria (born and died 1670) – son of Holy Emperor Leopold I
  • Archduchess Maria Anna of Austria (born and died 1672) – daughter of Holy Emperor Leopold I
  • Archduchess Anna Maria Sophia of Austria (born and died 1674) – daughter of Holy Emperor Leopold I
  • Archduchess Maria Josepha (1675 – 1676) – daughter of Holy Emperor Leopold I
  • Archduchess Christina of Austria (born and died 1679) – daughter of Holy Emperor Leopold I
  • Unnamed (born and died 1686) – son of Johann Wilhelm of Pfalz-Neuberg and Archduchess Maria Anna Josepha of Austria and grandson of Holy Roman Emperor Ferdinand III
  • Archduchess Maria Margareta of Austria (1690 – 1691) – daughter of Holy Emperor Leopold I

Karl’s Crypt

Tomb of Karl VI, Holy Roman Emperor; Photo Credit – © Susan Flantzer

What is now known as Karl’s Crypt was first built in 1710 by Holy Roman Emperor Joseph. In 1720, the crypt was enlarged on the orders of Holy Roman Emperor Karl VI. Karl VI’s famous tomb has a death’s head at each corner wearing one of the crowns of his major realms, the Holy Roman Empire, the Kingdom of Bohemia, the Kingdom of Hungary, and the Archduchy of Austria.

Maria Theresa’s Crypt

Tomb of Maria Theresa and her husband with the tomb of their son Holy Roman Emperor Joseph II in the foreground; Credit – By Wotau – Own work, CC BY-SA 3.0 at, https://commons.wikimedia.org/w/index.php?curid=21894136

A Note About Maria Theresa: Born Archduchess Maria Theresa of Austria, she was the second and eldest surviving child of Holy Roman Emperor Karl VI. Her only brother died several weeks before she was born and her two younger siblings were sisters. The fact that Maria Theresa’s father did not have a male heir caused many problems. Maria Theresa’s right to succeed to her father’s Habsburg territories in her own right was the cause of the eight-year-long War of the Austrian Succession. Upon her father’s death in 1740, Maria Theresa became the sovereign in her own right of all the Habsburg territories which included Austria, Hungary, Croatia, Bohemia, Transylvania, Mantua, Milan, Lodomeria and Galicia, the Austrian Netherlands, and Parma. However, she was unable to become the sovereign of the Holy Roman Empire because she was female. The Habsburgs had been elected Holy Roman Emperors since 1438, but in 1742 Karl Albrecht, Duke of Bavaria and Prince-Elector of Bavaria from the Bavarian House of Wittelsbach was elected Holy Roman Emperor Karl VII. He died in 1745 and via a treaty Maria Theresa arranged for her husband Francis Stephen, Duke of Lorraine to be elected Holy Roman Emperor. Despite the snub, the formidable Maria Theresa wielded the real power and in reality, ruled the Holy Roman Empire. She is generally referred to by historians simply as Empress Maria Theresa and that is how she is referred to in this article. Maria Theresa and her husband had sixteen children. Eight of the couple’s children died in childhood and four of the eight died from smallpox.

Construction of the Maria Theresa Crypt started in 1754. It is located behind the Capuchin Church with its dome rising into the monastery courtyard.

Franz’s Crypt

Tomb of Holy Roman Emperor Franz II/Emperor Franz I of Austria; Photo Credit – © Susan Flantzer

Holy Roman Emperor Franz II = Emperor Franz I of Austria: Upon the death of his father Holy Roman Emperor Leopold II in 1792, Franz was elected the last Holy Roman Emperor and reigned as Holy Roman Emperor Franz I. Franz feared that Napoleon Bonaparte could take over his personal Habsburg territories within the Holy Roman Empire, so in 1804 he proclaimed himself Emperor Franz I of Austria and reigned until his death in 1835. Franz’s decision proved to be a wise one. Two years later, after Napoleon’s victory at the Battle of Austerlitz, the Holy Roman Empire was dissolved and lands that had been held by the Holy Roman Emperor were given to Napoleon’s allies creating the Kingdom of Bavaria, the Kingdom of Württemberg, and the Grand Duchy of Baden. Franz is referred to as Emperor Franz I of Austria in this article.

In 1824, Emperor Franz I of Austria built the octagonal Franz’s Crypt attaching it to the Maria Theresa Crypt. The crypt contains the tomb of Franz surrounded by the caskets of his four wives (two died in childbirth, one died of tuberculosis, and one survived him) in the crypt’s corners.

Tomb of Maria Theresa of Naples and Sicily, second wife of Emperor Franz I of Austria and the mother of his children. Maria Theresa died giving birth to her twelfth child who also died; Photo Credit – © Susan Flantzer

Ferdinand’s Crypt

Tomb of Emperor Ferdinand I of Austria; Credit – By Jebulon – Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=19158475

Ferdinand’s Crypt was built in 1842, along with the Tuscan Crypt, during the renovation of the monastery which is above the crypt. Only two sarcophagi, those of Emperor Ferdinand of Austria and his wife Maria Anna of Savoy, are visible, but 25% of the tombs in the Imperial Crypt are interred in the walls of Ferdinand’s Crypt.

Sarcophagi placed in the vault:

Interred in wall niches:

  • Archduchess Ludovica Elisabeth of Austria (1790 – 1791) – daughter of Emperor Franz I of Austria
  • Archduchess Karoline Leopoldine of Austria (1794 – 1795) – daughter of Emperor Franz I of Austria
  • Archduke Alexander Leopold of Austria (1772 – 1795) – son of Holy Roman Emperor Leopold II
  • Archduchess Maria Amalia of Austria (1780 – 1798) – daughter of Holy Roman Emperor Leopold II
  • Archduchess Karoline Louise of Austria (1795 – 1799) – daughter of Emperor Franz I of Austria
  • Luisa of Naples and Sicily, Grand Duchess of Tuscany (1773 – 1802), granddaughter of Empress Maria Theresa, first wife of Ferdinando III, Grand Duke of Tuscany
  • Archduchess Amalie Therese of Austria (born and died 1807) – daughter of Emperor Franz I of Austria
  • Archduke Joseph Franz of Austria (1799 – 1807) – son of Emperor Franz I of Austria
  • Archduke Johann Nepomuk Karl of Austria (1805 – 1809) – son of Emperor Franz I of Austria
  • Archduchess Karoline Ferdinanda of Austria (1793 – 1802), daughter of Grand Duke Ferdinand III of Tuscany and granddaughter of Holy Roman Emperor Leopold II
  • Archduchess Maria Anna of Austria (1835 – 1840) – sister of Emperor Franz Joseph I of Austria
  • Archduchess Maria Karolina of Austria (1821 – 1844) – daughter of Archduke Rainer of Austria and granddaughter of Holy Roman Emperor Leopold II
  • Archduchess Sophie Friederike of Austria (1855 – 1857) – daughter of Emperor Franz Joseph I of Austria
  • Archduchess Maria Anna of Austria (1804 – 1858) – daughter of Emperor Franz I of Austria
  • Archduchess Maria Eleonore of Austria-Teschen (born and died 1864) – daughter of Archduke Karl Ferdinand of Austria-Teschen
  • Maria Ferdinanda of Saxony, Grand Duchess of Tuscany (1796 – 1865) – 2nd wife of Grand Duke Ferdinand III of Tuscany
  • Archduchess Maria Antoinetta of Austria (1858 – 1883) – daughter of Grand Duke Ferdinand IV of Tuscany
  • Archduchess Henriette Maria of Austria (1884 – 1886) – daughter of Archduke Karl Salvator of Austria
  • Archduke Rainer Salvator of Austria (1880 – 1889) – son of Archduke Karl Salvator of Austria
  • Archduchess Stephanie of Austria (1886 – 1890) – daughter of Archduke Friedrich of Austria, Duke of Teschen
  • Archduchess Maria Antonia of Austria (1874 – 1891) – daughter of Archduke Karl Salvator of Austria
  • Archduke Ferdinand Salvator of Austria (1888 – 1891) – son of Archduke Karl Salvator of Austria
  • Archduke Karl Salvator of Austria (1839 – 1892) – son of Leopold II, Grand Duke of Tuscany
  • Archduke Robert Ferdinand (1885 – 1895) – son of Grand Duke Ferdinand IV of Tuscany
  • Archduke Albrecht Salvator of Austria (1871 – 1896) – son of Archduke Karl Salvator of Austria
  • Archduchess Natalie of Austria (1884 – 1898) – daughter of Archduke Friedrich of Austria, Duke of Teschen
  • Archduke Leopold of Austria (1823 – 1898) – son of Archduke Rainer of Austria and grandson of Holy Roman Emperor Leopold II
  • Maria Antonia of the Two Sicilies, Grand Duchess of Tuscany (1814 – 1898) – 2nd wife of Grand Duke Leopold II of Tuscany
  • Maria Immaculata of Bourbon-Two Sicilies, Archduchess of Austria (1844 – 1899) – wife of Archduke Karl Salvator of Austria
  • Archduke Ernst of Austria (1824 – 1899) – son of Archduke Rainer of Austria and grandson of Holy Roman Emperor Leopold II
  • Adelgunde of Bavaria, Duchess of Modena (1823 – 1914) – wife of Francesco V, Duke of Modena
  • Archduchess Marie Caroline of Austria-Teschen (1825 – 1915) – daughter of Archduke Karl, Duke of Teschen and wife of Archduke Rainer Ferdinand of Austria
  • Archduke Ludwig Salvator of Austria (1847 – 1915) – son of Grand Duke Leopold II of Tuscany
  • Archduke Joseph Ferdinand of Austria (1872 – 1942) – son of Grand Duke Ferdinand IV of Tuscany
  • Maria Theresa of Portugal, Archduchess of Austria (1855 – 1944) – 3rd wife of Archduke Karl Ludwig of Austria, brother of Emperor Franz Joseph of Austria
  • Archduke Leopold of Austria (1897 – 1958) – son of Archduke Leopold Salvator of Austria

Tuscan Crypt

Tuscan Crypt; Credit – By Welleschik – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6656990

The Tuscan Crypt was built in 1842 at the same time as the Ferdinand Vault. The vault takes its name from the many descendants of the younger sons of Holy Roman Emperor Leopold II. Leopold reigned as Pietro Leopoldo I, Grand Duke of Tuscany from 1765 – 1790. He abdicated as Grand Duke of Tuscany in favor of his second son Ferdinando when he was elected Holy Roman Emperor.

New Crypt

New Crypt: Photo Credit – © Susan Flantzer

The New Crypt was built under the monastery grounds from 1960 – 1962 to provide more space. The two most famous tombs in the New Vault stand directly across from each other: Empress Marie-Louise of France, daughter of Emperor Franz I of Austria and the second wife of Napoleon I, Emperor of the French and Emperor Maximilian I of Mexico, second son of Archduke Franz Karl and brother of Emperor Franz Joseph. Emperor Maximilian of Mexico was deposed and executed by a firing squad.

Franz Joseph’s Crypt

Left to Right: Tombs of Empress Elisabeth, Emperor Franz Joseph I, and Crown Prince Rudolf; Credit – By Bwag – Own work, CC BY-SA 3.0 at, https://commons.wikimedia.org/w/index.php?curid=28243562

In 1908, Franz Joseph’s Crypt was built along with the adjacent Crypt Chapel in celebration of Emperor Franz Joseph’s sixty years on the throne. Currently, Franz Joseph, with a reign of 67 years and 355 days, is the sixth longest-reigning monarch in history. Along with Franz Joseph’s tomb, the crypt contains the tombs of his wife Elisabeth of Bavaria, known as Sissi, who was assassinated, and their only son Crown Prince Rudolf who died by suicide along with his mistress Baroness Mary Vetsera at his Mayerling hunting lodge.

Crypt Chapel

Crypt Chapel; Photo Credit – © Susan Flantzer

The Crypt Chapel, where the most recent interments have occurred, was built in 1908 along with Franz Joseph’s Crypt. Zita of Bourbon-Parma, the wife of Karl I, the last Emperor of Austria, two of her sons Otto and Carl Ludwig, and Otto’s wife Regina of Saxe-Meiningen are buried here. There is a space reserved for Carl Ludwig’s widow Princesse Yolande de Ligne. The Crypt Chapel contains a memorial to Emperor Karl I, who has been beatified by the Roman Catholic Church and who is buried at the Church of Our Lady of Monte on the island of Madeira, Portugal. There is also a memorial to Archduke Franz Ferdinand and his wife Sophie, Duchess of Hohenberg. Both were assassinated at Sarajevo, an event that was one of the causes of World War I. Franz Ferdinand and his wife are buried at Artstetten Castle in Austria.

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2021. Kaisergruft – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Kaisergruft> [Accessed 22 December 2021].
  • De.wikipedia.org. 2021. Kapuzinerkirche (Wien) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Kapuzinerkirche_(Wien)> [Accessed 22 December 2021].
  • En.wikipedia.org. 2021. Capuchin Church, Vienna – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Capuchin_Church,_Vienna> [Accessed 22 December 2021].
  • En.wikipedia.org. 2021. Imperial Crypt – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Imperial_Crypt> [Accessed 22 December 2021].
  • Flantzer, Susan, 2012. A Visit to the Kaisergruft (Imperial Crypt) in Vienna. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/austrian-imperial-burial-sites/a-visit-to-the-kaisergruft-imperial-crypt-in-vienna/> [Accessed 22 December 2021].
  • Flantzer, Susan, 2012. Burial Sites – House of Habsburg-Lorraine: Emperors of Austria. [online] Unofficial Royalty. Available at: <https://www.unofficialroyalty.com/royal-burial-sites/austrian-imperial-burial-sites/house-of-habsburg-lorraine-emperors-of-austria/> [Accessed 22 December 2021].

Augustinerkirche (Augustinian Church) in Vienna, Austria

by Susan Flantzer
© Unofficial Royalty 2022

The integration of the Augustinerkirche with the Hofburg Palace can be seen in this photo. The church is located below the church tower; Credit – By SchiDD – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=37007074

The Augustinerkirche (Augustinian Church), which this writer has visited, is a Roman Catholic church located in Vienna, Austria, adjacent to the Hofburg Palace, the winter palace of the Habsburgs. Originally built as a separate building, the church became integrated with the Hofburg Palace as the palace expanded over the centuries. The church looks relatively inconspicuous from the outside but it has an impressive interior. The Augustinerkirche is most known for its Herzgruft (Heart Crypt) in the Loreto Chapel where silver urns containing the hearts of Habsburg family members are interred (see below).

Engraving of the image of the original Augustinerkirche (on the left) and the Hofburg Palace (on the right)

In 1327, Friedrich I, Duke of Austria founded a monastery with a church for the Augustinian order of monks. The church was built as a Gothic three-aisled hall church by the Bavarian builder Dietrich Ladtner of Pirna from 1330 – 1339 but it was not consecrated until 1349. In 1634, the Augustinerkirche became the imperial court parish church and remained so until the end of the monarchy in 1918. After the church was named the imperial court parish church, it was renovated in the Baroque style and a tower was added in 1652. During the reign of Holy Roman Emperor Joseph II, eighteen side altars were removed when the church was restored to its original Gothic style by Austrian architect Johann Ferdinand Hetzendorf von Hohenberg (link in German).

The main aisle of the Augustinerkirche; Photo Credit – © Susan Flantzer

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A Note About Two Habsburg Rulers

Empress Maria Theresa; Credit – Wikipedia

Empress Maria Theresa: Born Archduchess Maria Theresa of Austria, she was the second and eldest surviving child of Holy Roman Emperor Karl VI. Her only brother died several weeks before she was born and her two younger siblings were sisters. The fact that Maria Theresa’s father did not have a male heir caused many problems. Maria Theresa’s right to succeed to her father’s Habsburg territories in her own right was the cause of the eight-year-long War of the Austrian Succession. Upon her father’s death in 1740, Maria Theresa became the sovereign in her own right of all the Habsburg territories which included Austria, Hungary, Croatia, Bohemia, Transylvania, Mantua, Milan, Lodomeria and Galicia, the Austrian Netherlands, and Parma. However, she was unable to become the sovereign of the Holy Roman Empire because she was female. The Habsburgs had been elected Holy Roman Emperors since 1438, but in 1742 Karl Albrecht, Duke of Bavaria and Prince-Elector of Bavaria from the Bavarian House of Wittelsbach was elected Holy Roman Emperor Karl VII. He died in 1745 and via a treaty, Maria Theresa arranged for her husband Francis Stephen, Duke of Lorraine to be elected Holy Roman Emperor. Despite the snub, the formidable Maria Theresa wielded the real power and in reality, ruled the Holy Roman Empire. She is generally referred to by historians simply as Empress Maria Theresa and that is how she is referred to in this article.

Emperor Franz I of Austria, formerly Holy Roman Emperor Franz II; Credit – Wikipedia

Holy Roman Emperor Franz II = Emperor Franz I of Austria: Upon the death of his father Holy Roman Emperor Leopold II in 1792, Franz was elected the last Holy Roman Emperor and reigned as Holy Roman Emperor Franz I. Franz feared that Napoleon Bonaparte could take over his personal Habsburg territories within the Holy Roman Empire, so in 1804 he proclaimed himself Emperor Franz I of Austria and reigned until he died in 1835. Franz’s decision proved to be a wise one. Two years later, after Napoleon’s victory at the Battle of Austerlitz, the Holy Roman Empire was dissolved and lands that had been held by the Holy Roman Emperor were given to Napoleon’s allies creating the Kingdom of Bavaria, the Kingdom of Württemberg, and the Grand Duchy of Baden. Franz is referred to as Emperor Franz I of Austria in this article.

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The High Altar

The high altar; Credit – Autor: Bwag – Vlastní dílo, CC BY-SA 3.0 at, https://commons.wikimedia.org/w/index.php?curid=23347194

The current high altar was designed and made by German sculptor Andreas Halbig from 1857 – 1870. It was made from sandstone and made in the polychrome style, the decoration of architectural elements and sculpture in a variety of colors. The altar was originally made for the Votivkirche in Vienna but the architect of the Votivkirche rejected the altar because it would have prevented a view of the ambulatory, so the altar was installed in the Augustinerkirche in 1873. The altar shows Christ the King as ruler of the world, surrounded by angels and saints.

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The Altar Dedicated to Blessed Karl of Austria, the last Emperor of Austria

The altar dedicated to Blessed Karl of Austria in the Augustinerkirche; Photo Credit – © Susan Flantzer

In 2004, a new side altar was dedicated to Blessed Karl of Austria. On October 3, 2004, Pope John Paul II beatified Karl I, the last Emperor of Austria, and he is known as Blessed Karl of Austria. Beatification is the third of four steps toward sainthood in the Roman Catholic Church. On January 31, 2008, the Roman Catholic Church, after a 16-month investigation, formally recognized a second miracle attributed to Karl I which is required for his canonization as a saint. However, no word on his canonization has been forthcoming.

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The Cenotaph of Archduchess Maria Christina of Austria, Duchess of Teschen

Cenotaph of Archduchess Maria Christina of Austria; Photo Credit – © Susan Flantzer

Archduchess Maria Christina of Austria (1742 – 1798), was the fifth of the sixteen children of Empress Maria Theresa and Francis I Stephen, Holy Roman Emperor. According to Empress Maria Theresa’s writings, Maria Christina was her favorite child. Allowed to marry for love, Maria Christina married Prince Albrecht of Saxony. The couple received the Duchy of Teschen, and Maria Christina and her husband were jointly appointed Governor of the Austrian Netherlands, serving from 1781 – 1789 and 1791 – 1792. Maria Christina’s last illness was a long one. The day before her death at the age of 56, she wrote a farewell letter to her husband in which she told him of her deep and lifelong love for him. After the death of his wife, her grieving husband Albrecht had an impressive cenotaph (empty tomb) built for Maria Christina, designed and sculpted by Italian neoclassical sculptor Antonio Canova.

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Habsburg Weddings

The wedding of Crown Prince Rudolf of Austria and Princess Stéphanie of Belgium; Credit – Wikipedia

Information about the Augustinerkirche often says many Habsburg weddings took place there. In reality, many of these marriages were proxy marriages. A proxy marriage was a wedding in which one or both of the individuals being married are not physically present, usually being represented instead by other persons. It was very common during this time period for princesses to have a proxy marriage in their home country. The groom would usually be represented by one of the bride’s male relatives. Once the bride arrived in the groom’s home country, a larger religious ceremony was usually held.

For example, the proxy marriage of Archduchess Maria Antonia of Austria, daughter of Empress Maria Theresa, and Louis-Auguste, Dauphin of France, the future Queen Marie Antoinette and King Louis XVI of France, was held at the Augustinerkirche in Vienna on April 19, 1770, with Maria Antonia’s brother Archduke Ferdinand of Austria standing in for Louis-Auguste, Dauphin of France. On May 16, 1770, Maria Antonia, now known by her French name Marie Antoinette, and Louis-Auguste were married in person in a grand ceremony held in the Chapel Royal at the Palace of Versailles in Versailles, France.

The weddings below were ceremonies where both the bride and groom were present in the Augustinerkirche. They were not proxy marriages. This is very likely an incomplete list.

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What is Separate Burial?

A separate burial is a form of partial burial in which internal organs are buried separately from the rest of the body. Separate burials of the heart, viscera (the intestines), and the body were common in the House of Habsburg starting with the death of Ferdinand IV, King of the Romans in 1654 until the death of Archduke Franz Karl in 1878. Ferdinand IV of the Romans (1633 – 1654), son of Holy Emperor Ferdinand III, had a strong devotion to the Blessed Virgin Mary and requested that his heart be interred in the Loreto Chapel at the Augustinekirche in Vienna. This established the tradition of interring the hearts of members of the Habsburg family in a crypt alongside the heart of Ferdinand IV. Until then, the hearts of Habsburgs had mostly been buried with the body in the coffin at the Imperial Crypt in the nearby Capuchin Church in Vienna or in St. Stephen’s Cathedral in Vienna where the entrails of the Habsburgs were traditionally interred. With the death of Ferdinand IV, King of the Romans, it became traditional for the body to be interred in the Imperial Crypt in the Capuchin Church in Vienna, the heart to be placed in an urn in the Herzgruft, the Heart Crypt in the Loreto Chapel of the Augustinerkirche in Vienna, and the entrails to be placed in an urn in the Ducal Crypt of St. Stephen’s Cathedral in Vienna.

After the end of the monarchy in 1918, some members of the Habsburg family resumed the tradition of heart burial but not viscera burial. When Karl I, the last Emperor of Austria, died in 1922, he was not allowed to be buried in the Imperial Crypt in Vienna, and instead was buried at the Church of Our Lady of Monte on the island of Madeira in Portugal. His heart remained with his widow Empress Zita until it was interred in the Loreto Chapel of the Muri Monastery in Switzerland in 1971. When Empress Zita died in 1989, her body was buried in the Imperial Crypt at the Capuchin Church in Vienna and her heart was interred with her husband’s heart in the Loreto Chapel of the Muri Monastery in Switzerland. Karl and Zita’s son Otto von Habsburg, the last Crown Prince of Austria, requested that his heart be buried in the crypt of the Benedictine Abbey of Pannonhalma in Hungary. His body was interred in the Imperial Crypt at the Capuchin Church. The body of Otto’s wife Regina of Saxe-Meiningen was also interred in the Imperial Crypt but she requested that her heart be interred in her family’s crypt at Veste Heldburg (link in German) in Heldburg, Germany.

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Herzgruft – Heart Crypt in the Loreto Chapel

Loreto Chapel, the metal door to the left of the altar leads to the Herzgruft (Heart Crypt; Credit – Wikipedia

The Herzgruft (Heart Crypt) in the Loreto Chapel has 54 silver urns containing the hearts of 54 members of the Habsburg family. The chapel is dedicated to the Blessed Virgin Mary as Our Lady of Loreto. The women from the House of Habsburg prayed for the gift of children in the Loreto Chapel, and after giving birth, they offered prayers of thanksgiving in the chapel.

During the renovations of the Augustinerkirche by Austrian architect Johann Ferdinand Hetzendorf von Hohenberg (link in German), the original Loreto Chapel was demolished and a new one was built. A separate room in the new Loreto Chapel was set up for the heart urns. At the same time, the hearts of Anna of Tyrol, Holy Roman Empress, Holy Roman Emperor Matthias, and Holy Roman Emperor Ferdinand II, originally interred in the royal monastery of the Poor Clares next to the Hofburg Palace, were transferred to the Loreto Chapel. The last Habsburg whose heart was interred at the Loreto Chapel was Archduke Franz Karl, son of Emperor Franz I of Austria and father of Emperor Franz Joseph I of Austria, who died in 1878.

Urns with hearts in the Herzgruft (Heart Crypt); Credit – Autor: Gugerell – Vlastní dílo, CC0, https://commons.wikimedia.org/w/index.php?curid=28367548

The current Loreto Chapel, located behind a wrought iron gate in the right aisle, adjacent to the high altar, was built in 1724 and is the successor to the original 1627 Loreto Chapel. Access to the heart crypt is by an iron door to the left of the altar in the Loreto Chapel. The heart crypt is a semicircular room with bare walls in which the urns are placed on two shelves side by side in the sequence of death dates. The heart urns are made of silver except for the gold urn of Holy Roman Emperor Matthias. The heart urn of Prince Napoleon II of France, son of Napoléon Bonaparte, Emperor of the French and his second wife Archduchess Maria Louise of Austria, daughter of Emperor Franz I of Austria, is usually decorated with a ribbon in the blue, white, and red colors of the French tricolor.

All but three of those whose hearts are interred in the Augustinerkirche are buried in the Imperial Crypt in the Capuchin Church in Vienna, a short distance from the Augustinekirche. The burial place of those three is noted below.

Note: Holy Roman Emperors were elected. The Habsburg Holy Roman Emperors were also the Kings of Hungary, Croatia, and Bohemia and sovereigns of Austria and other Habsburg territories.

The upper row of heart urns arranged in sequence of death dates, from left to right:

The lower row of heart urns arranged in sequence of death dates, from left to right:

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • Augustinerkirche Wien. 2021. Augustinerkirche Wien. [online] Available at: <https://augustinerkirche.augustiner.at/> [Accessed 11 December 2021].
  • Cs.wikipedia.org. 2021. Augustiniánský kostel (Vídeň) – Wikipedie. [online] Available at: <https://cs.wikipedia.org/wiki/Augustini%C3%A1nsk%C3%BD_kostel_(V%C3%ADde%C5%88)> [Accessed 11 December 2021].
  • Cs.wikipedia.org. 2021. Hrobka srdcí – Wikipedie. [online] Available at: <https://cs.wikipedia.org/wiki/Hrobka_srdc%C3%AD> [Accessed 11 December 2021].
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  • De.wikipedia.org. 2021. Loretokapelle (Augustinerkirche Wien) – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Loretokapelle_(Augustinerkirche_Wien)> [Accessed 11 December 2021].
  • En.wikipedia.org. 2021. Augustinian Church, Vienna – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Augustinian_Church,_Vienna> [Accessed 11 December 2021].
  • En.wikipedia.org. 2021. Herzgruft – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Herzgruft_(Vienna)> [Accessed 11 December 2021].

Uppsala Cathedral in Uppsala, Sweden

by Susan Flantzer
© Unofficial Royalty 2022

Uppsala Cathedral; Credit – Av Andrew Friberg – Eget arbete, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=62401111

Originally, a Roman Catholic church, Uppsala Cathedral in Uppsala, Sweden became a Lutheran church during the Protestant Reformation in Sweden. It is now a Church of Sweden, the Evangelical Lutheran national church in Sweden. Uppsala Cathedral is the seat of the Archbishop of Uppsala, the Primate of Sweden.

The church at Gamala Uppsala (Old Upsala) as it looks today; Credit – By Lestat (Jan Mehlich) – From Polish Wikipedia, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=459228

At the end of the Viking Age (circa 793 – 1066), the Viking temple at Gamla Uppsala (Old Uppsala) was replaced by a Christian church. The date of construction of the church at Gamala Uppsala is unknown but a Bishop of Uppsala was appointed in 1123. After the church was damaged by a fire, local church officials sought permission from Pope Alexander IV to build a larger church nearby. Permission was given with the condition that the location name of Uppsala would be preserved. A new site was chosen in nearby Östra Aros whose name was changed to Uppsala.

Construction started in 1272 on the site of an earlier stone church dedicated to the Holy Trinity. This earlier church is related to the story of Saint Erik IX of Sweden (reigned circa 1156 – 1160), Sweden’s patron saint who is buried at Uppsala Cathedral. Magnus Henriksson, a Danish lord and a claimant to the throne of Sweden, gathered an army near Östra Aros where Erik planned to attend Mass, in that earlier stone church, on the Feast of the Ascension, May 18, 1160. After Erik attended Mass, he armed himself, and with a few men, went out to meet Magnus’ troops. Erik was pulled off his horse by Magnus’ troops who stabbed him and then beheaded him. Magnus Henriksson reigned for a year as King Magnus II before he was killed.

The church was designed by unknown French architects who supervised the construction until 1281. Progress on the construction was slow because of the cold climate, the plague, and financial difficulties. In 1287, French master builder Étienne de Bonneuil and his assistants traveled to Sweden to work on the cathedral. By the end of the 14th century, the initial plans were completed. However, when the cathedral was consecrated in 1435 by Archbishop Olaus Laurentii, it still was not complete. The cathedral was dedicated to Saint Lawrence (one of the seven deacons of the city of Rome who were martyred in 258) Saint Eric IX of Sweden (the patron saint of Sweden although he was never canonized by the Roman Catholic Church), and Saint Olaf (the patron saint of Norway).

A photograph of Uppsala Cathedral circa 1860, before Zettervall’s restoration; Credit – Wikipedia

Uppsala Cathedral today; Credit – Wikipedia

Over the years, fire damage required some renovations. From 1885 – 1893, the architect Helgo Zettervall oversaw comprehensive restoration work, seeking to give the cathedral a French High Gothic appearance. He added pointed French spires to the towers and in an attempt to give the cathedral a slimmer appearance, Zettervall significantly altered large portions of the medieval outer brick walls. He has been criticized for not respecting the cathedral’s original Brick Gothic style. Further renovation work from 1963 – 1977 led by Swedish architect Åke Porne (link in Swedish) improved the building’s structure and included restoration of the walls and windows. Large portions of Zettervall’s cement additions to the exterior of the cathedral were removed.

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The Shrine of Saint Erik IX of Sweden

The shrine of Saint Erik IX of Sweden; Credit – Wikipedia

Saint Erik IX of Sweden is said to have been buried first in the church at Gamla Uppsala (Old Uppsala). In 1273, his remains were transferred to the new cathedral in Uppsala which was still under construction. The gilded silver casket that we see today was made in 1574 – 1579 by King Johan III of Sweden to replace an earlier casket that was melted down when he needed money.

From 2014 – 2016, the remains in the shrine were examined. The researchers were 90% sure that the remains are those of Saint Erik IX of Sweden. Carbon-14 testing matched the date of Erik’s death and the manner of death fits the story of Erik’s death. The remains are from a person who died a violent death, probably decapitation. The remains also show that the person was about 35 years old at the time of his death, was strongly built, healthy, and physically active during his life.

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The High Altar

The high altar; By .ky – Inside the church in Uppsala, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=4968508

The high altar is used for the cathedral’s most important services. It is also here that all Swedish bishops are ordained. The silver chandelier is from 1647. The large crucifix in silver and crystal was installed in 1976.

Burchard Precht’s altarpiece was in Uppsala Cathedral until Helgo Zettervall removed it during his late 19th-century restoration. The altarpiece is now in the Gustav Vasa Church in Stockholm; Credit – Wikipedia

The altarpieces have changed over the years. From 1725 – 1731, Swedish-German furniture maker and sculptor Burchard Precht worked on a large Baroque altarpiece. It remained in Uppsala Cathedral until it was removed during Helgo Zettervall’s restoration at the end of the nineteenth century. At that time, Precht’s altarpiece was replaced by a neo-Gothic oak altarpiece designed by Swedish architect Folke Zettervall, Helgo Zettervall’s son. However, Precht’s altarpiece can still be seen at the high altar in the Gustaf Vasa Church in Stockholm.

The current altarpiece, a cross in silver and crystal installed in 1976; Credit – By Bo Berggren – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=25916597

Folke Zettervall’s altarpiece was removed in 1964. It was replaced for several years by the Skånelaskåpet, a late medieval altar cabinet in oak, made in Brussels during the early 16th century, purchased for the Uppsala Cathedral from Skånela Church in 1912. The current altarpiece consists of a cross in silver and crystal. It was designed by Swedish architect Åke Porne, who led the 1963 – 1977 renovation of Uppsala Cathedral, and was made by Bertil Berggren-Askenström (link in Swedish), a Swedish sculptor and silversmith.

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The Pulpit

The pulpit; Credit – By Szilas – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=27571416

The ornate pulpit, the largest in Sweden, was designed by Swedish architect Nicodemus Tessin the Younger and carved by Swedish-German furniture maker and sculptor Burchard Precht. It was a gift from Queen Hedwig Eleonora, the wife of King Karl X Gustav, after the fire of 1702 and completed in 1710. Helgo Zettervall had the pulpit removed during the 1885 – 1893 renovation he led. He wanted to replace the Baroque masterpiece with a pulpit in the Gothic style. However, he did not have the funds for a new pulpit and so Precht’s pulpit returned to its place.

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The Restored Frescoes

Restored frescoes; Credit – Wikipedia

During the Reformation, the medieval frescoes on the walls and ceilings had been whitewashed. Many of these beautiful frescoes were uncovered and restored during Åke Porne’s 1963 – 1977 renovations.

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Coronations

Coronation of Ulrika Eleonora, Queen of Sweden in 1719; Credit – Wikipedia

From 1441 – 1719, all but three Swedish monarchs were crowned at Uppsala Cathedral.

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Wedding

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Burials

Tomb of King Gustav I Vasa and his first two wives; Credit – Von Skippy13 – Flickr, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=726933

Except for Saint Erik IX, all the royal burials at Uppsala Cathedral are members of the family of King Gustav I Vasa. He was the first king of the House of Vasa and is considered the founding father of the modern Swedish state. During the Swedish War of Liberation (1521 – 1523), Gustav Vasa successfully deposed King Christian II from the throne of Sweden, ending the Kalmar Union between Denmark, Norway, and Sweden. On June 6, 1523, Gustav Vasa was elected King of Sweden by the Swedish Riksdag (legislature) and soon all Danish troops were driven out of the country. King Gustav I Vasa ranks among Sweden’s greatest monarchs and some argue that he was the most significant ruler in Swedish history. He ended foreign domination in Sweden, centralized and reorganized the government, cut religious ties to Rome, established the Church of Sweden, and founded Sweden’s hereditary monarchy.

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • En.wikipedia.org. 2021. Eric IX of Sweden – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Eric_IX_of_Sweden> [Accessed 7 December 2021].
  • En.wikipedia.org. 2021. Uppsala Cathedral – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Uppsala_Cathedral> [Accessed 7 December 2021].
  • Sv.wikipedia.org. 2021. Svenska kröningar – Wikipedia. [online] Available at: <https://sv.wikipedia.org/wiki/Svenska_kr%C3%B6ningar> [Accessed 7 December 2021].
  • Sv.wikipedia.org. 2021. Uppsala domkyrka – Wikipedia. [online] Available at: <https://sv.wikipedia.org/wiki/Uppsala_domkyrka> [Accessed 7 December 2021].

Stockholm Cathedral (Storkyrkan) in Stockholm, Sweden

by Susan Flantzer
© Unofficial Royalty 2022

Stockholm Cathedral with the Royal Palace of Stockholm on the right; Credit – By Julian Herzog, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=62714436

Stockholm Cathedral is between the Royal Palace of Stockholm and Stortorget, the old main square of Stockholm, in Gamla stan, the old town of Stockholm. Originally, a Roman Catholic church, Stockholm Cathedral became a Lutheran church during the Protestant Reformation in Sweden. It is now a Church of Sweden, the Evangelical Lutheran national church in Sweden. The church has several names: Storkyrkan (in Swedish, stor = great and krykan = church, hence Great Church), Stockholms domkyrka (Stockholm Cathedral) and Sankt Nikolai kyrka (Saint Nicholas Church). In Sweden, it is most commonly called Storkyrkan.

The mail aisle of Stockholm Cathedral; Credit – By Holger.Ellgaard – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=14668823

According to tradition, the first church on the site was dedicated to St. Nicholas of Myra and was built in the 13th century by Birger Jarl, the founder of Stockholm A large donation to the church in 1346 by King Magnus IV of Sweden and his wife Blanche of Namur probably indicates the beginning of renovations and additions. After significant renovations and additions in the 14th and 15th centuries, the church reached its present size and shape as a five-aisled hall church in 1480. The church was originally built in the Brick Gothic style of the 13th century with a tower. From 1736 – 1742, Swedish architect Johan Eberhard Carlberg was employed to renovate the exterior and build a new tower. The exterior was transformed from a Gothic style to a Baroque style. The exterior seen today is still largely the result of Carlberg’s work.

Eustachius Erdmüller’s altarpiece; Credit – By Øyvind Holmstad – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=45574353

The Baroque altarpiece over the main altar was made in silver and ebony by Hamburg goldsmith Eustachius Erdmüller and was completed in 1652. The central part is divided into three levels with each level containing a panel with a silver relief. The reliefs depict, from bottom to top, the Crucifixion, the Entombment, and Christ in the realm of the dead. Silver statuettes of Moses and John the Baptist flank the Crucifixion panel. The second and third panels are flanked by the Four Evangelists, Matthew, Mark, Luke, and John.

Royal Pews; Credit – By Jorge Láscar from Melbourne, Australia – Royal Pews and their crowns – Sankt Nikolai kyrka, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=66006973

On either side of the nave are the two royal pews. The lower part is a seating area enclosed by a decorated wooden barrier. Originally a throne was placed in each pew. The upper part of each pew is a gilt wooden canopy in the form of an oversize royal crown carried by angels against a background of imitated drapery. The royal pews, intended for the royal family, were designed by Swedish architect Nicodemus Tessin the Younger and made by Swedish-German furniture maker and sculptor Burchard Precht.

Pulpit; Credit – By Øyvind Holmstad – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=45764645

The gilt wooden pulpit in the French Baroque style was also made by the sculptor Burchard Precht between 1698 and 1702.

Saint George and the Dragon; By Tuomas Vitikainen – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=67092031

Perhaps the most impressive sight at Stockholm Cathedral is the wooden sculpture that depicts the legend of Saint George and the Dragon. The statue was commissioned by Sten Sture the Elder, Swedish statesman and Regent of Sweden from 1470 – 1497 and 1501 -1503, following his victory over the Danish army in the Battle of Brunkeberg in 1471. During the battle, Sten Sture had prayed to Saint George to protect his army. The sculpture is attributed to Bernt Notke, one of the foremost artists in northern Europe at that time. The 12 feet/3.75 meters high statue depicts Saint George on horseback and stands on a wooden plinth, decorated with scenes from the legend of Saint George.

Statue of Saint George and the Dragon; Credit – By BugWarp – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=87483011

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Royal Events at Stockholm Cathedral

Over the centuries, many royal events have occurred at Stockholm Cathedral. The list below does not purport to be complete.

Coronations

The Coronation of King Gustav III of Sweden (Uncompleted) by Carl Gustav Pilo; Credit – Wikipedia

Stockholm Cathedral (Storkyrkan) along with Uppsala Cathedral and a few other churches have served as sites for the coronation of Sweden’s rulers. In 1873, King Oscar II was the last Swedish monarch to have a coronation. His son King Gustav V of Sweden (reigned 1907 – 1950) chose not to be crowned and his successors King Gustaf VI Adolf and King Carl XVI Gustav followed suit.

Christenings

Christening of Crown Prince Victoria, 1977; Credit – http://www.nordstjernan.com/news/people/4354/

Weddings

Wedding of Crown Princess Victoria and Daniel Westling, 2010

Funerals

Funeral of King Gustaf VI Adolf, 1973

This article is the intellectual property of Unofficial Royalty and is NOT TO BE COPIED, EDITED, OR POSTED IN ANY FORM ON ANOTHER WEBSITE under any circumstances. It is permissible to use a link that directs to Unofficial Royalty.

Works Cited

  • De.wikipedia.org. 2022. Sankt Nikolai kyrka – Wikipedia. [online] Available at: <https://de.wikipedia.org/wiki/Sankt_Nikolai_kyrka> [Accessed 17 January 2022].
  • En.wikipedia.org. 2022. Saint George and the Dragon (Notke) – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Saint_George_and_the_Dragon_(Notke)> [Accessed 17 January 2022].
  • En.wikipedia.org. 2022. Storkyrkan – Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/Storkyrkan> [Accessed 17 January 2022].
  • Sv.wikipedia.org. 2022. Sankt Göran och draken, Gamla stan – Wikipedia. [online] Available at: <https://sv.wikipedia.org/wiki/Sankt_G%C3%B6ran_och_draken,_Gamla_stan> [Accessed 17 January 2022].
  • Sv.wikipedia.org. 2022. Storkyrkan – Wikipedia. [online] Available at: <https://sv.wikipedia.org/wiki/Storkyrkan> [Accessed 17 January 2022].
  • Sv.wikipedia.org. 2022. Svenska kröningar – Wikipedia. [online] Available at: <https://sv.wikipedia.org/wiki/Svenska_kr%C3%B6ningar> [Accessed 17 January 2022].